Ninth House

by Leigh Bardugo

Ninth House
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**PLEASE NOTE THAT THIS BOOK IS FOR ADULT READERS, SO THIS REVIEW WILL BE WRITTEN FOR ADULTS AS WELL.**

Also, to reward you for coming to read my reviews [which I can’t express how much I appreciate you being here and reading these, thank you so, so much!], but I got early access to Hell Bent, so definitely consider subscribing if you’d be interested in a non-spoilery-with-an-option-for-spoilery-thoughts review for it! You’re learning about it here first as a big thank you for being here! [Can you tell I’m excited about it?]

I believe my first read through of Ninth House predates my reviewing days, but, either way, this will be my first review of it.  However, it’ll be a Reread Review, since I read it originally a few years back, around when it published.

I’m going to try to also treat the portion of the review after the spoiler line as a sort of refresher/cliff-notes of the book for those who can’t fit in a reread of Ninth House before Hell Bent comes out, and want to just jump back into this world. Hopefully, this helps as many of you as I hope it does!

That said, I’ll leave my recommendation and non-spoiler thoughts below, like a normal review, before jumping into my attempt at a recap.

As always, though, before that – here’s your chance to read a summary of Ninth House on Goodreads here!

Recommendation: Read it! So, so good! It’s slow at first, like a lot of really good adult books that are also the first of a series because of all the world-building, but, my goodness, I’m always left needing the sequel. It’s really hard to put to words how good it is, but, if you like dark academia, if you like complicated, dark magic systems, and you like reading about the dead/ghosts/love reading about glimpses of the afterlife, this book is worth a try. [Just remember that the beginning is slow. You need to really be willing to give it a go and not give up early on.]

Alex Stern, our bad-ass Grey-seer and general Queen of All Things Fucked Up. She had rough, lower-class beginnings, became a school drop-out, and a had brutal childhood [and technically also brutal adulthood], but finds herself being given the chance of a life-time – to attend Yale University on a full ride. We see her character progression, and, let me just tell you – not only does she change a lot from the girl we see in Chapter 1, but it’s such a satisfying, fantastic transformation.

Per the Goodreads review, we don’t know any other character before diving in, so all thoughts on other characters [and, therefore, all of Alex’s interactions and relationships with those people] will be below the spoiler line.

What I can say, without spoilers, is that Leigh Bardugo manages to really sell all the various possible motivations behind some of the society’s actions, especially the ones revolving around what essentially becomes the main plot. Nothing feels forced or fabricated or unrealistic. Everything feels organic and possible, and that just really sells it and makes it the amazing book that it is, in my opinion. More details on that below the spoiler like, because I can’t really talk about it without spoilers, but it’s something I felt like should be provided, without spoilers, for those worried about that. Don’t worry!

**I FORGOT HOW MUCH I LOVE THIS BOOK, SO THIS IS BOTH A SPOILER AND A GUSHING WARNING LINE THIS TIME. BE PREPARED FOR SPOILERS AND FANGIRLING AFTER THIS – SO GO, READ THE BOOK, AND COME BACK, OR READ THE SPOILERS AND RECAP, YOU LIVE YOUR LIFE THE WAY YOU WANT TO, I’M ONLY HERE TO HELP.**

Alex isn’t quite a Queen in her own right now, but she ends up well on her way by the end of Ninth House, and I’m SO here for it – not only for that, but also for the continuation in general of her, Darlington’s, and Dawes’s journey in Hell Bent. Bring. It. On!

I NEED TO SEE DARLINGTON AS A DEMON.

Ok, with that behind us, let’s talk a little more . . . not fangirl-y, eh? Darlington is a wonderful, romanticizing know-it-all. I imagine, were I to spend the kind of time with him that Alex does before he’s gone, the know-it-all side of him might annoy me, but, otherwise, I feel like he’d be fantastic company, in my personal opinion. We might even be friends. But I love his obsessed with New Haven, both it’s history and seeing it as a living thing. I love his need to learn about everything that he feels relevant or interesting. I love that he feels this drive to romanticize everything.

And I love that that drive causes him to be at odds with Alex’s entire existence, because you can’t really romanticize her life. The parts of her he seems possibly jealous of have cost her a great deal in return, and none of it is really romance-able. I love it.

And Dawes. I love Dawes. She starts off very distant and not terribly present in the story, but then she’s on the page more, and I love her so, so much. I love that she hates people and doesn’t warm up to people quickly or easily. I love that you have to earn her alliance, and that she’s fantastic when you do. I love that she hates confrontation, but is still undeniably amazing at her job.

I love the dynamic between Alex and Dawes [and I enjoyed the little bit we saw between Darlington and Dawes, too]. I really hope we see a lot more of it in Hell Bent.

At first, I remember the time jump kinda feeling blah to me? At first, I wasn’t really hooked into the major two time frames we were jumping between, but then I found myself really looking forward to one or the other, then both, and then I just wanted every bit she’d give me. And that’s how I’m left feeling before diving into Hell Bent, and I can’t even begin to explain to you how badly I want to abandon this review that maybe a handful of people will read to get to Hell Bent, but it’s taking every ounce of my will power [and maybe a charge to future will power, so I’m now in will-power debt] to do.

Sandow always sort of felt like a full-of-it, self-centered, entitled, power-hungry guy to me, even before we found out about his possible [and then total] involvement in Tara’s murder, so it didn’t really surprise me that he was behind it, but it did surprise me how well he actually knew Tara, and still did it. Just – WOW. I mean, suprising, but kinda . . . not, ya know?

I love how Leigh Bardugo was able to construct completely believable and possible motives for Tara’s murder without making any of it feel forced. All of it felt like how things Tara got involved with would have naturally progressed, and that just really sells it for me. We really don’t know the most likely story of Tara’s ending, and that’s fantastic to me.

I’m also curious to see if Alex freeing the souls of the girls Belbalm/Daisy consumed will impact the magic at the nexuses at all. I imagine, mindblowingly, that it won’t, but I don’t know if I can believe that there’s no impact for it at all. Because those girls were still murdered, there’s still great violence having been created in those spots, so perhaps the fact that the girls weren’t able to go to an afterlife, to go behind the Veil, isn’t really relevant, so their ability to do so now maybe won’t cause the societies any issue? I don’t know. I just feel like there should be a cost to what Alex did – more than her now being stuck hearing Grays. But I suppose we’ll see in Hell Bent.

Alright, if I haven’t sold Ninth House for you yet, perhaps this weird cliff-notes-but-not recap will? I’ve put what I’m calling “The Gray Rules” first, then the little “The Houses of the Veil” blurbs provided in the back of Ninth House rewritten for your easy reference/refresh, then a recap summary. Enjoy!

[In case you don’t make it to the end, I’m putting my goodbye here: until next time, be safe, be kind, and read on!]

Gray rules/info:
1) Do not make eye contact.
2) Do not smile.
3) Do not engage.
4) Do not use their names. [It’s intimate, and risks forming a bond.]
5) They’re usually docile and vague.
6) For protection: salt, caramels to distract them, etc..
7) Reminders of death are the best way to keep the Grays at bay. [Cemeteries are the least haunted places in the world.] Directly listed/quoted examples: bone dust, graveyard dirt, and the leavings of crematory ash.
8) It takes a lot for them to take any kind of form in the mortal world. It’s close to impossible, but possible, to pass through the final Veil, to become physical and capable of touch and damage.
9) They’re attracted to things that remind them of life. Directly listed/quoted examples: salt, sugar, sweat, fighting, fucking, tears, blood, human drama, salt tears, fragrant flowers, spilled beer, raucous laughter, anxiety, coffee, open cans of Coke, gossip, panting couples, food going to rot, dreams full of sex and terror, sadness, any strong emotion, fear, the supermarket, hot food cases, bakery boxes, and school cafeterias.
10) Only a few Grays can pass through the Veil at any level, leaving the vast majority remaining in the afterlife.

Repercussions for breaking the above rules:
1) A Gray might follow you home.
2) A Gray may haunt you.
3) A Gray may possess you.

Prologue: [Early Spring] A glimpse of Alex in a semi-future, semi-current state. Post-Darlington-Incident, but not quite the end of the book.  She’s in rough, rough shape and hiding at the Hutch.

Chapter 1: [Winter] We see a glimpse of a slightly past Alex – before the Prologue events, but after the Chapter 2 events. Winter, as opposed to Fall.  She’s in a general swing of Lethe House responsibilities, including attending a prognostication she should oversee [but doesn’t arrive early enough to perform her most important responsibility], though Darlington is already gone, but she isn’t in as rough of shape as Prologue Alex. [Tripp is guarding the door to the prognostication.] During this procedure, the Grays act erratically – stretched towards the chalk circle around the procedure, mouths open unnaturally, like they’re trying to consume something, every muscle in their bodies strained, eyes wide, moaning a sound that more closely resembled a bee hive than anything human. This behavior made the room seem to vibrate. Something big from the next world “knocked”. “Something that should not be let through.”
Then it all suddenly stopped. Alex vomits.
There’s still hope that a new moon ritual will bring Darlington back. Tara’s murder is introduced, along with Pamela Dawes’s Lethe title of Oculus, her own title of Dante, and Darlington’s title of Virgil. Centurion is mentioned, but not introduced.

Chapter 2: [Last Fall] We see a glimpse of how Darlington and Alex start off. Cosmo is mentioned, but who he is isn’t explained. They put each other to the test, trying to feel each other out. Her father is brought up, but no details are learned beyond that she never knew him. The paths crossing the green are mentioned as having been intentional on the part of Freemasons, trying to appease the dead when the cemetery had been moved a few blocks away, the paths followed compass lines or formed a pentagram, “depending on who you asked”. The Lincoln Oak being unearthed because of Hurricane Sandy is mentioned, including the skeleton tangled in its roots. We don’t get the full history of Alex, but the meeting of our heroine and her “mentor”. Darlington’s mentor had been Michelle Alameddine. We learn a bunch more [and more direct] information about Lethe and Grays. We also learn the Lethe House is sentient.

Chapter 3: [Winter] Darlington suggests Alex “better” herself with free weights and cardio. He also sics the Lethe House spirit hounds on her when she first arrives there. We see Tara’s murder scene. Here, we learn about more of her Dante responsibilities along with her horrific past, which includes her wariness with cops. Unfortunately for her, Centurion is a cop. A detective, more specifically. Centurion is explained to be the liaison between Lethe House and the Chief of Police. We learn Alex is on academic probation because of her academic performance her first semester. She uses [and we’re introduced to the existence of] a compulsion coin on the coroner. We learn details about Tara, including her name for the first time. She also makes a connection between Tara’s death and the Gray’s weird behavior and the knocking/attempted entry from the next world during the earlier procedure she oversaw. She noticed the Grays seemed possibly frightened near the murder scene.

Chapter 4: [Last Fall] Alex recovers from her introduction to the spirit hounds, and she’s taken into Lethe House for the first time. Darlington sees some of her tattoos for the first time, and we finally meet Pamela [Darling calls her “Pammie”] Dawes, aka Oculus. Bathsheba Smith is brought up and explained as being the seventeen-year-old daughter of a farmer whose body had been found in the basement of the Yale Medical School in 1824. [She’d been dug up by the students for study.] She’s believed to be an early attempt to communicate with the dead. The people angry about her treatment nearly burn Yale to the ground. Darlington points out the stores of Gray repellents they have in Lethe House, and the rare vials of Perdition Water, “said to come from the seven rivers of hell and there were to be used only in the case of emergency.” We’re also introduced to Hiram’s Crucible, the vessel required to create Lethe’s elixir, the elixir also known as Orozcerio, The Golden Trial, and Hiram’s Bullet. The elixir gives them a glance behind the Veil, allowing them to see Grays, which Alex sees naturally, and in full color rather than just in grays, like those that take the elixir. Her file is mentioned, specifically the event that had started her Yale offer. It’s hinted at that it’s when Hellie dies and that Alex isn’t a suspect because the murderer of all the other people were done by a left-handed assailant and Alex is right-handed, and she also is too small to have handled a weapon with that much force. Let alone the fentanyl amount in her system that should have probably killed her but didn’t. She was found with wet hair and naked as a newborn. Darlington suspects there’s more to it, he felt it in his bones. We also learn Alex is 20. Darlington feels guilty for pressing her, and removes her tattoos [temporarily] with address moths. To prevent Darlington from going to get Dawes, who Alex is convinced doesn’t like her, she removes her shirt in front of Darlington so he can place those address moths on her skin. We also learn Alex hates/is afraid of butterflies [and, she guesses, moths]. She makes him promise, if she regrets what he’s doing with the moths, that he’ll take her and her roommates to Ikea, for pizza after, and “Aunt Eileen” is going to buy her new fall clothes. He agrees. She doesn’t seem to regret the tattoo removal.

Chapter 5: [Winter] Alex showers to remove the stink of the Veil. We learn Alex has too few possessions to leave clothes stashed at various Lethe locations [the Hutch and Il Bastone, aka Lethe House] and that there are Lethe House sweats. The ritual to bring Darlington back is mentioned again. Mercy is there when Alex returns to the dorm, and they discuss Alex’s essay, which Mercy offers to help her with over breakfast. We learn a bit of details about Alex’s mysterious, missing father and that Lethe has encouraged her to stage her room so people don’t get suspicious at her lack of expected things. We also learn about basso belladonna eye drops, which apparently are, “a bit like magical Adderall.” We also learn they have a brutal crash. And that Alex only really smiles when she’s going to eat. [Alex’s protruding ribs/general state of being malnourished is mentioned frequently.] We learn she stashes sandwiches and cookies for use later, between her three meals a day at the dining hall, and, in case it all ended/it all got taken away, she’d have food for a couple days, stashed in her backpack. During her trip to get seconds at breakfast with Mercy, Marguerite Belbalm [“La Belle Belbalm”, Mercy calls her] steals Alex away. When that happens, we learn about Colin Khatri, one of Belbalm’s assistants and a member of Scroll & Key. We learn here, between the tea with mint leaves and Belbalm’s prodding questions, that Alex basically worships her and wants to be her, to exist in her office space, and that the pro-offered potential to work for her over the summer is now her goal. She must do better this semester, including getting off academic probation, to earn that. [It’s also hinted at here that Belbalm’s origins aren’t as posh and privileged as one might assume – she relates and seems to see herself in Alex. We’re left with the impression that she might be an ally for Alex.] Interaction with her mother is mentioned for the first time [Alex sends her a photo]. We learn Alex and Hellie enjoyed using make-up, specifically glitter eyeliner and lip gloss, but we learn it’s socially unacceptable at Yale. After her Spanish II class, she walks back by Tara’s murder scene, and she thinks it looks familiar in a way she can’t pin point, something beyond it just being viewed again in the daylight. It sparks a memory of Hellie, Len, and Betcha, the latter two carrying the former’s unconscious or dead body, trying to take her through a door, implying they were taking her outside. Once Alex clears the memory from her head, we are introduced to the Bridegroom, teaching us about Grays that can haunt as well as his history. He moves towards her, but she avoids him. The eye-drop basso belladonna crash hits her, and, when she closes her eyes, she sees Hellie. This time, though, we get a glimpse of how she saw Hellie for the last time mixed with a memory of Hellie alive – or, perhaps, a memory of Hellie alive, after being sick from her drug use but surviving. “She closed her eyes and saw Hellie’s face, her pale brows bleached by the sun, vomit clinging to her lip, then, “… and it was Hellie, standing on a skateboard, rocking back and forth on those wide feet, her balance impeccable. Her skin was ashen. Her bikini top was splattered with clumps of her last meal.” Regardless, she seems to tie Tara’s fate to Hellie’s, and she seems to decide getting revenge for Tara’s death will help her deal with her loss of Hellie.

