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In Regards to the World Today

I really don’t know how to open this post except: stay safe and stay positive.

I had originally planned to spend the last two weeks focusing on getting caught up on reviews and on getting better at being a little more regular here, but that hasn’t happened. I’d love to say it’s because I’ve been extremely impacted by COVID-19, but the truth is my day-to-day hasn’t changed too much.

I’m considered an essential employee, but I’m by no means a front-line essential employee. My work has been shifted to being remote, though I can’t do all of my job functions remotely. I was going to use the time I “saved” from not commuting to work to spend here, working on catching up on reviews [I’ll explain more on that later] and generally improving my presence here and on book-related social media.

For whatever reason, that ended up not happening.

I do think it’s partially because I dislike working from home. I don’t know what it is – I enjoy being home when I’m not working, and there’s absolutely nothing wrong with the idea of working-from-home. Maybe it’s because I can’t do all my job functions from home and that bothers me, and I’m sure part of it was because, before this “rotation” to working from home, I didn’t have a dedicated work-space. And I know, because I was lacking in job functions by working remotely, I’ve been working longer days, eating up my commute and some of my personal time. So, between disliking working from home [mainly because I know I can’t perform all my job functions remotely] and not having a dedicated work-space, all my planned time to dedicate to here and book-related social media was instead eaten up by work.

Before things locally got crazy, I sat down to try to write my All the Stars and Teeth review. I got just a little beyond the spoiler line when I got hit with the feeling like my review was missing something, and I wasn’t giving it my best. So I set it aside, deciding to give myself a little while away from it before I picked it back up, reviewed it, and finished it properly. I still feel like I’m missing something from the review, but, with where my head-space has been recently, I’m not sure I’ll do a better job any time soon.

Which introduces me to an idea I’ve been kicking around for a little while. I’ve been planning on rereading Aurora Rising, for three reasons. One, I didn’t give it a proper shot the first time around. When I first heard about it, the summary didn’t grab me. If someone had told me about it, without mentioning any authors tied to it, I wouldn’t have picked it up. But I was introduced to – and hooked on – The Nevernight Chronicles by the time it came out and, with everyone raving about it, I decided to give it a chance after reading The Illuminae Files and falling in love with that series as well. I think I mainly read it to check the box, to consume more of Jay Kristoff’s work, and to chase the magic that is The Illuminae Files series. At the end, I realized I hadn’t given it a proper shot, and realized it had gotten interesting, and I’d blown my first read of it. I needed to read it, from the beginning, while giving it a proper shot. Reason Two: I had arranged to go to YALLWEST [now a few weeks away] and had been chatting with the one-and-only Jay Kristoff about how he was the reason I was going [truth] and that I had gotten into bookstagramming and book reviewing purely for his ARCs [also true – I’m still dying to get my hands on the UK DarkDawn ARC!] and asked if there was a chance they’d be giving any away there. After a few messages back and forth, he had said he could hook me up with an ARC of Aurora Burning, if I wanted one. So, I had to reread Aurora Rising to read an ARC of Aurora Burning, of course! Even though YALLWEST has been canceled, I still have Reason One and Reason Three: the Magical Readathon. I missed the Magical Readathon last year [I joined the community too late to participate in the OWLs of 2019] and was dedicated to not missing it this year. I chose my career [not an easy choice, let me tell you], decided on my reading list, and Aurora Rising made the list.

Anyway, onto my new idea: reread reviews. I will not, by any means, stop doing original read reviews. However, I’ve been hit lately with a desire to reread some books I’ve enjoyed [or felt I didn’t give a proper chance], and I think that leads to a whole new experience – and probably a whole new type of review.

What do you guys think? I’ll do one for Aurora Rising soon [although I didn’t write one for my first read through], and I’ll likely be doing one for others, including House of Earth and Blood, which I will be reviewing here shortly as an original read. House of Earth and Blood had me wanting to reread it very shortly into the book itself, so it’s definitely on the reread list already.

I’d be remiss if I didn’t also mention that my lack of presence here and on book-related social media is also because COVID-19 has come to my home. While I don’t personally have it, a loved one in my home does, and, while it hasn’t been crazy exactly, I can’t say it hasn’t made any impact at all. It’s also extended my working-from-home stretch, so we’ll see what impact that has not only on my work but my goals here and on book-related social media.

I’m endeavoring to get into a better swing and habit during this extended stretch of working-from-home, and hopefully that means more prompt reviews both here and on Goodreads [and my other platforms that allow me to review books that I didn’t get ARCs for]. You’ll be seeing a review of House of Earth and Blood and a reread review of Aurora Rising, hopefully sooner rather than later. A bookish friend of mine also wrote a book and was kind enough to give me an e-ARC of it, so I’m hoping to read and review that shortly as well!

I hope everyone is staying safe, staying healthy, and staying sane. If we’re careful without being extreme and focus on positivity and self-care, we can make it through this tough and weird time – not only just to the other side, but also better than where we were when this started! There’s so many things being isolated allows us to do, and I know, as a commuity, the book-lovers have banned together stronger than ever to be there for each other. We’re all just a reach-out away if we’re needed, and we’ll all help each other to get through our rough patches. If you find yourself unable to read, there are other hobbies to pursue or learn that you may find you’re able to do instead! There’s absolutely nothing wrong with struggling to read right now, but you should try to find something to help you. There’s nothing wrong with doing what you need to to get through this, so long as you’re also maintaining your responsibilities, as difficult as they may be to continue to complete, you’re doing just fine. It may take more breaks than normal, it may take more extensive and deep self-care to push through, but you have it in you – you just have to dig deep and trying to push aside any guilt you feel for taking care of yourself. You must take care of yourself in times like these to persevere – and you have a wonderful network of helpful people in the book community, including myself, so feel free to ask for help from us if you need it!

I think this post is plenty long enough as it is, so I’ll leave it there for now. I didn’t intend for this post to be this long, but thanks for sticking around until now, if you have!

TLDR: The world is a tad crazy, some of it is in my home, but I’m going to try to improve myself better than before and will be trying new things going forward to see what works best for me here!

Stay safe, stay positive, and keep reading [if you can]!

Fourth Wing Theories and Predictions . . . Part One?

Pre-Onyx Storm Theories and Predictions for The Empyrean series

Fourth Wing
@SeaFox.Adventures

The internet is abuzz about The Empyrean series, and there is no shortage of theories and guesses for the coming events in Onyx Storm and beyond. After listening to podcasts and reading a lot of comments, posts, and more on ideas and theories for the upcoming books, I’ve found myself thinking about it more and more.

Because of that, it has gotten my mind whirling on my own ideas for the upcoming events of the series, and I wanted to take a closer look at them. I reread Fourth Wing and Iron Flame with the focus of looking for hints and theory support evidence, and then I aimed to apply it to the existing theories out there as well as to some of my own.

There will be Theories [which are more-or-less “fleshed out”] and Food For Thought [things I’m convinced are important but don’t become a full theory or are theories but not fully “fleshed out”]. This post is looooooong, so you can use the shortcut links below to jump around!

Theories covered in this post: Violet’s Second Signet, The Three Brothers Tie-in Theory, Violet’s Hair – “Silver One”, Inscription Interpretation, Mystery Identities, and 200 Years of Missing History.

Food For Thought covered in this post: . . . What if resurrection is a thing??, The Battle of Aretia, Brennan’s Rune Scar, Venin Book Censorship, and Sudden Quadrant Change.

Without further ado, now that we’re 45 days from the release of Onyx Storm, let’s dive into Theories and Food For Thought!

Violet’s Second Signet

It’s hard to say which question most people are focusing on, but I think the mystery around Violet’s second signet is a big one. There are two major direct guesses and a third more vague guess floating around out there. [There are more than that, of course, but these three are the largest in number of people supporting them than the others.]

Amplifier
Some people call it different things, but many believe Violet to be an amplifier. What is an amplifier? It’s someone who essentially temporarily boosts the powers of those around them. They mainly source the momentary overcoming of Rhi’s ability to summon through walls when she’s able to summon Violet’s knife, Mira’s temporary ability to conjure a ward to protect herself and Violet during the “demonstration” against a venin, and Xaden’s power in the infamous throne scene. While I do think this theory has potential, I personally don’t see this as being a serious contender during my reread for this post. It’s mentioned that Rhi will eventually be able to able to summon through walls, and Rhi never mentions that being a fluke/not being able to do it again. For Mira, later in the story, she tells her mother she’s “now able to create her own wards”, which implies that she worked on this after that one moment with Violet, and was able to replicate it on her own, on multiple occasions. Mira wouldn’t tell her doesn’t-accept-less-than-perfection mother she was capable if it happened inconsistently and rarely. Xaden’s scene is a little less clear, but he does mutter, “‘I should not have done that.’” [Iron Flame, Chapter Forty-Eight, paragraph 71, third line] I also don’t want their moments of achievement to be written off as Violet’s doing and take those victories away from them. That doesn’t feel right for Violet.

Truth-Sayer/Knowledge
A very popular theory is that Violet has the ability to make people say the truth when they would otherwise lie and/or she can detect a lie when she hears one. I’m also lumping this theory in with the more vague “she needs knowledge/information” theory because I do think this theory has the most support.

I think something a lot of people forget is that the signet manifests as a reflection of the rider and has little-to-nothing to do with the dragon they bonded. Sure, the strength of that signet is dependent on the dragon they bond, but how the power manifests isn’t. Which implies Violet’s second signet has nothing directly to do with Andarna – aka it has nothing to do with Andarna’s rare species or her hinted at chameleon/camouflage abilities.

Violet’s need for information is mentioned a lot throughout the series. That she can handle a lot, maybe anything, so long as she has information and knowledge about the subject at hand. All that said, this is why I’m leaning towards lumping truth-sayer and a signet generally related to knowledge together: Rebecca Yarros has said in an interview that we “may be underwhelmed with Violet’s second signet”. [That’s not a verbatim quote, but it’s the general message of the words she said.]

Andarna Tie-Ins
There are three second signet theories that I’ll deem the “Andarna Tie-In” signets, because they all center around Andarna.

There’s the popular one of “gravity manipulation” because the obstacle blocking Andarna from bearing a rider is the weight restriction she’s now facing – which, of course, gravity manipulation would counteract. While this signet would also help the fight with the venin [since the venin need to be in contact with the ground to pull from the source] by making them do a sort of anti-gravity float, I just don’t see how that’s tied to anything really at Violet’s core.