Chapter 6: [Last Fall] Darlington takes Alex to her first Lethe responsibility, an Aurelian ritual – specifically, an inspiration spell, held in Beinecke. Alex is taught the specifics of this ritual, and we see Darlington use the elixir to see beyond the Veil. We learn what occurs when one takes the elixir – both the feelings it imparts as well as the impact on vision. It’s described as making vision milky, like, “looking through a thick cataract of cobwebs.” And those cobwebs are explained to be the layers of the Veil. We see Alex use Lethe’s instructions on how to send Grays away for the first time. Once the ritual started in earnest, suddenly the Grays went from being a good number but handle-able amount, with Alex and Darlington doing just fine, to Alex suddenly struggling, the protection lines messed up, and the Grays had become a horde. Even though Darlington blames Alex, he blows up at the Aurelians, blaming them. Because they’re trying to regain their rooms in SSS, they offer to ensure their donation for this donation year is a generous one instead of Darlington reporting them to Dean Sandow. Darlington remains mad until his anger dissolves when Alex reveals that she struggled because a Gray touched her, freaking her out. This causes Alex to launch into a rant about how Lethe mistreated her, how this knowledge could have been useful to her when she was a kid, helping her keep the Grays at bay and hinting that she had bad experiences with them as a result of not knowing this protection knowledge, and she breaks Darlington’s wine glass as she goes. Darlington, thinking he understands that, as much as he wishes it weren’t true, that there’s truth to her accusation, offers for her to break more things, mainly glassware, plates, pitchers, platters, butter dishes, gravy boats, thousands of dollars in crystal and china, before handing her a glass full of wine.

Chapter 7: [Winter] Alex is determined to solve Tara’s murder, resorting to asking the Lethe House, Il Bastone, for help through the library mentioned before. [Apparently, Dawes dislikes Alex even more than before because of what happened to Darlington.] As Alex uses the library, the magic behind it is explained, mentioning that it uses magic from Scroll & Key to function the way it does. We see a glimpse into Alex’s past [trigger warning scene], the first truly dark story she tells. We learn why she hates butterflies, and the first time Alex is touched by a ghost – who was drawn to the blood of her first period, and rapes her on the bathroom floor, face down, rear up, and her friend at the time and a teacher find her that way. She tries to stay away from school, but is eventually forced back, where she becomes the source of ridicule. She’s led to a trap of meeting a girl from her class at the mall, but she meets Mosh, who is dating Len, giving us a glimpse into her history with him. We “meet” him for the first time, outside of Alex’s vague memory mentions. We also learn Alex discovers that smoke weed keeps her from seeing Grays. She starts hanging out with a bad crowd and slowly becomes the delinquent kid at school, being held back, being suspended, and leading her mom to try to send her off to be “fixed”. By then, she wasn’t consistently coming home, and runs into Mosh for the first time since Mosh left for art school. Mosh apologizes, but Alex doesn’t understand, telling Mosh she saved her. Mosh seems so sad, that Alex returns home, where her mom has her rushed in her sleep and they try to send her off again. Alex gets away, runs to Len [7 miles away], where he treats her blistering feet with the Baskin-Robbins ice cream from where he works, and then they get high and have sex for what’s implied to be the first time. She begins working at various places, eventually landing in a mail shipping place, where she runs into Meagan [her friend she lost to the bathroom/butterfly scene] again. She spends the next few years in and out of that delinquent haze, considering occasionally getting clean, but then seeing a Gray, and going back to it. Len brings in Hellie, Alex thinks to make her jealous, and Alex ends up loving her. We get drawn back to the present, her hunt to solve Tara’s murder, and she drags Dawes into it by convincing Dawes to go with her to the morgue.

Chapter 8: [Winter] Alex switches her peacoat for Dawes’s sweatshirt, and conned her way past the morgue’s front desk, then used her last compulsion coin on the coroner to avoid signing in. Once to Tara, Alex has less than 30 minutes to perform the ritual she found on her. It allows Alex to relive the various sources of harm/pain on Tara. She sees irrelevant things, but begins to relive her murder. She sees a boy Tara’s memories tell Alex is Lance. We’re to presume that’s the boyfriend, and Tara describes a taste on her tongue as acrid. Tara felt excitement and anticipation, but Alex didn’t know where they were going. Lance apologizes to Tara. She’s suddenly on her back, looking up at the stars, everything growing distant and blurring. She realize she’s being stabbed and her bones are breaking just before an unfamiliar voice tells her to close her eyes. Alex reels out of the memory, realizing Tara felt no pain, and wonders if she – and maybe Lance – was high. Despite the unfamiliar voice, Alex assumes Lance murdered Tara and decides that should appease Hellie’s memory – and then runs into Detective Turner, Centurion. They get into it, but Alex discovers Tripp is on Tara’s and Lance’s distribution list.

Chapter 9: [Winter] Alex and Dawes split ways, and Alex brings Darlington’s car back to his house. Because of a few lights being on, one being Darlington’s bedroom, Alex convinced herself Darlington is back, that this is all just a ruse to see if she can handle being Dante, that’s it’s part of the initiation process. Alex walks through his house, recalling memories that imply she and Darlington got much closer than we’ve seen so far. But, despite Alex’s fiercest wishes, he isn’t back nor has he always been there, just testing her, so Alex blames herself all over again, and we finally meet Cosmo – Darlington’s cat. We get a glimpse of why Alex blames herself, because she tells Cosmo, “Come on, Cosmo. I didn’t mean for it to happen. Not really.” Not really. She cries. She falls asleep in Darlington’s bed [bundled in three of his sweaters and, “an ugly brown hat she’d found on his dresser but never seen him wear” – all because she was afraid to mess with the thermostat], and dreams about him curled behind her on the bed. He has claws on the tips of his fingers, and he swears to serve her until the end of days. When she wakes, she cleans up after herself, and takes her laptop to the “dusty sunroom” to write her report on Tara Hutchins’s murder. She leaves a lot out of the report, mainly her gut feeling on it being tied to the Houses, and sends it to the Dean with Dawes CC’d. She plans the rest of her day and the next as she leaves Darlington’s house behind, stopping at a “fancy mini-mart” on her way back. She gets attacked by a strange Gray, who is somehow able to hurt her but no one else can see, his skin reminding her of glass. He breathes red mist into her and she breathes it in. During this attack, the Bridegroom Gray steps in and fights the attacking Gray, giving Alex the chance to flee. She manages to text Dawes that she needs help and tried to get inside the warded Hutch to protect herself. Luckily, Dawes is there and not at the house, and she helps Alex treat the Corpse Beetle magic. She learns the strange Gray that attacked her is a gluma, which is, “a husk, a spirit raised from the recently dead to pass through the world, go-betweens who could travel across the Veil. They were messengers. For Book and Snake.” Through her pain and suffering, Alex smiles. She takes this as a sign that she’s onto something. But the reason she smiles is because of the thought that closes the chapter, “That means I get to try to kill them.

Chapter 10: [Last Fall] Darlington gives out candy at Black Elm before joining Alex at the Hutch, both in costume. Darlington thinks about how well Alex has done since that first ritual, after breaking a few thousand dollars of glass and china, including watching a series of, “first transformations” of Wolf’s Head, the first time that House is really mentioned. A Book and Snake raising is also mentioned, the House seemingly tasked with relaying the final accounts of recently dead Ukrainian soldiers. And an unsuccessful portal opening at Scroll and Key, and an equally unimpressive storm summoning by St. Elmo [also the first real mention of that House]. Darlington described Manuscript as, “the house of illusion and lies.” When Alex learns there are nine total levels to Manuscript, she assumes it represents the nine circles of hell, but Darlington tells her the inspiration came from Chinese mythology [eight being considered a lucky number]. The spiral staircase leading you through the descending stories represents a divine spiral. Darlington discovers her costume is intended to be Mab, Queen of the Night, and internally confesses that, “maybe he wanted her to be the kind of girl who dressed as Queen Mab, who loved words and had stars in her blood.” The Grays are “all over” the party, and Darlington asks Alex to tell her what she can see. She keeps it vague, under his suggestion, but obliges him. One floor is glamoured to resemble the VIP section of a nightclub. Another to resemble a forest, including a horse. The next floor, the ceiling vaulted like a cathedral, painted the bright blue and gold of a Giotto sky, the floor was covered in poppies, and it was all somehow a church but not a church. The next was a mountaintop arbor, “which didn’t bother trying to look real” – all hazy peach clouds, wisteria hanging in thick clusters from pale pink columns. Finally, to a quiet room with a long banquet table against one wall and lit by fireflies. One wall was taken up by a vast, circular mirror that was roughly two stories tall and its surface seemed to swirl. It was a sort of magic vault, a repository of magic fed by desire and delusion. That floor was the central floor, separating the culling and ritual levels. One member was selected every year to be Lan Caihe, one of the eight immortals of Chinese myth, “who could move amongst genders at will.” Shortly after conversing with that individual, the drugs in the mist that had been “blown” into Darlington’s face take effect, and he ends up on his knees, his face pressed into Alex’s panties after hiking her dress up, his hands braced on her thighs. During the trip, he sees Alex in a way that more resembled Queen Mab than Alex’s mortal appearance – most notably, a constellation glowed above her head – “a wheel, a crown.” The chapter closes with, “Alex Stern was not what she seemed.”

Chapter 11: [Winter] Alex awakes post-attack, and Dawes continues to help her recover from it. Alex begins telling her everything that had happened, but then she discovers Sandow is on his way, and she demands Dawes not tell him anything about the attack that she told her. They discussed trying to bring Darlington back – but also about if that fails. Sandow ruffles Dawes’s feathers by implying victim-blaming in regards to Alex, that the attack was her fault, etc., when Alex tries to say that Tara’s death is related to the societies and that the gluma was sent to silence/stop her from investigating further. After Sandow leaves, Alex discusses with Dawes who she can go to to talk to the dead that isn’t Book & Snake [since she doesn’t want to turn to the people possibly trying to kill her]. After some banter, they settled on Wolf’s Head.

Chapter 12: [Winter] Alex and Dawes go to Scroll and Key before going to Wolf’s Head so Alex can steal back the Romulus and Remus statue back for Wolf’s Head. With Dawes’s helps, she successfully does just that, and then Salome tries to give her the runaround. Alex drops her “quiet girl” mask and basically goes crazy on her. Salome folds, and Alex, Dawes, and the Bridegroom perform the ritual they need in the Wolf’s Head temple. Basically, Alex dies, talks to the Bridegroom in the river you cross in death, and they come to an agreement. During her visit, Alex asks about Darlington, and the Bridegroom tells her, “Even the dead don’t know where Daniel Arlington is.” Alex hears something on the other side of the river, something that isn’t human, and she notes what she thinks its saying. Alex nearly dies on her way back to the living, but manages. The Bridegroom is going to find Tara, and, in exchange, Alex finds out who murdered his fiancée.

Chapter 13: [Last Fall] This chapter is mainly about Darlington’s history, mostly surrounding Black Elm. We learn about his negligent parents, his gruff grandfather, and how he spent most of his childhood, giving us a glimpsed into why Darlington is the way he is now. We also learn how Lethe picked him up – he tried to make his own elixir and nearly died in the process, leaving him in a hospital bed like Alex was, waking like she did to Sandow and his offer.

Chapter 14: [Winter] We start the chapter with Alex and Dawes tentatively bonding over a cup of hot chocolate and a gourmet marshmallow. They part ways with Dawes agreeing to look into what Alex heard during the ritual – “Jean Du Monde? Or maybe Jonathan Desmond?” – and Alex going to talk to Tripp about Tara and who else was tied to her. Before they part, they briefly discuss what Dawes knows about the Bridegroom. Once she’s done questioning Tripp, she borrows his bike, and went to talk to Turner about Tara and her apartment. As usual, their exchange is hostile, but Alex comes out a little on top. But Alex returns to the dorm and finds Mercy crying, Lauren comforting her. Alex discovers Mercy was drugged with Merity, the acolyte drug that surrenders the user’s will. She takes evidence with her, storms out, and seeks justice on her own terms.

Chapter 15: [Winter] We open with Alex reminiscing to the last time she was at Manuscript – the Halloween party where Darlington had been drugged. She recalls having woken up to Darlington hard against her, his hand cupping one of her breasts, his thumb brushing across her nipple. She snaps at him about it, and he stumbles awake. We find out that vague report she shows Darlington is a fake, and that she sent a completely different, likely more accurately detailed, version to Sandow. She goes back to Manuscript to grill someone about Merity. She meets Mark, who was part of the ones begging Alex and Darlington not to report them, and he swears they’re locked tight, and so is their supplier. We find out here that maybe the report the sent was the opposite – that it covered for Manuscript, which resulted in a fine rather than a suspension, and, in exchange, she requests a favor to try to undo the damage done to Mercy via the video taken of her. In the end, he agrees, and even offers her Starpower, a terrible-tasting powder that helps you be really convincing for about 25-40 minutes. Alex uses this to wipe as many phones of Mercy’s video as she can find, along with other videos of other girls, over at the frat house – and then it’s implied that she records an embarrassing video with them as the stars involving a backed-up toilet and it’s fecal contents.