There’s another that her signet is somehow tied to “time manipulation” as an echo to Andarna’s “Feathertail power” and, while this signet would definitely help with her control of her first signet, I just don’t see how or why Violet’s core self would feel the need to cater to that, especially since she’s learning control anyway through Felix. It just doesn’t make sense that we would dedicate on-page time to her learning control the traditional way if she’s just going to use a “time manipulation signet” to control the lightening anyway. But that’s a personal opinion, not a solid fact or reason.

And then there’s this one line of Tairn’s that sticks out to me, but I can’t make work: “‘You cannot mend what does not exist.’” [Iron Flame, Chapter Thirty-Eight, paragraph 45, only line] As far as I could tell while reading, there’s no moment where this seems to really manifest, and Yarros has said Violet’s second signet manifests in Iron Flame, so I think maybe this is just a potent line, and ultimately means nothing. I think part of me just wants Violet to finally get that mender-like signet she’s wanted since she accepted her fate of becoming a rider, and that’s really all the support for this one.

The Three Brother Tie-in Theory

We’ve heard the lore of the Three Brothers mentioned a not-insignificant number of times, but what relevance does this have? A lot of people have their take on this one, but here’s mine: what if the Three Brothers lore is reflected in our Sorrengail siblings by their love interests? Hear me out.

The Sorrengail siblings aren’t all boys and are all dragon riders – but you know who could be all boys and not all dragon riders? Their love interests. But, SeaFox, Violet already has her love interest, Xaden, a dragon rider, and the fandom generally acknowledges Brennan’s love interest was also a dragon rider! True, true, but the fandom also generally believes Brennan’s love interest, aka Tairn’s previous rider, is a venin.

Well, that makes two out of three of the brothers, doesn’t it? One venin, one dragon rider . . . which just leaves a Gryphon Flier. And who just joined Aretia’s population, along with a bunch of similarly-aged fliers? Mira. I don’t know if we’ll see it in Onyx Storm, but I’m guessing Mira eventually falls for a flier. I mean, there’s even already a mention of Mira and another rider in the story! “‘You’re thinking of Drake,’ Syrena says over her shoulder. ‘Same last name, but he’s our cousin, and come to think of it, you’re just his type. He likes women who might actually kill him.’” [Iron Flame, Chapter Forty-One, paragraph 121] I mean, he’s also the captain of the Nightwing Drift, which sounds really important and impressive – even “for a flier”.

But, wait, what if Naolin isn’t a venin? What if Naolin really died? Xaden just turned – would he be the venin “brother”, leaving Brennan’s new/to-be-revealed love interest the dragon rider? Or is Xaden the venin, Mira’s is the rider, and Brennan’s is the flier?

Here’s why I think Mira’s is the flier: while describing Mira, Violet says, “But more than looks, she carries the same arrogance, the unwavering conviction that she belongs in the sky.” [Chapter One, paragraph 21, line four.]

But doesn’t that just mean Mira’s is the rider? I don’t think so. The excerpt from The Fables of the Barren at the beginning of Chapter Thirty-Seven reads, “But it was the third brother, who commanded the sky to surrender its greatest power, who finally vanquished his jealous sibling at a great and terrible price.” Not only is Violet the third Sorrengail child, but she’s also the one who commands the sky. “I am the sky and the power of every storm that has ever been. I am infinite.” [Chapter Twenty-Eight, ninth- and eighth-to-last paragraph, first and only lines] It wouldn’t make sense for the brother’s love interest of the one who commands the sky to also represent the venin brother.  That means Violet’s love interest has to be the rider or the flier, and Xaden isn’t a flier.

All of these points to Violet’s being the dragon rider, Mira’s being the flier, and Brennan being the venin.

Brennan being the jealous sibling [or Naolin being the jealous one] tracks the most in my book. While Violet may have been jealous of her siblings as a child [we get that glimpse of Violet asking about being a rider like the rest of her family, which could be taken as jealousy], she definitely doesn’t seem jealous of them [outside of their better health/lack of physical struggles] when she’s forced to be a rider. She is no longer jealous of their “ability” to be riders – she’s upset that she’s forced to be one. She wants to be a scribe before her mother takes that away from her. On top of that, while Violet experiences jealousy once Cat enters the picture and we see jealousy come up regarding Xaden every now and then, sprinkled throughout the books, we see Violet more-or-less conquer her jealousy in Iron Flame, so it doesn’t make much sense that Violet or Xaden are the “jealous sibling”.

That last paragraph was a weak argument, but you know what’s curious that it seems like not many people are commenting on? While we see Violet talk about Mira flying [Mira, not just Teine] and mounting/dismounting, but we only ever see Brennan flying by referencing Marbh. Brennan, specifically, isn’t mentioned in the sky directly.

“Dragons and gryphons are the gatekeepers, and I’m sure that to someone jealous enough, ambitious enough, risking a soul would be a fair price for the ability to wield.” [Chapter Twenty-Six, sixth-to-last paragraph, line four]

Violet’s Hair – “Silver One”

We’ve always known there’s something up with Violet’s hair. It isn’t just a quirky pigment thing to make her unique as an FMC [Female Main Character], although it also has that side-effect. There are a lot of theories flying around revolving this, especially in conjunction to Tairn’s nickname for her of “Silver One” and his line of, “‘I know exactly who and what you are, Violet Sorrengail.'” [Chapter Fifteen, paragraph 19, the only line]

That line left a lot of us going, “What do you mean what she is??”

Many people thought that line [and various others] implied Violet is half-god, mainly half Malek’s, rather than being her mortal father’s daughter. I, and many others, disagree on this theory – especially the theories that say Xaden is also half-god [aka, that they’re both demigods]. Some people are upset over this theory because they feel that it would take away a lot of Violet’s credit for the strength she’s managed to gain and the badass that she is. Because she’s less impressive and badass if it’s something she’s born with rather than something she’s earned, especially since it has, up until this point, been established that she was born with a pre-conceived “weakness” – aka her joint/ligament/muscle condition [often compared to EDS]. To then have that contradicted with god blood in her veins? That doesn’t make much narrative sense, in my opinion.

But what does that leave? Another semi-popular theory – that she’s, at least partially, venin. Some people think she’s half venin, that she was conceived with one venin parent. This is another theory that implies she isn’t her mortal father’s daughter [because it would be a lot harder to pretend she’s General Sorrengail’s daughter if the general was never pregnant] or that her father turned venin before conceiving her. While I think the later has a sliver of possibility, I don’t know that I believe Violet isn’t a full-blooded sibling of Mira and Brennan – aka that they don’t share the same father. I also don’t believe he turned venin before his death – especially not with the between-the-lines implication that Violet’s father was in contact with Andarna/the dragons with his [now mysteriously missing] Feathertail research. I’m not saying I don’t think it’s possible, I’m just saying I find it highly unlikely.

But what about the, “‘I thought she only had one daughter?'” line [Fourth Wing, Chapter Two, paragraph 13, first line] that implies she isn’t the general’s? This definitely gives more plausibility to Violet not being the general’s, but I still find it hard to believe, and this seems flimsy evidence at best. Especially coupled with later scenes where the general seems to show her genuine maternal affection, though rare, and her words along the same vein. I think it’s more likely that this line is referring to how, post-attack, the general is essentially removed from the public eye to focus on trying to keep Violet’s pregnancy safe and, therefore, not many people see her carrying Violet in the pregnancy’s later months. This coupled with Violet being raised to be a scribe, and therefore not “rubbing shoulders” with other riders and rider hopefuls and the general assumption by everyone that the general would expect all her children to be riders, gives more support to Violet being the general’s daughter, even if she’s a lesser known one because of the unexpected, and then abandoned, scribe path for her.

But what does “at least partially” mean, SeaFox? Well, there’s another popular theory running around – that General Sorrengail was attacked by venin while pregnant with Violet. We see Violet get attacked by the venin with a poisoned blade. While we saw Brennan mend her from that [which means most if not all of any possible side effects from the poison were erased from Violet’s body], it’s possible that the venin poison on their blades is somehow an agent that forces the beginning “transformation” to being a venin or somehow creates a link between the venin who uses the poison to create a link to drain power. More likely, though, is that the fighting scene where we see Violet eventually stabbed gave us our first indicator as to what happened to cause Violet’s hair – that either the general was attacked – attacked as in a venin was able to start draining her – and they were able to reverse the effect for her but not Violet, as we don’t know the extent to which a mender would be able to reverse things for a fetus, or the poison does create a power-draining link, which caused Violet to undergo unusual developmental changes, aka her hair always fading to silver no matter the length it is “‘You know very well the natural pigment seems to gradually abandon it, no matter the length.'” [Fourth Wing, Chapter One, paragraph 109, first line]

But how does that make her a “what”? We don’t currently know anyone who has undergone a venin attack and walked away with lingering effects of it and lives. No one else is reportedly like Violet. No one else survived being drained by a venin. But what does that “make” Violet?

Inscription Interpretation

A lot of people have a lot [understandably] of anxiety and worry over this inscription:
“‘The following text has been faithfully transcribed from Navarrian into the modern language by Jesinia Neilwart, Curator of the Scribe Quadrant at Basgiath War College. All events are true, and names have been preserved to honor the courage of those fallen. May their souls be commended to Malek.'”

WOOF. Let’s unpack that, shall we?

Everyone reading this, especially after Fourth Wing and Iron Flame, is worried this translates to “everyone dies” or at least that, at minimum, one of our MCs dies, whether that’s Violet or Xaden.

Obviously, I have zero authority here, but after spending a lot of time stewing on this, I don’t think this is true. It’s very possible that one of them does die, but I don’t think that’s what this inscription is telling us. So, what is it saying?

We’re left with some scraps of information, but we can gather a lot of information with these scraps now. From the beginning, we’re told this is being transcribed from Navarrian into the modern language. We’re left with two ways to interpret this: that “the modern language” is literally real-life current English, or enough time has passed that “the modern language” is no longer Navarrian. If the latter is true, that implies a post-war future that Navarrian has absorbed other places [like parts or all of Poromiel] and therefore the “common tongue”, for lack of a better term, has changed from “traditional” Navarrian. However, even if it’s the former, the rest of what we can glean from this inscription can still stand.

When we first started Fourth Wing, we had no idea there’s a possibility that Basgiath War College would cease to exist. But isn’t that what’s threatened in Iron Flame? They’re fighting to keep Basgiath War College in their possession. This part of the inscription implies Basgiath War College doesn’t fall, or at least is returned to their possession. This is true as of when this is transcribed by Jesinia.