Chapter 16: [Winter] We come back to Alex in the dorm, comforting Mercy and telling her the video was gone. After some pushing, Alex finally convinces her to go get something to eat [and not drop out of school], so the three of them go to the dining hall. There, they discover a video has gone viral – and it’s Blake, the guy who shot the video of Mercy, literally eating shit out of the clogged toilet. Mercy basically/indirectly forgives Alex for not being at the original party to protect her.

Chapter 17: [Winter] Alex dedicates time to Mercy [and Lauren], but returns to her Lethe/Tara duties on Monday. She stopped by Il Bastone to get grave dirt [for protection], a pocket watch [for the glumae], and a mirrored compact. After a flashback to Darlington, which only serves to show more of his love of New Haven, Alex waits until a guy leaves Tara’s apartment building [which has an officer standing guard], follows him, flashes the compact mirror at him, and heads back. We learn when she flashes the mirror at the officer that the mirror is from Manuscript, and it convinces the officer he’s seeing that same guy who just left. She slips inside and finds the cops have removed the lock from Tara’s apartment, so she gets in without picking a single lock. She walked through the apartment, trying to find an item for the Bridegroom [he asked for something “with effluvia“]. She gives him Tara’s retainer, and then a guy appears and attacks her, breaking her rib(s), possibly breaking skin at the back of her head to bleed down her neck, and is blocking her exit as he chokes her to death. The chapter closes with, “No one knew who she was. Not North. Not this monster in front of her. Not Dawes or Mercy or Sandow or any of them. Only Darlington had guessed.”

Chapter 18: [Last Fall] Darlington drags Alex to St. Elmo’s on a not-scheduled night because it was causing trouble with the grid. He walks her through how to handle the weather, to give it a direction so it doesn’t take out the grid, and they stumble on the knowledge that Alex is behind all the murders she was found among, even though there’s no way she should have been able to do it. Darlington assumes she “hosted” a ghost/spirit, and they committed the murders, using her body as a temporary vessel. He goes to close the portal they stumbled on, and he realizes, too late, that it isn’t a portal, and he’s whisked away, saving Alex from being turned in to Sandow. And the curiosity of what happened to Darlington is satisfied, but we’re still left with the question of where did Darlington go?

Chapter 19: [Last Summer] We finally find out what happened at Ground Zero, where Alex was found. To not dwell on what might be the saddest/worst chapter of the whole book, Len basically attempts to pimp out Alex and Hellie to a guy with a reputation for being a guy who, “doesn’t just like it rough; he likes it ugly.” Hellie decides it’s a price she has to pay, for her and Alex, to keep a roof above their head. Hellie slips Alex, goes back home, and Alex finally catches up. She waits for Hellie, who returns saying only, “No” on repeat as she holds Alex. She dies in her sleep, having vomited on herself [and possibly choking on it?], and Alex wakes up to Hellie’s ghost. While Len and the others talk about throwing her body out like trash, Alex is trying to talk Hellie into staying with her. Alex doesn’t realize what she’s doing, but ends up inviting Hellie into her own body, making her a temporary vessel for Hellie’s rage – and Hellie proceeds to murder the entire house [including the man who hurt her just before she died], then walks Alex through cleaning herself of the evidence before they lie down together as Alex succumbs to exhaustion. As Alex drifts off, she begs Hellie to stay with her.
Alex awakes alone to a paramedic shining their light in her eyes.

Chapter 20: [Winter] We’re back to a choking to death Alex, and, against the Bridegroom’s [North’s] desire, Alex pulls him into her like she pulled Hellie into her, to help her fight her attacker. Similar to Hellie, but it’s unclear if Hellie was in control that night or if Alex was. She still nearly loses until Detective Turner shows up, ultimately and accidentally chasing her attacker away. When she explains it seems like the guy was using portal magic, Turner informs us that Alex’s attacker is none other than Lance, Tara’s boyfriend and supposed-murderer.

Chapter 21: [Winter] Turner takes Alex to Dawes, during which time Alex seems to [maybe] convince Turner of Lance’s innocence. Alex barely gets into the crucible [the same one Darlington uses to make his elixir] that Dawes fills with goat’s milk that Turner runs to get while Dawes is slowly helping Alex get undressed, and then Dawes “resets” Alex’s body back an hour or two back to before when Lance “broke” it. Turner awkwardly finds a reason to leave, and Dawes and Alex bond over what seems like Turner’s dislike of them. Dawes brings Alex her food just as Alex offers for North into her body again because she discovers they can see into each other’s heads when they do. We see North’s last day alive in his memories and we discover that someone else took over his body, likely a confused Gray that temporarily had enough power to overtake him, and the Gray killed Daisy and then North himself.

Chapter 22: [Winter] We reel back into Alex’s perspective and time, and she kicks North out as she tells him she just saw him kill Daisy and himself. She then gets dressed in sweats and starts looking through Virgil/Darlington’s room for clues/notes of whether he looked into North’s murder. She finds nothing, but then goes to check the library search logs – and she finds his searches for both North and Daisy. While she’s trying to brainstorm where him notes on this research might be, Dawes appears and tells her Turner has something to show them. He’s changed into jeans and a button-down that he still manages to make look sharp, and he and Dawes are looking at prison security footage as Alex joins them. We learn Lance just turns a corner and disappears at the jail – and that he returned to the jail after his fight with Alex. Turner reluctantly listened to Alex’s theories of Tara’s ties to four of the Ancient Eight societies. By the end, Dawes agrees to go to Sandow’s housekeeper to try to find out where Sandow was the night of the murder, and Alex is going to visit the greenhouses. We find out Alex’s mother sent Alex a photo of her wearing a Yale sweatshirt with crystals behind her on the mantel that one of her friends had taken for her to send. Turner is convinced that Sandow’s possible money issues is behind it all because it’s “nice and clean.”

Chapter 23: [Winter] Alex goes to Belbalm’s salon as she planned, realizing as she arrives that she’s intended to be staff – and she’s grateful and relieved. She works with Colin and Isabel before Colin is invited to join the group and read something he’s brought with him. Then Alex and Isabel are more or less alone. Throughout the night, she discovers Sandow was present, though he, “drank too much” and, “Professor Belbalm tucked him away in her study with a blanket.” And Colin worked with Isabel in the kitchen, “until after two.” The next morning, Alex doesn’t have classes, so she intended to get some reading done before heading up to Marsh, but sees the Bridegroom, so she catches water in a sink to talk to him, and he tells her he hasn’t found Tara, and Alex admits that Darlington was looking into North’s murder-suicide, but she hasn’t been able to find his notes and says she’ll look at Black Elm tomorrow. She then goes to the greenhouses and discovers the greenhouse used, but finds it empty. She learns from someone there who had run the greenhouse, but is told she left for the semester. Alex meets up with Turner, and updates him on what she found. She convinces Turner to let her interview Lance, the plan involving her magic mirror, a brief case, and Turner being dressed in his normal, sharp suit [though she keeps the last part, and her plan details, to herself].

Chapter 24: [Winter] We start the chapter with Dawes, Turner, and Alex discussing their jail visit in Il Bastone with Dawes using the literal tempest in a teapot that Darlington had told Alex about during her tour, but that Alex hadn’t realized he meant literally. Dawes informs them that it’s also the tea itself that’s critical, so she brews it herself. She informs the two that it’ll give them two hours of real disruption. After that, she leaves vague. They go to the jail, rattle Lance into giving them info that seems to spell a few new motives for the societies Tara seems tied to, and Turner drops her off.

Chapter 25: [Winter] We open with Alex walking back into her dorm suite to Mercy asking how it went. Alex barely remembers she told her she had a job interview, and gives an honest but vague answer about the actual jail visit event she really needed the clothes for. Alex debates her next cover-up story and goes with looking like she has a date. We see Alex, Mercy, and Lauren playfully bantering before Alex leaves for the new moon ritual. She finds Dawes making Darlington’s favorite food, Dawes compliments her on how nice she looks, and she begins searching the office and Darlington’s bedroom for the notes on North’s murder-suicide. She finds an old carriage catalog, with just one note of, “the first?” written in the margins of a page talking about the brand-new North and Sons’ factory which was fronted by a showroom for prospective buyers. Then everyone begins to arrive for the ritual, and they seem to socialize for a bit before undergoing it. It goes wrong, according to Sandow, and they decide that Darlington had been consumed by a hellbeast, soul and all. That’s why he wasn’t on the other side – he was gone.

Chapter 26: [Winter] Dawes asks Alex to stay, and Alex is grateful she wants her to, so she agrees. Alex grasps at straws that maybe Darlington isn’t gone, that Sandow got the ritual wrong, but Dawes insists that what they saw tonight wasn’t wrong, that Darlington was consumed by a hellbeast, but that Sandow had been wrong in that something could survive the hellbeast consumption, just no human – only a demon can. Alex tells her she’s going to order a pizza, that she has dibs on the first shower, and Dawes offers to get wine. When Alex gets upstairs, there’s suddenly a knock on the door that confuses her, as no one knocks on the door of this place, and then a voice from the door says, “Let me in.” She gets all the way back downstairs before she realizes that the person at the door is using compulsion and tries to warn Dawes, who had beat her to the door, not to open it, but she’s too late. Dawes gets thrown back, hits her head, and goes down. Alex grabs Dawes’s headphones, jams them down on her head, sealing them to her ears to prevent herself hearing anything, and runs away from who she identifies as Blake Keely, the guy she made eat shit on video and passed it around. Eventually, Blake gets Alex’s ears free, and proceeds to slowly attack her. Sandow shows up just before Blake stabs her, and he compels Sandow to do it instead. Just before he does, Alex manages to call the house jackals Darlington had sent on her – but doesn’t have control of them, so they attack everyone, not just Blake – even her. Blake still tries to kill Alex, but Dawes kills him with the bust from downstairs.

Chapter 27: [Winter] Alex comes to in a hospital, thinking she’s back to last summer, back in California, Hellie’s death still fresh and new. But then her body, with its various injuries, reminds her she’s in New Haven, and everything comes rushing back. The nurse that took care of the prognostication comes to check on her, and she decides that’s a bad sign, so she runs away to Dawes’s room, and they cram themselves to fit together on Dawes’s bed. They both drift off, but Alex comes to when Turner wheels Sandow in his cast into the room, and they all discuss what’s happened, the truth that was unraveled from Blake’s attack. Before the end, Turner leaves, and discuss turns more specifically to Lethe and Alex. Dawes pushes for Sandow to give Alex a minimum of a 3.5 GPA for the semester to help set her up for the next year, to get her off academic probation and continue her work at Lethe, but both she and Dawes are disappointed to learn that the societies that made huge errors of judgement are probably going to get away with maybe hefty fines and naught much else. Dawes kicks Sandow out [politely but not friendly] and Alex discovers Dawes is leaving to stay with her sister because, ” ‘This was suppose to be a research job. It’s too much.’ ” Alex runs away, back to her hospital room, where she disconnects her IV, collects what she needs, steals a doctor’s jacket, and walks out of the hospital. She passes Dawes’s sister on the way out, gets a car to take her back to the Hutch, and, “goes to ground.”

Chapter 28: [Early Spring] Alex wakes in the Hutch to the sounds of glass breaking. She’s disoriented for a bit, but remembers where she is. Turns out, Mercy had broken the window to get Alex’s attention – and Mercy had snitched to Mira, Alex’s mom, and she had flown out to see her. Even though embarrassed with the state of the place and the fact that it technically broke the rules, she invites them into the Hutch. They clean up after her, get her cleaned up, force her to make an appointment to get looked at, feed her, spend some time with her there, and take her back to campus. Mercy and Alex show her the suite and Alex’s room, and then Mira leaves, blaming her parenting for Alex’s bad turn in life. Mira insists Yale is where Alex is suppose to be. Alex asks after her dad again for the first time in a long time, gets a cryptic answer about how being with her father was like being an arsenic eater – people who consumed arsenic daily because, “it made their skin clear and their eyes bright and they felt wonderful” but, “all the while they were just drinking poison.” Mercy brings up Blake when Alex comes back to the suite, tells her what happened, and then they talk about Mercy’s great-grandmother and Alex’s grandmother [and, indirectly, Alex’s father]. Alex decides her true answer to Belbalm’s question from earlier in the semester about what Alex wanted, and decides, “I want to live to grow old. I want to sit on my porch and drink foul-smelling tea and yell at passerby. I want to survive this world that keeps trying to destroy me.”

Chapter 29: [Early Spring] Alex decides to “at least try to make a good show of it” and go to class. North hounds her, so Alex asks Dawes if she had any luck looking into how to sever connections to Grays. She uses a sink to tell North to, “fuck off” and leave her alone. She continues to ignore him, but he possesses her, forces her to write three years down as she sees into his head for the duration of the possession. She comes back to with blood splattered over her notebook page from a nose bleed, and she gets pissed. She threatens North just before running into Tripp again. After their conversation, she decides that maybe he isn’t as useless as he seems, and then she’s off to Il Bastone’s wards. Despite herself, she’s curious about the years North gave her, so she gives in and looks into them. Eventually, she discovers that Darlington had stumbled onto how the nexuses were created – by the murders of girls throughout the years. She pieces together that Sandow is behind it all, that a tomb was needed, so he created one with Tara’s death, had gotten rid of Darlington because Sandow knew he’d put it together, and she reaches out to Turner that they had gotten it wrong and to meet her at the president of Yale’s house, where Sandow was currently attending a welcome back party of sorts in his honor.

Chapter 30: [Early Spring] Alex stops by her dorm to clean up and change. She puts on the dress her mom bought for her when she visited to give herself as much credibility as possible for her Sandow confrontation. She uses a cup of tea to ask North if he had any luck and to get permission to use him. She finds our he had no luck, and his strength is hers. She texted Dawes to give her a vague update/back-up plan, and wonders why Turner hasn’t replied. Alex runs into Colin at the president’s house working staff like he was for Belbalm’s salon. She’s surprised that he isn’t angry with her, that he even goes so far as to invite her to the kitchen later to join them in enjoying the champagne Belbalm brought for them. She realizes he doesn’t know what’s happened, that he felt no real punishment for his actions with Tara. She gathers herself in the bathroom, staring at her reflection over the sink. She takes off the black cardigan she wore over the cream dress her mom got her, and notices some pink leeching through where her bandage must have come loose at the edges. She decides her passing GPA trade off isn’t worth doing nothing, and she licks her knuckles to release her tattoos from the address moth’s magic. She finds Sandow, and pretends she’s dropping something off that he asked for, leaking a little of what she knows to get his attention. He goes along, and they go off to the president’s at-home office to talk. She starts recording with her phone’s microphone on the way, and keeps the office door open to the party for her defense/safety. Sandow admits to it all, even telling Alex she was also meant to be consumed by the hellbeast with Darlington. He consumes Starpower to compel her, but she pulls North into her before he can. Belbalm interrupts, and Sandow gives her commands to aid him. She seems to go along – and then clearly doesn’t, closing the office door as she tells Sandow to stop.

Chapter 31: [Early Spring] Alex discovers Belbalm is not only Daisy, but that she took over Gladys’s body, consuming Gladys’s soul to do so, using it to sustain her, and that she and Alex are what Belbalm/Daisy calls “Wheelwalkers”. Alex realizes that Belbalm/Daisy has been killing all these girls over the years, creating the nexuses by consuming their souls. The reason there’s a sudden jump in years is because Daisy discovered that consuming a fellow Wheelwalker’s soul is more sustaining, their souls last her longer between feeds. Her intent is to [eventually] consume Alex – “I wanted to let you ripen for a while. Wash the stink of the common from you. But . . .” And then she began to rip Alex’s soul from her body, consuming memories as she went, and Alex begins to lose herself in the process, essentially surrendering to Belbalm/Daisy. But she regains herself, calls all the Grays to aid her, and forces the souls Daisy has consumed to be ripped from her body, including Gladys’s and Daisy’s. North tries to protect her, to save her, but Alex and the other Gray girls refuse. Once she’s pulled free, the Grays embrace Gladys, who was reluctant to be pulled out, but they all swarm to Daisy, presumably to attack her, maybe destroy her. Once it’s over, she finds herself on her knees in the president’s office, all the Grays but the Bridegroom gone. She watches Belbalm’s body – Gladys’s body – dissolve into ash from it’s hundred-ish years of existing. Alex apologizes to North, but follows it up with the comment that he has terrible taste in women. She sees Turner finally texted her back, and it’s to tell her he’s working a case, that he’ll call, to warn her not to do anything stupid. She comments, “It’s like he doesn’t even know me.” She asks North to help her make sure the coast is clear, so that she can return to the party without people noticing where she’s coming from, so that Belbalm will possibly be the last person to be seen going into talking with Sandow, that she’ll be blamed for her death, since Alex opened the French doors in the office that led to the garden, and the cold air had scattered Belbalm’s ashes, removing the evidence she died there. Alex then returns to the party, pretending like nothing happened, which she knew she could do because she, “had been doing it her whole life.”

Chapter 32: [Spring] Alex and Dawes meet up and walk to Tara’s murder site, where flowers are beginning to grow at the edges of the plot. Alex had always called the Grays The Quiet Ones, but now she could hear them, like she had heard North and the Consumed Girls in the president’s office after Belbalm attempted to consumer her soul. They walked the perimeter of the land Sandow had intended to be St. Elmo’s new tomb, and we discover Alex submitted the recording of Sandow’s confession to the Lethe board. They decided to leave the story as it was, blaming Blake, and attributing Sandow’s “sudden, massive heart attack” to his recent divorce and a fall he had taken a few weeks before [his broken leg story, presumably]. The New Haven police had opened an investigation into Belbalm’s disappearance. But Belbalm’s true identity, what she truly was, was withheld from Lethe – Alex had ensured the recording was cut-off before Belbalm had joined them in the office. Dawes and Alex move on from the site to head to the cemetery. Michelle and Turner were at Sandow’s funeral when they arrived, the latter not having spoken to her since they met about what happened to Sandow at the party. He seemed to know the vague details of what had gone down, that Sandow had been the one to murder Tara, and that Alex hadn’t killed him – which she was glad was wholly and completely the truth. As Sandow’s coffin was lowered, Alex caught Michelle’s eye, and bobbed her head invitation as she and Dawes walked a little ways away, Alex hoping Michelle would follow and meet them. She does, and Dawes and Alex explain to Michelle that they had reason to believe Darlington wasn’t gone, he had just transformed into a demon when the hellbeast had consumed him. Michelle was skeptical, since demons were only formed one way – “the union of sulfer and sin.” She goes on to explain that the sin had to be murder, which leaves the impression that Darlington has committed murder, which Alex seems to believe a possibility and Michelle and Dawes don’t. Alex and Dawes declare they’re going to go get him, and it’s implied they’re asking Michelle if she wants to join them as the chapter closes on Alex asked, ” ‘Who’s ready to go to hell?’ “

Notes about the Societies:
Skull & Bones
~ the first of the eight Houses of the Veil, founded in 1832
~ boasts more presidents, publishers, captains of industry, and cabinet members than any other society
~ Only really excels at prognostication
~ tomb is described as having flat neo-Egyptian plinths
~ “Rich or poor, all are equal in death.”
~ “Teachings: Extispicy and splanchomancy. Divination using human and animal entrails.”
~ “Notable Alumni: William Howard Taft, George H. W. Bush, George W Bush, John Kerry.”

Scroll & Key
~ their tomb is described with, “Moorish screens and scrollwork”
~ they learned/stole their magic from Middle Eastern sorcerers during the Crusades
~ their exterior pays homage to those origins, but the interior is “nonsensically” devoted to Arthurian legend [complete with a round table at its heart]
~ “Have power on this dark land to lighten it, and power on this dead world to make it alive.”
~ “Teachings: Duru dweomer, portal magic. Astral and etheric projection.”
~ “Notable Alumni: Dean Acheson, Gary Trudeau, Cole Porter, Stone Phillips.”

Book & Snake
~ their tomb was, “towering” and, “white” and, “Of all the society buildings, it was the most like a crypt.” [” ‘Greek pediment, Ionic columns. Pedestrian stuff,’ Darlington had said.”] Alex was drawn to their fence – “black iron crawling with snakes.” And later described with soaring columns.
~ practices necromancy, though sparingly – they gather intelligence through a network of dead informants
~ their motto is, “Everything changes; nothing perishes.”
~ “massive mausoleum”; “a gloomy block of white marble surrounded by black wrought iron”
~ “Everything changes, nothing perishes.”
~ “Teachings: Nekyia or nekromateía, necromancy and bone conjuring.
~”Notable Alumni: Bob Woodward, Porter Goss, Kathleen Cleaver, Charles Rivkin.”

Wolf’s Head
~ transformations are mentioned?
~ their tomb is described as, “an English country estate in miniature.”
~ the fourth House of the Veil
~ they, “practice therianthropy and consider shapeshifting to be base magic.” They, “focus instead on the ability to retain human consciousness and characteristics while in animal form.”
~ primarily used for, “intelligence gathering, corporate espionage, and political sabotage.”
~ was a major recruitment ground for the CIA in the ’50s and ’60s
~ it can take days for someone to shake off the traits of an animal after a shifting ritual
~ “Keep discussions of an important or sensitive nature around animals to a minimum.”
~ “The strength of the pack is the wolf. The strength of the wolf is the pack.”
~ “Teachings: Therianthropy.”
~ “Notable Alumni: Stephen Vincent Benét, Benjamin Spock, Charles Ives, Sam Wagstaff.”

Manuscript
~ Specializes in glamours, mirror magic, and persuasion
~ their tomb is described as having, “severe mid-century lines”
~ “the young upstart among the Houses of the Veil, but arguably the society that has weathered modernity the best”
~ “… we would do well to remember that all of their workings derive from the manipulation of our own perception.”
~ “Dream delivers us to dream, and there is no end to illusion.”
~ “Teachings: Mirror magic and glamours.”
~ “Notable Alumni: Jodie Foster, Anderson Cooper, David Gergen, Zoe Kazan.”

Aurelian
~ “home to the would-be philosopher kings, the great uniters”
~ “was founded to embrace the ideals of leadership and, supposedly, to bring together the best of the societies”
~ “modeled themselves a kind of New Lethe, tapping members from every society to form a leadership counsel” – “it didn’t last long”
~ “their magic has a fundamental practicality best suited to the working professional, less a calling than a trade”
~ lost their tomb
~ “lesser house”
~ “Teachings: Logomancy – word binding and divination through language.”
~ “Notable Alumni: Admiral Richard Lyon, Samantha Power, John B. Goodenough.”

St. Elmo’s
~ known for weather magic
~ lost their tomb
~ “lesser house”
~ Teachings: Tempestate Arium, elemental magic, storm calling.”
~ “Notable Alumni: Calvin Hill, John Ashcroft, Allison Williams.”

Berzelius
~ “… no one cares about Berzelius.”
~ claims the other Houses were charlatans and superstitious dilettantes, dedicating themselves to investments in new technology and the philosophy that the only true magic is science
~ “Teachings: None. Founded in the tradition of its namesake, Jöns Jacob Berzelius, the Swedish chemist who created a new system of chemical notation that left the secrecy of alchemists in the past.”
~ “Notable Alumni: None.”