If that doesn’t tell you you can take a deep breath, let’s continue with this transcription. At the time of this transcription, Jesinia is now Curator of the Scribe Quadrant. So, not only is Basgiath War College still around, but this inscription also implies enough time has transpired that Jesinia is now the Curator of the Scribes. Is it possible this will happen because of a bunch of deaths and doesn’t actually represent a lot of time has passed? Of course! It’s war! But I imagine a lot of people would have to die for Jesinia to become curator when she’s barely starting her tenure with the Scribes. Yes, she’s implied to be the next curator, but eventually. After years, not in the short-term future.

But what about this meaning that only Jesinia survives this long? True, and definitely possible, but Jesinia strikes me as the kind of person who wouldn’t call her transcription “faithful” if she’s left bridging too many gaps to bridge on her own, if she’s left to guess at too many things. This implies at least one critical person survives long enough to help her bridge those gaps. Could this critical person be neither Violet nor Xaden with other things bridging their gaps enough? Sure. Is it likely? Not in my opinion, no. Scribes don’t like “making things up”; they like to accurately report facts, not opinions, let alone guesses.

But they list letters between Violet and Xaden as “recovered”! Doesn’t that imply these letters were found in rubble/posthumously? Not necessarily! “Recover” is defined as “to get back or regain something lost or taken away”, and, in archeology, can mean “when artefacts are recovered from the location in which they were originally deposited“. [As defined here.] All this would imply is that the letters are at some point left somewhere and then found again/gone back for. I could 100% see Violet tracking those letters down in the name of accurately recording history with Jesinia [or someone who knows and loves Violet doing so in her honor, if she really is dead, aka Xaden doing it].

TL;DR: There are enough scraps of information in this inscription to imply that critical people survive long enough for this “faithful” transcription to occur, in a far enough future that Jesinia is Curator of the Scribe Quadrant, that the modern language isn’t Navarrian, and that Basgiath War College exists in that same “far future”.

Mystery Identities

I don’t have a theory [yet] on Violet’s father’s identity, but I have thoughts on General Daramor’s identity and the maven that hunts [haunts?] Xaden and Violet.

The only identifying things we know about the three brothers is that the third one kills the venin one, but not which brother is the venin brother. That said, we’re indirectly told that venin brother is “General Daramor”. “In response to the Great War, dragons claimed the western lands and gryphons the central ones, abandoning the Barrens and the memory of General Daramor, who nearly destroyed the Continent with his army.” [Fourth Wing, Chapter Nineteen, epithet]

Translation has been a semi-present thing in this series, and my first question was, “What does Daramor mean?” Now, basically everything thus far has been Gaelic, but I couldn’t find anything there. However, in Spanish, when broken into “dar amor”, means “to give love”/”give love”. [I also need to, as an aside, say that I think Spanish was chosen here because . . . well, it’s a Romantic Language, whereas Gaelic is just considered a Celtic Language, and anything relating to love makes more sense to be represented in a Romantic Language rather than a Celtic one. Is it possible that, because it means nothing in Gaelic, it is ultimately nothing? Of course! But it’s still worth noting.]

So many ideas as to why General Daramor chose that pseudonym! I haven’t fully vetted any idea I think worth mentioning yet, but it’s brewing.

The maven self-identifies as a general, which hints at the maven being General Daramor. But General Daramor lived 600 years ago! That’s impossible! . . . But venin have been noted to age slowly, with the maven in question literally stating, “‘Fight me and die, or join me and live beyond the ages, but you will never escape me, not when I’ve waited centuries for someone with your power.’” [Iron Flame, Chapter Twenty-Twi, paragraph twelve, second line]. It’s possible that, the “deeper” into “veninhood” you get, the longer you’re able to stretch your lifespan. It’s possible that the current maven was alive with General Daramor was . . . is?

If we return to the Three Brothers for a second, we can examine the relationship between them, General Daramor, and the current maven that calls himself a general. The way I see it, there is more than one way this history with the brothers went down, but these two stick out the most to me.

Scenario one: the fable is pretty accurate [of the pieces we’ve been given], and there were three brothers. One was a flier, one was a rider, and the remaining brother was jealous and desired power of his own, so he turned venin. It’s not clearly stated if it was the rider or the flier, but we can gather it was the rider since it’s commonly known that riders have the greater amount of power, and a great amount of power was needed to “vanquish” the venin brother. The venin brother was “vanquished”, but the other two brothers either didn’t realize he wasn’t defeated, or they left him in the barren lands, thinking it would some contain him for some reason.

Now, to move onto a possibility that may really shock you . . .

Scenario two: the fable is mostly accurate but was rewritten slightly to hide a terrifying truth. There were three brothers: one flier, one rider, and one venin. The brother who commanded the sky killed the venin brother – but was forced to turn venin himself to accomplish this victory. Would that not be “a great and terrible price”? When he turned venin, the remaining brother – and The First Six – abandoned him, either seeing his decision as a betrayal or not knowing how to end the cycle and trying to contain him in the barren lands somehow.

Essentially, scenario one means the venin brother wasn’t truly killed, and the second scenario means the venin brother was killed but at the “great and terrible price” of turning venin himself. So, the maven hunting Xaden and Violet is either General Daramor . . . or the brother that defeated him.

But let’s dive into these a little more.