Random notes:
~ Darlington can play cello, upright bass, guitar, piano, and oud.
~ We learn that the oldest building on campus has survived because Lethe discovered it was spiritually lode-bearing, part of an old binding ritual to keep the campus safe [the cover-up story is a preservation campaign]
~ “I like loud” Mercy is Chinese
~ Contact with the uncanny takes a toll. The older you get, the harder it is to endure that contact.
~ If magic is a river, a nexus is where the power eddies which allows the societies’ rituals to function successfully
~ Tombs have been built on 8 of the 12 Nexuses [the other 3 have structures that already exist, including a train station
~ “On this night, with the wind clawing to get into her winter coat, Alex thought of that girl, illuminated in gold, sitting in that sacred circle. It was the last moment of peace she could remember.”
~ Darlington knows seven languages, can fence, knew Brazilian jujitsu, how to rewire an electrical box, could quote poetry and plays by people Alex has never heard of, but, “always asked the wrong questions.”
~ Alex has seen the captain of the lacrosse team turn himself into a vole [during which he’d squealed and pumped his tiny pink fist].
~ Lethe history technically goes back to 1824, but was established in 1898 as the League of Lethe, and each of the societies contribute to a storehouse of arcane magic for the purpose of arming the deputies of Lethe
~ Cabot Collins is known as the Poet of Lethe, who lost both of his hands when an interdimensional portal closed on them
~ Alex’s tattoos consist of: the curling tail of a rattle snake, the sunburst bloom of a peony, The Wheel from tarot, and two black snakes whose heads curled near her collarbones, their tongues nearly meeting at the hollows of her throat
~ Lethe House has a soaring entry, warm wood, stained glass, smells of pine and cassis [giving the feel of Christmas], and is the storehouse of hundreds of years of the knowledge on the occult; it has a grand parlor with an old map of New Haven over the fireplace, a kitchen and pantry, downstairs training rooms, a second floor armory with a wall of apothecary drawers, all full with herbs and sacred objects,
~ the societies tap 16 members, 8 male and 8 female, to create the next delegation every year, and a freshman to be Dante every three years
~ Hiram Bingham the third is the patron saint of Lethe [his boyish features and downturn mouth made his marble bust look like a perturbed department store mannequin
~ Oculus is in charge of keeping Lethe House well stocked, including freshening perishable items and maintain any artifacts that required it
~ Lethe House contains the Revolutionary Clock, which showed an accurate-to-the-minute countdown to armed revolt in countries around the globe; it has 22 faces and 66 hands, and had to be wound regularly or it would simply begin screaming; storage and research rooms in the upper stories, the library [which requires instruction on how to use it and requires the house to get to know you], as well as Dante and Virgil suites, which include a bedroom and attached bath for their use. [Virgil’s vanity belonged to Eleazar Wheelock which stands across from a wall taken up by a stained glass window depicting a hemlock wood, positioned so that as the sun rose and set throughout the day, the colors of the glass trees and the sky above it seemed to change as well.]
~ Hiram’s Crucible, also known as, “The Golden Bowl”, is the circumference of a tractor wheel and made of beaten 24-karat gold, originating from Machu Picchu in Peru.
~ When Darlington moved into the Virgil suite, he found a bottle of brandy and a note from Michelle on her last visit. The brandy is the last bottle made by a monastery that produced such fine Armagnac so refined that its monks were forced to flee to Italy when Louis XIV joked about killing them to protect their secrets. [She also advises not to drink it on an empty stomach, and not to call unless he’s dead. And wishes him luck.]
~ Human saliva reverses the magic of address moths
~ Address moths get “ink drunk” after being used, becoming essentially immobile and seeming dead
~ Address moths are used to recreate/move documents without stealing them by having the moths absorb the ink and then placing them on a blank paper(s) later to recreate the original document, word-for-word, so long as the user knows the right incantation. [They can also recreate Alex’s tattoos on Darlington, though they would be distorted/”not fit quite right” because of their body differences.]
~ Only showering with verbena soap beneath a hanging censer filled with cedar and palo santo are the only things that can counter the stink of the Veil
~ When Alex drinks alcohol or does oxy, it helps keeps the Grays away. [Valium is the best.] But Speed, Adderall, Molly [which is the worst one], she can feel the Grays [their sadness and hunger].
~ Tara Hutchins’s knees looked brownish gray, there was stubble near her bikini area, red razor burn like a rash, a tattoo of a parrot at her hip with “Key West” written below it in looping scrawl and another on her right arm, this one an ugly realistic portait of a young girl, then a pirate flag and a ship on cresting waves, a Bettie Page zombie girl in heels and black lingerie; the cameo on Tara’s inner arm looked newer, with older Gothic font reading, “Rather die than doubt”. [Alex originally thought they were song lyrics, but they’re actually from Idylls of the King, tying her to Scroll & Key on top of Skull & Bones and Book & Snake.]
~ There’s a tunnel beneath Grove Street that leads directly from Book and Snake to the heart of the cemetery, and there are enchanted orange trees taken from Alhambra that bore fruit year-round in the Scroll and Key courtyard.
~ There was an incident at a Manuscript party in 1982 where a girl ate something and decided she was a tiger. And she never stopped, living in a cage with room to run and a raw food diet. Attacked a mailman.
~ Anderson Cooper is 5′ 4″, 200 lbs, and talks with, “a knee-deep Long Island accent”
~ St. Erasmus had supposedly survived electrocution and drowning, and become the namesake for St. Elmo’s fire and the society that had used Rosenfeld Hall as their tomb.
~ It’s hinted that the Gray we see in North’s memory that killed him and Daisy was the “vagrant” that was used in the hasty prognostication when the stock market crashed in 1929.
~ Tara is now tied to four societies: Skull & Bones [Tripp], Scroll & Key[Colin & her ink], Manuscript [Kate & Merity], and Book & Snake [the glumae].
Random notes:
~ Darlington can play cello, upright bass, guitar, piano, and oud.
~ We learn that the oldest building on campus has survived because Lethe discovered it was spiritually lode-bearing, part of an old binding ritual to keep the campus safe [the cover-up story is a preservation campaign]
~ “I like loud” Mercy is Chinese
~ Contact with the uncanny takes a toll. The older you get, the harder it is to endure that contact.
~ If magic is a river, a nexus is where the power eddies which allows the societies’ rituals to function successfully
~ Tombs have been built on 8 of the 12 Nexuses [the other 3 have structures that already exist, including a train station
~ “On this night, with the wind clawing to get into her winter coat, Alex thought of that girl, illuminated in gold, sitting in that sacred circle. It was the last moment of peace she could remember.”
~ Darlington knows seven languages, can fence, knew Brazilian jujitsu, how to rewire an electrical box, could quote poetry and plays by people Alex has never heard of, but, “always asked the wrong questions.”
~ Alex has seen the captain of the lacrosse team turn himself into a vole [during which he’d squealed and pumped his tiny pink fist].
~ Lethe history technically goes back to 1824, but was established in 1898 as the League of Lethe, and each of the societies contribute to a storehouse of arcane magic for the purpose of arming the deputies of Lethe
~ Cabot Collins is known as the Poet of Lethe, who lost both of his hands when an interdimensional portal closed on them
~ Alex’s tattoos consist of: the curling tail of a rattle snake, the sunburst bloom of a peony, The Wheel from tarot, and two black snakes whose heads curled near her collarbones, their tongues nearly meeting at the hollows of her throat
~ Lethe House has a soaring entry, warm wood, stained glass, smells of pine and cassis [giving the feel of Christmas], and is the storehouse of hundreds of years of the knowledge on the occult; it has a grand parlor with an old map of New Haven over the fireplace, a kitchen and pantry, downstairs training rooms, a second floor armory with a wall of apothecary drawers, all full with herbs and sacred objects,
~ the societies tap 16 members, 8 male and 8 female, to create the next delegation every year, and a freshman to be Dante every three years
~ Hiram Bingham the third is the patron saint of Lethe [his boyish features and downturn mouth made his marble bust look like a perturbed department store mannequin
~ Oculus is in charge of keeping Lethe House well stocked, including freshening perishable items and maintain any artifacts that required it
~ Lethe House contains the Revolutionary Clock, which showed an accurate-to-the-minute countdown to armed revolt in countries around the globe; it has 22 faces and 66 hands, and had to be wound regularly or it would simply begin screaming; storage and research rooms in the upper stories, the library [which requires instruction on how to use it and requires the house to get to know you], as well as Dante and Virgil suites, which include a bedroom and attached bath for their use. [Virgil’s vanity belonged to Eleazar Wheelock which stands across from a wall taken up by a stained glass window depicting a hemlock wood, positioned so that as the sun rose and set throughout the day, the colors of the glass trees and the sky above it seemed to change as well.]
~ Hiram’s Crucible, also known as, “The Golden Bowl”, is the circumference of a tractor wheel and made of beaten 24-karat gold, originating from Machu Picchu in Peru.
~ “Every time a member of Lethe drinks it, every time the crucible is used, he takes his life in his hands. The mixture is toxic and the process incredibly painful.”
~ When Darlington moved into the Virgil suite, he found a bottle of brandy and a note from Michelle on her last visit. The brandy is the last bottle made by a monastery that produced such fine Armagnac so refined that its monks were forced to flee to Italy when Louis XIV joked about killing them to protect their secrets. [She also advises not to drink it on an empty stomach, and not to call unless he’s dead. And wishes him luck.]
~ Human saliva reverses the magic of address moths
~ Address moths get “ink drunk” after being used, becoming essentially immobile and seeming dead
~ Address moths are used to recreate/move documents without stealing them by having the moths absorb the ink and then placing them on a blank paper(s) later to recreate the original document, word-for-word, so long as the user knows the right incantation. [They can also recreate Alex’s tattoos on Darlington, though they would be distorted/”not fit quite right” because of their body differences.]
~ Only showering with verbena soap beneath a hanging censer filled with cedar and palo santo are the only things that can counter the stink of the Veil
~ When Alex drinks alcohol or does oxy, it helps keeps the Grays away. [Valium is the best.] But Speed, Adderall, Molly [which is the worst one], she can feel the Grays [their sadness and hunger].
~ Tara Hutchins’s knees looked brownish gray, there was stubble near her bikini area, red razor burn like a rash, a tattoo of a parrot at her hip with “Key West” written below it in looping scrawl and another on her right arm, this one an ugly realistic portait of a young girl, then a pirate flag and a ship on cresting waves, a Bettie Page zombie girl in heels and black lingerie; the cameo on Tara’s inner arm looked newer, with older Gothic font reading, “Rather die than doubt”. [Alex originally thought they were song lyrics, but they’re actually from Idylls of the King, tying her to Scroll & Key on top of Skull & Bones and Book & Snake.]
~ There’s a tunnel beneath Grove Street that leads directly from Book and Snake to the heart of the cemetery, and there are enchanted orange trees taken from Alhambra that bore fruit year-round in the Scroll and Key courtyard.
~ There was an incident at a Manuscript party in 1982 where a girl ate something and decided she was a tiger. And she never stopped, living in a cage with room to run and a raw food diet. Attacked a mailman.
~ Anderson Cooper is 5′ 4″, 200 lbs, and talks with, “a knee-deep Long Island accent”
~ St. Erasmus had supposedly survived electrocution and drowning, and become the namesake for St. Elmo’s fire and the society that had used Rosenfeld Hall as their tomb.
~ Darlington’s last words to Alex before he disappears are: ” ‘It’s not a portal, it’s a muh-” Alex assumes later he meant, “It’s not a portal, it’s a mouth.”
~ It’s hinted that the Gray we see in North’s memory that killed him and Daisy was the “vagrant” that was used in the hasty prognostication when the stock market crashed in 1929.
~ Tara is now tied to four societies: Skull & Bones [Tripp], Scroll & Key[Colin & her ink], Manuscript [Kate & Merity], and Book & Snake [the glumae].
~ Right before the last chapter of the book, the section of the The Life of Lethe: Procedures and Protocols of the Ninth House that’s shared establishes that the current knowledge that there are many borderlands with the dead, the suspicions that there are multiple afterlives, that it all implies there are multiple hells, but that, if that’s true, they remain, “opaque” to them because no one has ever dared to walk the road to hell, “no matter how it may be paved.” It’s foreshadowing that Alex is going to hell to get Darlington back.

Bloodmarked

by Tracy Deonn

Bloodmarked
@SeaFox.Adventures on Instagram

I’m obsessed with this series and I have a fan theory to include with this review!

I’m going to break all the rules and just say:
TL;DR: Just read it. So, so good.

Alright, back to keeping to the rules, let’s continue this review like normal.

Before I really get into it, thank you so much to Simon and Schuster Children’s Publishing over on Netgalley for approving my request for the e-ARC of this AMAZING book! I’m so thankful I got to read it early, so many thanks for giving me the opportunity!

Just to go back in time a little, since I didn’t do a review for Legendborn – I was originally drawn to this story because I was told it was a modern King Arthur retelling with Southern Black Girl Magic, so I was sold immediately.  Little did I know just how sold I was going to be.

Legendborn showed up as a paperback in an Illumicrate monthly box. As soon as I could squeeze it into my TBR, I did [much to the annoyance of the other books I had planned to get to].

And. I. Was. Hooked.

I don’t know why I never wrote a review for book one.  I may go back and reread Legendborn and Bloodmarked eventually [for reasons], and I may do a “Reread Review” of Legendborn, but I’m not sure what my schedule will look like at that point, so we’ll see.  I’d love to, though, if I can!

But, first things first: Goodreads summaries!  If you want to read a synopsis of Legendborn [since I didn’t do a separate review for it and you’re thinking of starting the series], you can find that Goodreads summary here.  If you want to read of synopsis of the book that’s currently taken over my brain, the one I’ll need to read a cleanse book before moving on from, aka Bloodmarked, you can find that Goodreads summary here.

Alright, second things second: recommendation time!

Recommendation: Read it.  Seriously, it’s so, so good.  Obviously, if you even liked Legendborn, you’ll probably love Bloodmarked.  If you loved Legendborn and can’t imagine loving the sequel more, be prepared.  If you’re on the fence about the whole series and missed out or put it off until now, do it.  It’s so deep, rich, and full of modern twists – both technologically and societal-ly.  The not-so-underlying tones of Legendborn just grow in Bloodmarked, and I can’t even begin to tell you how absolutely incredible this book is.  I’m.  Obsessed.

Aaanndd third things third: my fan theory!

Fan Theory:  THIS ISN’T THE END OF THIS SERIES!  I think there’s a book 3 that hasn’t been announced [I’m still trying to figure out what the name would be – Hunted? Descendants?  Neither seem quite right, but maybe I’ll keep this post updated with my title guesses], and that would make it the second duology-turned-trilogy this year!  [I also knew at the end of The Ballad of Never After that the duology would be announced to actually be a trilogy, I just couldn’t get my review up fast enough to include that theory!]  Just like with what I’m calling the Broken Heart series, I don’t mind at all that there’s going to be more in these universes!  I’m so, so excited by this possibility! Did I mention yet that I’m obsessed with this series?  You couldn’t have made me happier, honestly. Yeeeeeeess!  BRING ON BOOK THREE!

[Please note – I will strive to make this review as spoiler free for Bloodmarked as I possibly can, but it won’t be Legendborn spoiler free. If you haven’t read Legendborn and want to avoid spoilers, stop now!]

Anyway! I’m not going to lie to you, because I’ve been thinking about this book almost non-stop since I finished it, I’m going to struggle to get non-spoiler thoughts out, but I’ll do my best. I wish I had been able to squeeze a reread of Legendborn in because I forgot how complex and term-heavy this world is and exactly how much happened in it. I definitely had to pause and think back to everything I could dredge up from my memory to catch up at first. BUT – it didn’t take me long to get back into it, and Bree welcomed me back with open arms.

Bree. Incredible, headstrong, stubborn, strong Bree. She’s so, so smart, but just a little behind the ball at the start of this book. That doesn’t stop her, though, and everyone not on her side should watch out. The King is coming through! All [semi] jokes aside, Bree is a powerful force to be reckoned with, more in this book than ever before. Throughout both Legendborn and Bloodmarked, I couldn’t help but find myself so, so proud of her, and the person she’s becoming as her story goes on. I really don’t know what else to say without giving away any more spoilers, but Bree is definitely pushing her way onto my short list of favorite female MCs. She’s incredible.

It’s hard to talk about Nick without spoilers for this book, so we’ll talk about Sel. I forgot how much I both love and am annoyed by Sel. He’s incredible and also an incredibly large pain in the neck. But the role he plays in this book is pivotal, and, not only would there not be much of a story without him, but I can’t deny that a lot of the parts he impacts are why I want to reread not only this book but the current series as a whole. It’s hard not to talk spoilers with him, too, so I guess we’ll just push on for now.

Seriously, this series is amazing, and it deserves not only all the reads, but maybe all the rereads too. But, onto spoilers!

**SPOILER LINE! I LOVE THIS SERIES SO MUCH, SO I GUESS A GUSHING WARNING MIGHT NOT HURT! I CAN’T WAIT TO TALK ALL THE DETAILS, SO BE PREPARED, WHETHER THAT MEANS GOING AND READING THE BOOK AND COMING BACK, OR BEING READY TO BE SPOILED WITH THE CONTENTS OF BLOODMARKED!**

Bree is forced through so much that a teenager shouldn’t have to deal with. The choices she has to make, the choices made for her, all of it – she’s incredible and stronger than any teenager should have to be.

Personally, I think I ship Bree and Sel harder than Bree and Nick, but maybe that’s just because we don’t really see much of Nick in this book, and the parts we do see aren’t really doing him any favors. [I mean, I get why he chooses to be on his own, but, really, man? Seriously?]

That said . . .

SEL BETTER BE OK AND RECOVER, OR I SWEAR!

Ok, threats aside, I’m obsessed with this book, and it’s a good thing I’m planning to read another book I’m obsessed with after this one [and a cleanser read], because I’d likely be in a reading slump if I didn’t, just constantly wanting to come back to this world for more. Did I mention I love this book yet? Because I do.

But the Regents? I mean, I know a society/order like this is bound to breed power-hungry greediness into people, especially if they dreamed of glory and never got their chance when they were a Scion, but c’mon! And then the underlying racism is just – ugh, I felt physically ill, reading it. I knew they were awful but UGH! I don’t think it was done heavy-handedly, either. I think it’s exactly what it need to be, in every way. To think it’s ok to drug-up, repeatedly wipe the memory of, and then essentially lock-up a teenager – nay, just a person in general! – is just next level.

The only possible inconsistency I’m seeing is that a lot of liberties are being taken with Bree’s root abilities. To be fair, I guess it technically is established that her root isn’t like the typical root powers you’d normally see because of that accidental deal with a demon. That said, it does feel a bit like a catch-all. All in all, though, I’ll definitely be coming back for what is most assuredly going to be a third book. I need more, and I need answers!

While I’m sure the endgame is Nick and Bree for the full act of rebellion, I could see her being with Sel also being a full act of rebellion – it’s never been done before either, right? So there’s still hope for Sel and Bree, right? Right? [Joking – Nick and Bree would be a great endgame, too.]

I love how well created and well balanced this world is. It works well and balances the Scion-world and the root-crafter world, using both to demonstrate how the same price can be paid in different ways, which is what makes them similar but also uniquely different.