What does “vanquished” mean? To conquer or subdue by superior force, as in battle; to defeat in any contest or conflict; be victorious over; to overcome or overpower; along with a few similarly worded definitions. No definition uses the word kill/s. It’s very possible the Sage is the venin brother, who just managed to gain an essentially immortal [or at least very, very, very long] lifespan by being venin.

Obviously, everyone is going to assume that, “a great and terrible price” means the cost of their life, that the third brother sacrificed his own life to defeat his corrupted brother. But how has turning venin been described? “I never used to get why the villains would choose to corrupt their souls and become venin”; “a soul would be a fair price”. And we also get this little nugget: “Another talks about the dangers of wielding power from the ground instead of the skies, as one could easily start drawing magic from the earth and eventually be driven mad” [Chapter Thirty One, paragraph 42, line four]. I do think it’s possible that the “great and terrible price” is that the brother had to pull from the sky and earth to gain enough power to vanquish his brother. I also think a possible interpretation is that, because of how much power he was forced to draw from the earth to accomplish his task, he, for lack of a better term, fast-forwarded his descent into madness – so not only did he sacrifice his uncorrupted soul, he also sacrificed his sanity; essentially, he sacrifice everything about himself that made him a good, uncorrupted man. A great and terrible price indeed.

Not enough evidence? How about this – why would one of the fables be to warn riders of the dangers of their bond with the dragons turning on them if they tried to consume too much power? This implies that a dragon bonded rider had their power from their dragon turned on them – which sounds a lot like they turned venin because they reached for more power than their dragon could [or maybe was willing?] to give them.

Still not enough? You hear talk about The First Six being the first riders who survive. But why six? It’s definitely possible it’s only six, and that it’s for an arbitrary reason. But six is also the same numbers as the dragon dens that are known to the general public. What if . . . The First Six is actually The First Seven, but the “erased” rider is the third brother who ended up turning venin?

While the rest of this theory isn’t as strong, I could definitely see that also leading them to “erase” the dragon breed that rider bonded from history, but what if it’s more complicated than that? What if the seventh rider was bonded to an orange dragon, beginning the “questionable choices” reputation of that line [do we even hear any ancestral mention of the orange line like we do the black dragon line?], and that they then erased the seventh dragon den because The Empyrean requested [demanded?] that secret be lost with the rest of the knowledge? The First Six had to have known about the 7th den. The “erased” den is critical to making successful wards – and it’s implied that den was also critical to defeating the venin, as the secret weapon that defeated them 600 years ago.

200 Years of Missing History

I don’t know how many of you caught this [it’s very glossed over by Violet, which is exactly what the Navarian government wants], but Violet talks about how the Archives cover the last 400 years of Navarrian history, but Navarre is 600 years old.

. . . So, what happened to those first 200 years?

My initial guess is that the first 200 years of that history was honest and not doctored [much], unlike our “new” history, and that, once they decided to rewrite history, there was some sort of “accident” where a large chunk of the Archives was destroyed. To support this theory, Violet talks at length about how important the Archive’s rather extensive safety system is. I think it came about because there was a fire, probably overnight, that destroyed those first 200 years.

If so, my guess is that fire was intentional, and very possibly a controlled burn, to burn what they wanted to, and likely announced something like, “Thankfully, a number of tomes from the effected section of the Archives were in the possession of Scribes diligently working on translating those texts to Navarrian to better preserve our nation’s history, and many others have already been transcribed, so minimal history has been lost.” When, in reality, they burned the history they wanted, rewrote the bits they wished to in order to begin their “new version” of that history, and framed it as a very lucky thing.

. . . What if resurrection is a thing??

Why else is it sooooooo important to burn a dead loved one’s things, especially ” for Malek”, the god of death? Because a dead loved one can be resurrected using something of theirs from when they were alive.

I think Naolin resurrected Brennan. Not saved him from the brink of death – resurrected him. Not only is it plainly stated that Brennan’s fake surname means resurrection, but this would also lead into another half-baked theory I have going on about the animosity between Brennan and General Sorrengail – but I’ll talk more about that later. For argument’s sake, let’s say Brennan was resurrected. The rules and requirements for that resurrection are still up for debate, but Violet hints that Naolin meant “something more” to Brennan, which puts him in a prime position to have something to use of Brennan’s to resurrect him.

I’ll dive a little deeper into my thoughts behind what happened between Naolin and Brennan on the battlefield later, but the important thing right now is that resurrection has theoretically occurred. And, if it has – what would be a better signet than pure power? The life connection between Violet and Xaden [and Sgaeyl and Tairn] has been a frequent topic in the series thus far, but so has Tairn essentially telling Violet that when she dies, he dies. That’s a lot of promises of death, don’t you think? We’ve also seen [both in these books and in her other books] that she’s not afraid of killing people off. Not only is this war, but it’s dragon war. Death is established as a common occurrence.

This theory isn’t fully baked yet, but we’ve seen Jack survive his dragon’s death by choosing to draw power from the source to prevent his own death. Power drawn upon your dragon’s death can stop the rider from dying – and Violet’s signet is pure power, manifesting most often as lightening. Does that not sound conveniently like a defibrillator used to shock an otherwise dead heart back to life? Would the fantasy equivalent not be Violet’s pure energy signet? Or maybe the possible second signet of “mending what doesn’t exist”? I’m not exactly sure on details, but there are too many hints at resurrection being a thing and at least one of our MCs fated to die by the end of the series for me not to think this is going to come up as some sort of heart wrenching event [which Yarros has been known to do in her other books].

The Battle of Aretia

While I understand that your mom allowing you to die to protect a lie [that covers an entire way of life] is definitely enough to piss someone off, Brennan’s hatred towards his mother feels . . . like there’s more going on.

So what else could have happened to make his hatred run so deep?

. . . Maybe her being involved with Naolin’s death?

There are a lot of questions around The Battle of Aretia, but I think the battle reports are lying. I don’t know if it’s a lie that Fen dealt Brennan his fatal blow or just that Naolin was unsuccessful at saving Brennan, but something happened here that pissed Brennan off more the his own death.

My first thought was that Naolin turned venin in the process of saving Brennan. While this would imply that General Sorrengail would then have had to know Brennan survived . . . I don’t know about that. We don’t know what happens when someone is resurrected. It could be that Brennan presented as dead – until he didn’t. And that, during that time, General Sorrengail found Venin Naolin and either took him to be interrogated, since she couldn’t pass up the opportunity to find out more about them, or she viewed killing him as a mercy kill, and Naolin died at her hand.

I don’t know about you, but if I found out my significant other did the impossible in saving my life and my mother’s response was to murder him in cold blood, I’d be deeply pissed off.

The kind of pissed off Brennan is.

Especially if it’s paired with being left with the feeling that that same mother was also willing to sacrifice my life to protect this secret that feels amoral and wrong.

But, if Naolin was either killed or taken by General Sorrengail . . . who took care of resurrected Brennan? Even if he wasn’t resurrected, only “healed” back from the brink of death, who took him to the caves that he recovered in with his dragon? Obviously, his dragon could have taken him, and that’s an easy answer – but the battle was in Aretia. And no one seems to know where Fen’s sister – aka Bodhi’s mother – went. It’s possible that she someone was involved with helping Brennan “stay dead” by removing his body from sight. And I imagine Brennan would be grateful enough for her help to keep her involvement a secret, especially if she had a reason to hide even from the surviving revolution he eventually joined.

But his dragon saving him is so much cleaner – why involve Fen’s sister at all? Of course, it’s possible it was his dragon and only his dragon, but I think it’s more plausible that someone involved in the revolution but not put to death [possibly like Fen’s sister] told him about the surviving embers of the revolution and where to find them. Especially if Brennan was now anti-Navarre and a mender. Having a mender on their side who was willing to help them rebuild a destroyed Aretia . . . that’s enough to overlook the gaping holes in his surviving story. There’s also the nugget of information that Xaden has known about Brennan since that same day, even though Brennan states he didn’t link up with the civilians of Aretia until later, after the city burned: “‘I’ve known about Brennan since his death.'” [Iron Flame, Chapter Three, paragraph 121, second line] and, “‘There are other dragons here, and they saved us, hid us in the network of caves within the valley, then later with the civilians who survived the city being scorched.'” [Iron Flame, Chapter Two, paragraph 24, eighth line] If Brennan didn’t join the civilians of Aretia until after the city burned, how would Xaden have known the same day as the battle? Either Fen is involved in the holes of this story [which means Lilith didn’t capture Fen until after the day of the Battle of Aretia] or Fen’s sister took him [maybe she was with Fen’s group, but broke off to save Brennan since she’d be easier to miss?], but there are holes in Brennan’s story, and Fen’s sister’s story at this point is missing even more information.

Brennan’s Rune Scar

There’s definitely something up with Brennan’s rune scar on his palm that Violet notes in Iron Flame. I have too many ideas for a solid theory, but here is what I’ve cooked up so far.

I think the scar is somehow related to his resurrection. We know the venin create wyvern with a rune on an onyx stone. Is it possible the rune on the onyx stone they find in the wyvern is the same as the one on Brennan’s palm – that Brennan has [or, with the rune now a scar, would that make it a had?] a wyvern-like connection to Naolin until he was able to mend himself back enough to be able to sever that bond? Is that possible wyvern connection still active and Naolin isn’t dead? If that’s the case, does Brennan know that Naolin can essentially spy on the revolution, since everything a wyvern hears and sees, the venin sees too?

But maybe the rune being a scar means that it was needed for the resurrection and, once Brennan was alive again, it faded to a scar and there’s no connection to Naolin?

Or maybe the scar is a rune lying in wait to be activated. But, if that’s the case, why is it a scar – and what does it do once activated?

There has to be some sort of lingering price for resurrection beyond the initial huge power cost. This whole thing with Brennan and Naolin feels too gap-y and leaves a ton of room for world-shaking bombs later in the story. Something is still up with this.

Venin Book Censorship

If Brennan’s resurrection/healing has nothing to do with being or being connected to venin, why is Brennan so against Violet reading the books they’re provided with venin information? Sure, he uses the security clearance excuse, which is the go-to line for a government trying to keep secrets, but Violet has proven herself the expert on all things venin, and that she wields the knowledge wisely.

. . . Is it because he was worried those books contained his secrets – that he was resurrected, that Naolin turned venin to save him, and that he’s now connected to [or at least tainted by] the venin? Is there some other venin-connected secret Brennan is keeping hidden – beyond him being venin himself? It just seems odd and too convenient for still-keeping-secrets Brennan here.