I love the “role” the ancestors play and Volition as a general idea. I hope it can become real, at some point. [Magic aside, of course.] I love the idea of the land that caused such suffering being reclaimed and repurposed for their good and as a safe haven.

But, seriously, if you were on the fence and my gushing review still didn’t convince you, pretend I did, and read it because I doubt you’ll regret it.

The Luminaries

by Susan Dennard

The Luminaries
@SeaFox.Adventures on Instagram

Honestly, this wasn’t on my radar until recently. But I’m so, so glad it made it onto my TBR because I can’t wait for the sequel now!

How did it make it onto my TBR without being on my radar? I decided to look into more Fall Releases [November is a really mixed month on releases, but I could tell this was a fall book!], and this cover really gripped me. And then Daphne Press announced it was their first acquisition, and that really sold me!

I jumped into this one blind, like I do most times with books these days, but you don’t have to – you can read a Goodreads review here! Now, onto recommendation time.

Recommendation: If you’re looking for a fun, forest-based, unique read, this one might be for you. It’s got the secret society feel you get from the witches in Wild is the Witch with the “warrior” feel of Shadowhunters [just without the supernatural power]. It’s a story with so much more beneath the surface than that of the initial story, and it left me wanting to continue to join Winnie as the story deepens and develops. I’m looking forward to it!

Winnie Wednesday, one of the most single-minded heroines you’ll ever meet. She’s been dead-set on rejoining the order her family was shunned from. Despite everything that that shunning involved, she forces herself to turn to her ex-best friend, Jay. Which doesn’t sound like a lot at the moment, but, once you read more about the shunning and all that it entails, you’ll likely be surprised she’s willing to make that move – and what it costs her to not only decide it, but to act on it. Girl’s motivated, let me tell you.

Jay Friday. “Resident bad-ass” who is likely a secret marshmallow with excellent hunting skills. I have a theory about why he’s so good at being a hunter while also seeming to double as a marshmallow, but I’ll save that for after the spoiler line. Anyway, he both annoys me and it annoyed me how much crap Winnie gives him, how many assumptions and judgements she’s making without really knowing her ex-best friend anymore – all while acknowledging that she doesn’t really know him anymore.

I got so sucked in by the end, I honestly probably need to reread it just so I can actually absorb every word instead of just rush-reading it to match the pace of my beating heart and my need-to-know-what-happens-next-oh-my-goodnesss! general attitude at that point. I mean, if that isn’t a sign of a good book, at a minimum, I don’t know what is.

ANYWAY – this world is fun, unique, and a joy to explore and learn more and more about it. If you’re tempted, definitely give it a go! But, for now, onto spoilers.

**SPOILER LINE HERE – DON’T CONTINUE UNLESS YOU WANT SPOILERS [OR HAVE READ THE BOOK]! IF YOU DON’T WANT SPOILERS UNTIL YOU READ, STOP HERE – BUT FEEL FREE TO COME BACK AND READ AFTER YOU’RE DONE! I’LL BE HERE WHEN YOU’RE READY TO COME BACK.**

At first, the weekday last names sort of put me off [I don’t know why, but it did, I can’t explain it], but it not only makes sense with the origin of the order [I mean, it would be the easiest way to identify who was assigned each night when the need for the order first appeared], but it also makes sense that, as people, they would then form fierce, familial attachments with the people they routinely performed this deadly work. Which is the perfect crucible for clans to form. I mean, if they allowed outsiders into the order and I somehow made the cut, I could easily see myself becoming just as fiercely attached to one of the clans.

Pack-bonding and all, ya know?

I [begrudgingly] ship Winnie and Jay. I know that’s likely the end goal, but I don’t know that I’m 100% behind it yet. At minimum, I ship them becoming besties again, but I’m hesitant on the dating front. There’s a lot of damage they’d need to repair to get there, in my opinion. But we’ll see what the sequel brings!

That said, I’m also on the fence about Erica. And the twins seem a little too nice, but they are sixteen year-olds. All in all, the order does seem toxic, though I can’t put my finger on why, outside of Winnie’s unease and her father’s accusation that he was framed. Him being framed absolutely has merit – while definitely possible, her father’s betrayal doesn’t make much sense. I doubt he would have been so skilled that he could thoroughly convince not only his wife, her sister, and the order but also pass his background check, and, not only be a Diana, but also continue “undercover”, for lack of a better term, for as long as he did. The punishment is odd and the treatment of the family like they’ve never truly been doubted to be disloyal is weird. Like Winnie says, “Everyone acts as if Winnie and Darian and Mom have just gone away from a while – traveled abroad, explored the world, and now are finally returning home as weary, cosmopolitan networkers. There is no mention of Fran serving extra ketchup at the Revenant’s Daughter. No mention of all the years Darian has collected coffee and dusted off Dryden Saturday’s desk. No mention of Winnie gathering corpses while the Wednesday hunters pretend every Thursday that she doesn’t exist.” It would be that way if they truly questioned their loyalty, right? It feels more like they’re trying to sweep it under the rug and hope no one looks too closely.

All that aside, I’m enjoying the world. I love seeing other people’s take on certain lore/myths/mythical creatures. The interesting use of banshees, manticores, kelpies, vampires/vampira, melusine, basilisks, etc. is so much fun to me. I’m enjoying watching Winnie deconstruct the order through all the pieces that don’t add up, peeling back the superficial facade she’s seen her whole life and not questioned.

I can’t tell if it’s odd that Jay no longer has parents while there’s a rumor about a strain of werewolves that pass their condition genetically rather than through bites, or if I’m just trying to see something there that isn’t. There were other things in the book that implied the werewolf was someone else. But there’s something about Jay, both his skills and his general feelings towards the nightmares of the forest, that make me think he has some sort of . . . kinship with them. I don’t know, nothing about my theories on the werewolf’s identity are concrete, but my vote is it’s Jay, though I do have other ideas, too.

Anyway, thank you so much for reading yet another of my semi-rambling [because I love books] reviews! As always, be kind, stay safe, and read on!

The Whispering Dark

by Kelly Andrew

The Whispering Dark
@SeaFox.Adventures on Instagram

First of all, a big thank you to Scholastic Press for giving me my first Edelweiss e-ARC request approval!  I’m so, so excited for this book, and my little kid heart is so happy that my first Edelweiss approval came from Scholastic! [Those Scholastic Book Fairs, anyone?  Talk about little kid book lover heaven!]  Second, a huge disclaimer, right up front: I am not Deaf, nor am I in any way part of the Deaf Community.  I have had Deaf friends, and I studied sign language, including history and more in-depth knowledge of the diverse Deaf community beyond just learning the language, multiple times in my life [I’m still, proudly, fluent in the alphabet, though I’ve lost most of everything else at this point], but that’s my extent of knowledge.  I did try to be as critical of that as I could while reading, but I will try to keep my opinions in that regard to myself as much as possible, as I don’t want to share incorrect knowledge and/or opinions.

That said, I also want to try something a little different for this review.  Normally, I consume a book straight, like a normal reader would, to give what I felt was a, “normal reader experience” – basically, if I consumed this book like a normal reader, what would my thoughts and opinions be?  Rather than how I imagine most reviewers write their reviews – who take notes throughout the book, and comment on those things in their reviews.

Well, ladies and gentleman, those in-between and besides, I’ve decided that’s what I’ll do with this review.  So, here are my thoughts and notes, which have been reviewed, refined, and rewritten [edited, basically] to become this final review.

Before diving into my opinion, though, I wanted to give you an opportunity to read the Goodreads summary, if you want to read that before deciding, too.

Alright, opinion time!

Recommendation:  While I’m not nearly knowledgeable enough to tell you whether this is good rep for the Deaf, I will say that I adored this book.  It’s perfect for this time of year, it’s a phenomenal read for me as a reader, and I never wanted to put it down.  In short, if you’re considering this read, go for it.  There’s great visuals, an incredible [and original!] magic system [if you can call it that?], and just generally wonderfully written.  I loved every second of it, and I genuinely hope anyone reading this seriously considers picking it up.

Reference books: I’m going to try to include “this book is like these, so if you like these, you’ll probably like this” into my reviews, and I have to say, with this one – they compare it to The Raven Boys and Ninth House. I’ve only read one, but it definitely felt like a YA Ninth House in a lot of ways. It has that college setting, the dark vibes, and the not-pretty contents that Ninth House has – just really, really toned down. While I might hesitate to recommend Ninth House to everyone because of those “not-pretty” contents, I likely won’t hesitate recommending The Whispering Dark to everyone. It reminds me of another book, but I’m drawing a blank. If I remember what it is, I’ll come back and edit it in.

All that out of the way, I’m so excited for this to be formally published and in my hands.  A physical copy of this book is going to be amazing to own.

I absolutely love how Kelly Andrew writes about Delaney and the darkness.  I love her word choice, I love her prose, all of it.  I was hooked by page 5, though I wasn’t honestly paying attention to when my brain screamed, YES, MORE, PLEASE, so it could have honestly been page 2.  I was too sucked in at that point to even remember page numbers were a thing.

I love that Delaney works as both the strong MC as well as the audience surrogate.  She doesn’t know a lot, so that leaves the reader feeling like they’re learning alongside the MC.  And, while that’s not always a great, original way to teach the reader, it worked for me with her.  I love the joined journey in learning and navigating this world.  While there are definitely moments I want to grab her and shake some sense into her [mainly with her being stubborn with sharing personal things when I think she should], I totally understand why she doesn’t.  I may not be Deaf, but I’ve been in a few situations where, if I had been upfront about stuff about me, I would have had an easier time, but didn’t.  So, I get it, I do.  But I can’t help feeling a little frustrated.

My only real critique: I feel like maybe too much of the secrets and mystery are held throughout the book.  We do get little bits here and there, but it began to feel more like the reader is being kept from these secrets so the big reveal has more of a packed punch, a bigger wow factor, but I think it would be better served if there were more tidbits given away before it – largely because I don’t think the big reveal is going to “make up for” this feeling of being intentionally kept in the dark.  For example, little tidbits of hiding that the MC is secretly the lost princess of her country is one thing.  But only giving little tidbits when it turns out she’s the savior of the whole world when, not only was that never really established as a possibility, the biggest thing hanging in the balance was, say, just being accepted by her peers as an equal, falls a little short of being enjoyably realistic.  This book dances on the edge of, “You didn’t give me enough breadcrumbs to figure it out on my own, so I feel disconnected”.  I’ve heard many people complain about something similar in books, and I’ve generally stayed away from books that even remotely made people feel that way.  This would be my first.  Luckily, I don’t think it falls into that category but, if you’re sensitive to that sort of thing, it’s something to keep in mind.

Ultimately, I’m so excited for this book, and I can’t wait to get my hands on it. [I know, I know – I keep saying that, but it’s honestly true.  I knew I’d love this book, and I’m still this excited for it, post-read.]

**SPOILER ALERT!  LOVING THIS BOOK MEANS ALL THE SPOILERS, SO YOU’VE BEEN WARNED!  TURN BACK NOW, GO READ THE BOOK, AND COME BACK, IF YOU’D LIKE!**

I love Delaney, and I love Colton.  They frustrated me, on occasion, but I think, on a reread, I’d love them just fine.  I’m sad that a reread might be the only way to avoid being occasionally annoyed at them, but, again, it’s so minor.

I love that Delaney sort of comes into her own as the book progresses, as she learns that she has this control, this power, this command of the dead.  She definitely worked her way into my heart to the point where I was constantly rooting for her and worried about her.  She felt like a real person to me, and that’s fantastic for a fictional character!

I’m still trying to wrap my head around Colton’s creation.  I get what the book is saying, but I have a hard time believing that Colton was so drawn to her that he crawled back specifically for her.  I could maybe see that he was still trying to claw his way back to life in general and used her “command” when she found his dead body to bridge that last gap he otherwise couldn’t, but she hasn’t been able to drag anyone else back from death.  That tells me there’s something different about Colton and his return, but I find it hard to believe it’s only her and not somehow related to her power.  [Which it totally could be, but he sells it as being her, that he’s in love with her, and has been since he came back, basically.  Or, at least, that’s what I inferred.  It just feels like a bit of a stretch for who Colton is, and feels a little too insta-love-y.]

I guessed the Apostle was Laney’s professor from the beginning.  It wasn’t really surprising to me, and it was sort of obvious from the get.  But the only problem that really caused was just a sort of frustrated sigh that stuck with every section where there were attempts made to make it seem like the Apostle’s identity was a mystery.  That said, I don’t know if exposing him for being the Apostle from the beginning would have made a difference.  I think there’s a potential that it would have created a different sort of tension [rather than the identity being a mystery to the reader, it would have been a mystery to Laney and her friends only], but I think that might have been the better way to go here.

I also think maybe more could have been done with the darkness.  I get that, as a small child, it probably would have traumatized more than I’m giving it credit for, but I just don’t see how it would have created a life-long [into adulthood] fear of the dark.  And I also find it a little hard to believe she didn’t realize she had some command over these things that were terrifying her.  Wouldn’t that have been one of the first things, as a child, she would have tried?  At a minimum, I feel like she would have learned she could tell the moving shadows to leave her alone, more than the one time she mentions doing it?

All that said, I consumed this in two days because I didn’t want to put it down. [It might have been a single day if I didn’t have to do other “life stuff” in-between.]

I really need to start paying closer attention to Fall Release books because this is my season in basically every sense, which apparently includes books.  I’m obsessed with so many fall releases – another of which I’m hoping to share a review on soon!

But, as always, stay safe, be kind, and read on!

Spells for Forgetting

by Adrienne Young

Spells for Forgetting
@SeaFox.Adventures on Instagram

To begin, a big thank you to Random House Publishing Group for giving me an eARC!

I wanted to post this a bit ago, but I found myself struggling to explain how I felt about it clearly. My thoughts seemed like a lot of, “It was [this], but not quite? Like, [that], but . . . also . . . not?”

If you want the official synopsis, you can find a copy here over on Goodreads!

The closest I’ve come to explaining this complex book is that it’s a magical, murder mystery book that doesn’t overwhelm or overexcite. While you’re not necessarily feeling the need to speed through it, it’s also the sort of book you can definitely curl up with a cup of your preferred hot beverage and relax with.

That’s not to say it doesn’t touch you or reads shallow, because it doesn’t. I definitely enjoyed this book, and I’m glad I planned to read it when I did – it wasn’t exactly a “pallet-cleanser” the way I’ve found rom-coms to be for me, but it was a pleasant change of pace I didn’t realize I needed at the time.

Recommendation: If you’re a fantasy reader who has never tried a murder mystery, or you just haven’t ever tried a murder mystery and don’t mind magic, this is a great “beginner” book. It has everything I’d expect from a murder mystery, but it doesn’t leave you wired and on the edge of your seat. It leaves you thinking and wondering and imagining, but this book doesn’t demand the same thing your usual page-turning murder mystery does. It’s also subtly and deceptively deep, leaving you feeling a lingering sense of having gone through a bit of soul-searching while also uncovering what is essentially a cold-case murder.

Emery is a relatable character on an adult level that none of Adrienne Young’s other books have accomplished [understandably, as they’re all YA]. Even if you don’t have magic in your veins that has impacted who you are at your core, Emery’s life and her reaction to what has occurred in her life are all realistic and relatable. She’s a lost soul who is trying to figure out who she is and what she wants outsides of the life she’s basically been forced down, the life as sort of left her walking. On some levels, I see myself in her, but this is the first book I don’t really see myself in anyone.

And, yet, I still enjoy it.

That said, I do also see some of myself in August. While it’s usually the lead female character who follows the classic “damsel-in-distress”, neither August nor Emery fills this role, though I would argue August fills this role more. I mean, for starters, he’s only returning to the island because his mother has passed and he’s looking to bury her ashes. That and with his history on the island makes for a very hurt, somewhat-broken character. He starts in a vulnerable, painful place, where as Emery begins in what feels like an exhausted, tired place of repeated days with no real fulfillment.

And then their lives are in chaos by August’s return and the uproar this causes.

I do love the subtle, barely-present magic system works. While a lot of the rules are left unexplained, it didn’t leave me confused or lost. It may leave some with a feeling of lack because of that, but I do think those people would be in the minority. I think enough is implied to relieve most confusion or feeling that it’s missing.

If you want to talk more about this book, I will continue below the spoiler line. If you want to avoid spoilers, feel free to go read the book and come back! I’m always here for discussion and chatting about common books, so always feel free to reach out!

**SPOILERS AHEAD! I’M NOT GOING TO TELL YOU HOW TO LIVE YOUR LIFE, SO GO READ THE BOOK AND COME BACK OR READ ON, IT’S UP TO YOU! EITHER WAY, THANKS FOR READING!**

I saw the “love triangle that isn’t a love triangle” thing coming fairly early on. Lily also started to feel a little . . . not evil, but dark? Ruthless? Intense? fairly early on as well. She felt like Emery wasn’t really her best friend at a certain point, and that she was merely going through the motions of it all.

You also sort of see the evenly-matched-group-of-friends-pairing-off thing, but the level of how utterly empty Lily’s use of Dutch is sort of surprised me – until I got to know Lily better. Then it all sort of made a sad, twisted sense.

Lily’s feelings for August are a little cliché for someone who seems to not be the sort to follow clichés, but it’s also not surprising, especially considering Dutch doesn’t feel like a great guy, so it sort of leaves Lily with limited good choices. [Not that it’s an excuse, but rather than it doesn’t feel quite as cliché and forced as it may otherwise feel.]

I had a feeling Lily wasn’t murdered early on, but exactly how she did it evaded me for a bit. I knew it was magic, I knew it was a sort of betrayal against Emery, but all the details – the pregnancy, the stealing, the attempted-murder spell – wasn’t truly evident, in those details, until everything slowly came to light later in the book.

I do love the ending Emery and August come to. And I do feel like it’s the ending they earned, the one they deserve. If not for Lily’s extreme selfishness, they would have lived a similar life, just much earlier. And I love the hint that the island is still reaching out to its own, trying to draw their children, children of the children of the island, back in.

Overall, I loved the feeling this book left me with, though I don’t know if it’ll make my reread list. [I will add that, unless I say otherwise, I don’t consider reading the “final” version of a book I’ve read the ARC of to be rereading the book, as I generally do so to see if my opinion of the book changes once it’s gone through it’s final edit(s)/polishing. Some ARCs leave me with the sense that it’s still rough and needs a little more work to be really good {or, at least, better} in my opinion, and I want to see if my opinion on it has changed/improved, and therefore changed who I would or would not recommend the book to.] That said, I am definitely planning to read the final version of this book, and I’m hoping some of the unfinished edges feel more finished in the published version – or see if it’s an intentional feeling, which would just influence who I suggest it to rather than leave me not suggesting it to anyone.

I hope you enjoyed this review! I have more to come, and every like, follow, and comment means a lot [even if I can’t seem to make those comments public and seen by anyone but me!], and I appreciate every single one of you who get this far. Until next time, be safe, be kind, and read on!

Babel

By R. F. Kuang

Babel
@SeaFox.Adventures on Instagram

This book reminds me of why dark academia is a favorite subgenre of mine. It reminds me of my love of languages, of how I think I could have been happy in that career field too, my overall love of learning, and my never-ending appetite to learn.

Even though I didn’t receive this ARC directly, a big thank you to Harper Voyager and HarperCollins for printing this lovely ARC so it could find its way into my hands! I feel so lucky to have been able to read it!

I really don’t know what to say about my feelings on it. That said, I think it’s a read you need to go into fresh and ready. I wish I had read a lighter, “palate cleanser” before picking this up. And that I hadn’t read it during an exhausting time outside of reading. I think, between not doing a cleansing read and being mentally spent before picking this ARC up, it lead to me not enjoying it as much as I should have. In my opinion, you definitely can’t go into this book with a book hangover from another heavy or dark read. That’s nothing negative – some books are just like that sometimes.

There were moments where I was deep into it, that I loved it, that I didn’t want to do anything but read. And then there were moments that dragged, that I felt the need to push through, moments where I didn’t feel hooked. In the end, I think my recommendation will be the most heavily conditional of all my recommendations so far. Because, while it was good, it’s definitely not for everyone.

If you want to go into the decision on whether to pick this read up or not on more than my review, you can find the Goodreads summary here.

Before getting into my recommendation, let me describe how I would “frame” this read. It feels as though Kuang built a fantasy world, including all the societal impacts those changes would make on a historical world, and then wrote what I can only describe as a marriage, or a cross, between a research paper and a biography, with a hint of textbook. But not just one biography. It’s an in-depth biography of Robin Smith, and a short, maybe summary biography of Ramy, Victoire, and Letty. That’s not quite a perfect description, because I enjoyed the biography “bits” more than I typically enjoy biographies, but it’s unique in a way that more closely resembles a biography, in my opinion.

Recommendation: If you love academia or love learning [or, at least, love reading about it], and you don’t mind the book being a little heavy [especially in terms of academia/study, racism, and history], this book is for you. I’m loving the little bits of knowledge I’m picking up as I go, especially in the footnotes, so, if that sounds like your thing, pick this one UP. That said, please keep in mind that I’d also describe this book as dry and heavy. I know that doesn’t sound like praise, and, for some, it isn’t, but if you’re looking for something similar to The Poppy War, I found this read to be rather different. The Poppy War, while not dry, was also a different kind of heavy. I mean none of that negatively, but I know some would appreciate that knowledge up front. Ultimately, I enjoyed it, but it doesn’t even begin to compete with any of my favorite reads, and I don’t know that it leaves me wanting to reread it.

But onto non-spoilery thoughts.

Robin has had an interesting life, honestly. To go from the life he had in Canton to the life he had with Professor Lovell in London to the life he has at Babel in Oxford, he’s had quite the range of experiences. Of course, not all are good experiences, but when is life only good experiences?

I know I mentioned other characters earlier, but no true details were discussed, and so I’m going to keep my “only what Goodreads would tell you” rule going here. As muchas I’d love to discuss them, I’ll want to do that and after the spoiler line. Speaking of which . . .

**SPOILER ZONE AHEAD! THIS IS YOUR WARNING TO TURN BACK NOW IF YOU DON’T WANT SPOILERS! YOU CAN ALWAYS GO READ AND COME BACK – I’LL BE HERE WAITING!**

Alright, my biggest struggle with this book: Victoire straight up states that Letty, “cannot allow her to roam free”, and, “even the idea of Victoire is a threat.” I just don’t know that I agree there. Letty’s betrayal? 100%, I agree. Especially after reading her short “biography”. But to chase Victoire to the end of her days? I just don’t know. There IS always the chance that what’s meant is that VICTOIRE believes Letty won’t leave her be and will chase her down when she won’t actually, but that doesn’t feel like the case to me here. [Obviously, Letty and Victoire are Kuang’s characters, and therefore she knows them better, I’m just stating my opinion.]

That said, I don’t know that I can put my finger on why this book was sometimes a struggle for me. I loved it at times and struggled [hard] sometimes, and I just don’t know why. Like I mentioned earlier, Life was making me tired [honestly, usually exhausted], especially work, though hopefully that’s over now, or maybe it’s because I read a lot of books that asked a lot of me lately without letting myself recover, or maybe I just wasn’t in the right headspace for this book at this time. Depending on how reading in September goes, I’ll likely read it again then, fully published and with its final edits, and see if that makes a difference.

Moving on and back to the book content, can we talk for a second about how deep and complex these characters AND their backstory are? Beautifully done and well woven into the story and playing off each other. I think Ramy’s is my favorite, although he’s not my favorite character. [Speaking of which, I’m so excited to see the Mermild bookmarks done for this book for Illumicrate!] I’m not sure I have a favorite character, but perhaps Victoire? that said, I feel like Victoire is the character I know the least [ofthe cohort, at least], and I 100% believe I’d read a “biography” or novella about her to learn more about her.

The magic system is so interesting and unique. I’d never thought of the act of translating in quite this way [though I’ve known, what feels like always, that “things” are” lost” in translation], and translating that into not only a magic system but also the societal and worldly impact it would have is just brilliant.

This review I may come back and update/edit because my thoughts are still trying to figure themselves out over this book.

That said, I hope you enjoyed my half-baked thoughts and feelings on Babel, and I’m hoping to finish and post more reviews soon! Stay kind, stay safe, and read on!

Wild is the Witch

by Rachel Griffin

Wild is the Witch
@SeaFox.Adventures on Instagram

There’s something special about holding a physical ARC in your hands. While I didn’t get sent this lovely directly, I am still so happy I’m able to hold and read it all the same. So, thank you to Sourcebooks Fire for making this lovely ARC!

Enough about my love of physical ARCs – onto the review!

Before I dive into the book content, I just want to state this: I’ve picked up two books this month so far, and they both have made me want to create. Which isn’t a thing I can say about a lot of books, but I’d like to state for this one. It’s a feeling I love to experience, and this book gives me that feeling.

As usual, I’m going into this more or less blind, but you can find the summary on Goodreads here if you’d like to read it before deciding if you want to read the book!

The magic system is fascinating. I love the idea that it works alongside science and all things currently existing in the world. While it does also make for easier worldbuilding, I love that it plays with the assumed rule that magic works either in opposition of the rules as we know it, or it laughs in the face of our real-world limitations. This magic system compliments our world rules as we know it, and I think it’s a brilliant idea!

Iris is such an interesting, complex character. I love her backstory, her reaction to that backstory, and her core “flaws”. I feel seen in parts of Iris, and that made the reading experience that much better. While I do think she went a little far with the curse, I do 100% understand her logic in arriving at that being the perfect spell for her purposes. While I do think her history should have prevented her from thinking this was a good idea, she also, in her defense, had no reason to believe it wouldn’t go like every other time she’s done this. An argument could be made, which is why this book isn’t a five star read for me, but that’s literally it’s only flaw, honestly. At least, outside of small grammar things here and there that I imagine will be fixed before final print.

Pike Alder. He’s also an interesting, complex character, and I love his story arc more than Iris’s, if I’m being honest. He went through the most change beginning to end, in my eyes, and watching him go through it is the best part of the story [outside of the parts of Iris I see in myself, of course]. I absolutely love the way he interacts with Iris, the dynamic between them. It’s 100% going to make me pick this book back up even when I should really be working on my craaaaaaazy behind TBR.

Recommendation: Honestly, the only person I wouldn’t suggest this book to are the people who hate what this book contains, and no one else. If you even remotely like witches, even you even remotely like nature, if you don’t mind the one-bed trope, if you don’t mind enemies-to-lovers, if you don’t mind short books, if you aren’t looking for a heavy or epic fantasty read [or you’re looking for a book to “cleanse” between reads!], seriously, pick this up. So good.

**I’M DYING TO TALK SPOILERS, SO YOU’VE BEEN WARNED! SOOOOOOO MANY SPOILERS AHEAD, YOU DON’T EVEN KNOW! COME BACK WHEN YOU’RE READY FOR SPOILER-TALK!**

SERIOUSLY, I LOVE IRIS AND PIKE. I think Pike is an odd name, but I love the character himself too much to care. I love their dynamic, I love how he’s secretly had a crush on his witch-coworker all while loathing witches to his core, I love everything.

I also love owls, so that doesn’t hurt.

I think I gravitate towards friends-to-lovers more than enemies-to-lovers, but it’s stories like this that make me question that. I definitely don’t have a favorite, but I love the progression of Iris and Pike’s relationship. So. Much.

As minimal as the magic system strikes as being, I love it. I love the division in magic “specialties”, and I love that that doesn’t PREVENT witches from performing other kinds of magic, but rather making them strongest or best in one area.

On a semi- darker note, Iris’s history is tragic [and her best friend’s history is more so, to be fair], and I think it’s fair, especially at the age she was, to have it impact her life so very much. While her whole personality isn’t defined by it, a lot of how she lives her life is impacted by it. I mean, could you imagine being either girl, watching that poor boy burn for his desire to be a witch? That’s going to leave a deep, lasting mark on your life, especially as a teenager.

On a not-dark note, this story had me wishing I could go out to the Pacific Northwest in my backyard [which I currently cannot]. I’ve always wanted to visit and spend some time up there, but haven’t yet gotten the opportunity. This book makes me want to prioritize that. It also has me wanting to find my local zoo or sanctuary or whatever I might have around here and go visit and appreciate the work they do. Which are all side effects I think Rachel Griffin was trying to impart [or, at least, would be happy she did impart] with this book, and it’s definitely a success with me!

Rachel Griffin’s books leave a mark on me that I can’t quite explain, but I find myself loving them and adding them to my “possible reread” list, which is crazy because that list is short. [At least, in comparison to how long it could be.]

I’m a little behind on catching up with reviews, but I’ve been writing them, so hopefully we’ll see a influx of them soon, and I hope you enjoy them all! Stay tuned for more, stay kind, be thoughtful, and keep reading!

The Final Strife

by Saara El-Arifi

The Final Strife
@SeaFox.Adventures on Instagram

First of all, a BIG thank you to HarperCollins UK for providing me with an eARC of this book. I’ve had my eye on this for what feels like forever, but I didn’t think I had a shot at getting an ARC. I’m so lucky!

[This eARC reminded me of why I prefer physical ARCS, though. It wasn’t formatted for my Kindle Paperwhite, and the wonky formatting not only took me out of the story a little, which detracted from my overall enjoyment, but occasionally caused confusion because the formatting often jumbled conversations, causing me to occasionally not know who said what and/or I didn’t know who was speaking at any given moment. All that said, I’d rather have an eARC than no ARC. They just make reviewing the story difficult. Not all eARCs, in my experience, have these problems, but it’s been a few since I’ve had a not-wonky eARC. It’s making me crave a physical book, so that’s what I’ll end up picking next, rather than my latest eARC. Which makes me sad, but it is what it is.]

Second, just LOOK at this gorgeous UK cover! I’ve said it before, and I’ll say it again – the UK usually does better, more stunning covers. Sorry, US, but it tends to be true.

ANYWAY!

Per usual, I knew very little about this book before going into it. For example, I didn’t even know about the different colors of blood. But if you like to know more than that going into a book, see Goodreads for the synopsis, which you can read here!

Recommendation: If you’re all about rebellions, complicated warriors, and enemies-to-lovers romances [and you don’t mind LGBTQ+ romance], then this book may be for you! Sylah is an incredible complex badass itching to rebel, and unafraid of tangling with people – in both ways, if you know what I mean. The world feels real and deep, well-thought out and executed. Personally, I’m looking forward to Book Two. That said, it didn’t hit the way I expected, so keep that in mind. The writing style did take me a second to adjust to, but that may be more due to the short break I was recently forced to take and the fact that my last book was a YA Contemporary rather than on Adult Fantasy.

In my opinion, if you’re worried about insta-love here, I really don’t think it’s present. It does feel a little rushed when it does come, maybe a little sudden, but not INSTANT by any means.

That said, let’s talk about the characters a bit. The only character you can go into this book knowing about is Sylah, our leading lady born to burn. Talk about a flawed character! She more or less begins as only having one thing going for her: that she’s everything her movement wanted her to be, at the core . . . buried, as it were . All of her behavior and thought processes are all 100% her movement’s desire for her to behave and think. The Sylah at the end of this book is very much NOT the Sylah at the beginning of the book. It’s hard to even describe her character arc WITH spoilers, let alone without. I really feel like she developed quite a bit as a character/person throughout the book, which is awesome. Your MC doesn’t always change so notably in Book Ones of series, sometimes with the second or later book really bringing about change.

When ending this book, I was still left with questions. But isn’t that a bad thing? In my opinion, not at all! In this case, it’s largely because the book left me curious on why certain aspects of this society have worked the way its worked for all these years. I will admit that there’s one question that might poke a decent sized hole in the society-building, but that 100% could be that my memory is failing me or because I ended up reading too much of this book tired. HOWEVER – even with that possibility, I’m invested enough that I want Book Two sooner than I’ll get it – even if I get the eARC. The book is still good enough for me, even if that hole really is there.

I’m dying to talk about the other characters [and events and details], so, on to the spoiler section we go!

**SPOILERS AHEAD, BEWARE! DON’T CONTINUE UNLESS YOU DON’T MIND SPOILERS OR YOU’VE READ THE BOOK! FEEL FREE TO COME BACK AND CONTINUING WHEN YOU FINISH READING!*

ANOOR STARTS OUT SO SPOILED AND ANNOYING! [Don’t be mad, you know you were thinking it, I was just willing to say it straight out.] In all seriousness, though, Anoor needs to start out that “bad” [and, honestly, it’s a complement to the author that I feel that strongly about her thoughts and behaviors] in order for you to appreciate her character arc. Because Sylah isn’t the only character/person to end as a completely different . . . character/person. I might even like Anoor more at the end than Sylah.

SPEAKING OFF WHICH – can we take a second to talk about my torn feelings on Sylah? She’s this complicated badass – that also annoys me every now and then? She’s somehow something like a selfishly selfless person? Like, she takes too much pride in her “selflessness” but is really selfish about that “sacrifice? But that’s not even quite right – she hits like she thinks she’s the savior the world needs, she’s the perfect gift to this society – but also this never-going-to-recover-completely addict who’s useless? That she’s everything – but only with the joba seeds. But, again, it isn’t even that – that’s part of her character arc, her personal progression. It’s how she obsesses over it, how she goes about thinking on it – or something. I’m struggling to put it to words, and perhaps I’ll update this later if the words finally come to me, but I’m hoping I’m making my point. There’s something about Sylah that rubs me the wrong way, and makes Anoor come out higher in my book. But maybe that’s intentional about her? Maybe she’s supposed to feel this way about her? I guess I’ll find out as the series unfolds!

The “side characters” don’t feel shallow, empty, or like filler. In fact, I enjoy most of them. Except Lio. I don’t know if Lio feels forced/shallow or if her personality rubs me the wrong way, but I don’t care, at the moment, if I never “see” her again.

The class separation by blood color. I feel like I’ve read a book that did that before, but I didn’t hate the idea then, and I don’t hate it now. And beyond the blood color, this world feels like I could go visit it, it feels so real. I don’t know that it’s the best world building I’ve ever seen, but still impressive and well done! I’m looking forward to seeing more of it with Anoor as disciple, and the rest of the world with Sylah – and Jond? I understand why she struggled to kill him, and why that means he had to come along, but what will his presence change/bring about? What role will he play in the story going forward?

And what about Hassa? I loved her before Anoor’s turnaround “knocked her down”, but, honestly, I think they’re tied in my book [sorry, not sorry, Sylah]. I love Anoor for her improvement and progress, but Hassa started off a winner for me. That’s not to say Hassa doesn’t have any room for improvement or is perfect, by any means, but I love her. I don’t know if I feel like I relate more to Hassa or Anoor, but I’m SO excited to see what role she plays in this going forward. Her backstory just made her even more amazing in my eyes.

Jond. Serious mixed feelings about this guy. He has a serious shot at a redemption arc, but he’s, in his own way, just as spoiled as Anoor – just without really any improvement. At all. Jond at the beginning is almost identical to the Jond at the end. The only difference is the pain Sylah puts him through – both directly from her and indirectly by what her choices “force” him to do to her. He hits more entitled than Anoor at times. And the torn part comes here: that makes him extremely annoying in this book, but leaves him WIDE open in the coming story to improve – or regress. Which is, in its own way, exciting to see unfold.

All in all, a really good book, and I’m glad I have the Goldsboro SFF edition coming. [Eventually.] And the Waterstones, because I love the UK cover more than the US, and I wanted a copy to celebrate getting the e-ARC. It feels like such a victory for me and my small following. I wish I could have gotten around to finishing the book and writing this review sooner, but I underestimated how much of an impact moving and returning to the workforce [and this job especially!] would have on my spare time. [Aka what is spare time right now?] Buuuuuuut I have too many books to read, so make time I must, and I’m hoping to write more reviews soon! Stay tuned!

Little Thieves

by Margaret Owen

Little Thieves
@SeaFox.Adventures on Instagram

I know this isn’t the point of this book review – or any book review, honestly – but I do have to take a second to appreciate this stunning edition that Illumicrate created. I’M OBSESSED. I love the art on the case, I love the texture of the case itself [it’s called a paper laminated case, many know it as “turtleback”], the stenciled edges are beautiful, and I like the background color change on the dust jacket. [If you want to see all of these features, feel free to scroll through my Bookstagram feed here!]

Now, onto the story inside the beautiful book! As I have made a habit of lately, I didn’t read anything about this book before picking it up. I know that that seems reckless and means I’ll likely read books I don’t care for, and that may be true, but I have my reasons, and one of the biggest is that book summaries tend to ruin the surprises inside the book for me. So, it was to my surprise that I recognized some of the foreign words used! In the past, I dabbled in learning German, and, while I’m far from fluent, I still pick up on a thing or two on occassion, and it made my heart happy to read a book with words I at least recognized and could make an educated guess at that weren’t English.

For those of you who like to know the published summaries, you can find one of Goodreads here. Surprisingly, it gives away little, all things considered.

Recommendation: If you’re looking for a good German-inspired tale with morally gray characters that will keep you entertained as it tries to leave you in the dark with surprises? Then this book is the one for you. I loved the book, and it’s very likely I’ll make time to reread it when its sequel, Painted Devils, comes out. Because that’s definitely on my TBR, and my fingers are crossed that Illumicrate will do an equally stunning copy of Painted Devils.

Vanja! Vanja is such a loveable, morally-gray character. The closest I can think to describe her is a combination of Nevernight‘s Mia and Six of Crow‘s Kaz, with less experience – maybe a little kid Kaz or a young Kaz? I love both of those characters, so it’s no surprise I love Vanja. As with most good characters, I was rooting her on and cursing her multiple times throughout the book. I love her relationship with Ragne, and I love the interactions and conversations between her and Emeric. Really, all the characters’ dynamics with each other is just so fantastic. I’m not saying it’s perfect, but I loved it!

Because I’m big on not spoiling things in books, Vanja is the only character I’ll talk about before the spoiler line. I hope you decide to give this book a shot and come back to read my spoiler-y thoughts! I love this book so much.

**UNLESS YOU LOVE SPOILERS, PLEASE GO READ THE BOOK BEFORE CONTINUING! EVEN SPOILED, THOUGH, I’M SURE THIS BOOK WILL STILL PLEASE. IT’S SO, SO GOOD! DEFINITELY A 5 STAR READ FOR ME.**

I’m learning that I’m developing a soft spot for morally gray characters, and I’ve always had a love of good banter, which I think Vanja manages.

Emeric – what a complete foil of Vanja, honestly. His character arc through the story was so much fun to follow. Emeric at the beginning of the story is not the Emeric we see sitting on that bench with Vanja at the end. I love what he brings to the story, I love his role in Vanja’s adventure, and I would honestly read another story, all about the “dance” he and Vanja are essentially planning to take with each other.

Gisele. I have mixed feelings about her, honestly. I understand her animosity towards Vanja and why she doesn’t immediately forgive her. I just don’t understand how she thinks what happened to her is equal or worse than what happened to Vanja. But that’s my personal opinion, and I know people will disagree with it, so let’s move on.

Ragne. Oh my goodness, how I love Ragne. She’s a fun, interesting character that throws a bit of an entertaining twist to Vanja’s world. I love her pivotal role in helping Vanja open her eyes to the idea that she doesn’t have to be alone. Honestly, I think Ragne is quite possibly the only reason Vanja changes for the better throughout the story. Her journey is self-discovery is almost as much the reason I didn’t want to put the book down as Vanja’s story. I love her personality, her character arc, her interactions with everyone around her.

All together, Little Thieves turned out to be a five star read for me that I wasn’t expecting. It was one of my last reads of 2021, and I’m so glad I joined the Illumicrate readalong to read it when I did. It helped me push through the other books I had picked up already.

Vespertine

by Margaret Rogerson

First, a big thank you to NetGalley and Margaret K. McElderry Books for the e-ARC!

Now, Vespertine had me hook more or less from the beginning. Sadly, life got in the way of me quickly reading this one like I very much wanted to, but finish it I have!

This book definitely sounded interesting from the beginning, but the summary didn’t read like something I’d prefer, but I really enjoyed this!

I really loved that Artemisia wasn’t your typical heroine. I can’t go too much into detail about that, as I consider that particular detail a spoiler, but between that and the relationship she builds with the revenant is just so amusing. The transition and character arc that Artemisia follows doesn’t feel forced or jarring, but rather a smooth transition from who she starts off as, her plans to become a Grey Sister, to what she has begun to become – what her world needs her to become.

The world building was so interesting, and I love how it’s essentially been built around this pivotal point in history where the “dead” and the living have to find a way to co-exist.

While I love quite a few side characters, I do wish they had been fleshed out a little more. That said, Artemisia and the revenant weren’t as lacking in fleshing out. The relationships between the characters were tentative, but they’re supposed to be, as Artemisia is written at being better with the dead than the living.

Recommendation: If you’re looking for a book with ghosts or one with paranormal aspects to it, this is a good choice! I don’t read a lot of ghost/paranormal stories, but I have read a good number, and I haven’t seen anything quite like this worldbuilding before. Also, if you love sidekicks that have a little lip on them, who do a decent job at banter, this might be for you, too!

I will say – I don’t know if it was just me and what I was going through while reading this, but some areas of the book seemed a little confusing, and how we got from the beginning to the end of those scenes was a bit unclear. However, the author has updated her review of the book on Goodreads to clarify that the e-ARC lacks a lot of editing that was done between the release of the e-ARCs and the final copy of the book, and, from the limited experience with her previous works I have, I do believe that won’t be an issue in the final copy, but it’s worth noting on the off-chance it isn’t “fixed”.

**IT’S HARD TO TALK ABOUT THIS BOOK WITHOUT SPOILERS, SO BE SURE YOU’VE READ THE BOOK OR DON’T CARE ABOUT SPOILERS BEFORE CONTINUING!**

I love how Rogerson wrote Artemisia. It related to me in a way I don’t think any other MC has, so I’m so grateful that I got to read it early and review it!

I love the slow unfolding of the revenant’s [specific] identity, alongside the slow building of the relationship between Artemisia and the revenant. I loved their banter, how they reluctantly looked after each other, and eventually protected each other.

I love the progression of Leander throughout the story. How he progressed from a stranger with the power to control Artemisia’s future to the enemy to someone Artemisia hopes to see again.

I’m intrigued to see where the sequel goes, as this book isn’t a standalone but does tie up the events in the this book satisfactorily. At this time, on Goodreads and on her website, it is unclear how many books are planned in this series as it’s confirmed as not being a standalone, but no number of books is yet established. Regardless, I’m looking forward to reading the final copy, and to read book two!

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