Too many questions left unanswered to call this a theory, but it all seems so, so suspicious.

Sudden Quadrant Change

If General Sorrengail knew about the venin and that secret that she wanted Violet to join the Riders before knowing herself, why would she have been “allowed” to be raised with the intent of becoming a scribe only to have that change exactly 6 months before Conscription Day?

Isn’t that a burning question for everyone? I have some thoughts here: 1) it’s mentioned that this happened after Violet passed the initial entrance exam, which could be held exactly 6 months before Conscription day or 2) she came across Violet’s father’s Feathertail research, which maybe mentioned or hints at Violet’s significance and destiny with the dragons, realizes Violet needed to be a rider to realize that destiny.  I don’t know how much stock I give to the idea that the general found her husband’s research and kept it to herself, but the exactly 6 months implies a self-imposed deadline on the general’s part or the date that the initial entrance exam is held.

The Unmaking of June Farrow

by Adrienne Young

The Unmaking of June Farrow
@SeaFox.Adventures

Congratulations to this now-New-York-Times-and-USA-Today-best-selling book!

I went into this book knowing only that it was Adrienne Young’s second adult novel and being pretty sure it was the book she did all that flower farm research for, and that was about it. If you want to know more, you can find the official summary on the Goodreads page here!

Recommendation: I’ve already been a little vocal about this with some, but I absolutely loved this book. I will be recommending it to basically everyone, and I’ll likely not stop anytime soon. This is, in my opinion, the best book Adrienne Young has written [so far]. It’s an interesting blend of mystery, including a murder mystery and missing person mystery, small-town drama, and romance while also keeping family as an important core element. That said, it’s a story where not every answer to every question is given, so if that’s something that would bother you, this book may not be perfect for you. I would still recommend it, but I would make sure that much is understood. In short, if you’re looking for a mystery with magical realism, this may be the book for you!

June Farrow is a wonderfully complex-yet-simple woman. She has lived with her grandmother slowly losing her mind, like all the Farrow women before her. Her grandmother describes it as feeling like you’re living in two different times, causing “episodes” where things that aren’t real seem to be for an amount of time. We get an early glimpse as to what “haunts” June in particular, but, for all the Farrow women, there’s also a red door. One of the times the door appears, June approaches it, realizes she can not only touch the door, but she can open, and the story begins in earnest. we watch June struggle to put all the pieces together to multiple mysteries, including what the June that married Eamon and had Annie did with her life with them, and it was an amazingly complex, interwoven set of mysteries that was captivating and kept me hooked, leaving me always trying to find a bit more time to read more of.

This next paragraph after this one touches on light spoilers. If you don’t want any spoilers at all, I would suggest stopping here! I did try my best not to spoil anything, some of the next paragraph could be argued to be spoiler-y, so feel free to stop here to prevent spoilers instead of at my usual spoiler line after this next paragraph. Just like I always mention there, feel free to come back after reading the book for the next paragraph and my spoiler thoughts after, or read the spoilers if that’s your jam.

“Magical realism” isn’t a term I was terribly familiar with before reading this book, though it’s something I’ve been subconsciously aware of for years of reading, and, in case it isn’t for you either, I wanted to take a moment to talk about it, and to try to see if I can explain my understanding of that term without spoilers for this book. [Disclaimer: I’m not an expert, nor am I “qualified” in any way other than having years and years and years of reading under my belt, so please keep that in mind! While this concept is something I’ve known about for years, this term isn’t, so I wanted to try to help anyone else out who is possible confused or unsure about what it means.] From what I’ve gathered, “magical realism” is sort of a “magic lite” kind of story. Where magic isn’t a major component of the story and/or world, but is still a fairly major contributor to the story. Without giving away too many spoilers, in this book, the major “magical realism” component is the red door, but, in keeping with the “magic lite” aspect, it’s essentially the only magic present, the rest of the world of the book being realistic or otherwise “normal” in regards to the real world. While that is over simplifying things [in the name of preventing spoilers], that’s essentially the “magical realism” of this story in a nutshell. While a chunk of this book is dedicated to the mystery of the curse and the red door they all see, there is still chunks of it dedicated to the romance and the murder mystery, which isn’t magical in-and-of itself. I hope this helps!

**AND HERE IS THE OFFICIAL SPOILER LINE, SO SPOILERS START IN EARNEST AFTER THIS! IF YOU WISH TO AVOID THEM, STOP READING HERE, AND COME BACK AFTER YOU FINISH READING THE BOOK YOURSELF! IF YOU DON’T MIND SPOILERS, FEEL FREE TO READ ON, AND I HOPE YOU ENJOY!**

While this book is by no means perfect, I really enjoyed this book, and I plan to read it again in the future! I’m really curious to see if multiple reads will actually make the tying up of the “current loose ends” clearer, or if it’ll just make the timelines easier to keep track of and follow.

Before I dive into the only “negative” [if you can call it that] thought, I wanted to take a moment to talk about the romance in the book. We’re lead, in the beginning, to think the romance for June was Mason. But, while there was a decent bit of foundation laid for that, I’m not sure if was enough for me to ultimately root for June to go back through time to be with him. Similar to how I felt in Outlander, once any kind of foundation was laid for Eamon, like there was for Jamie Frasier, the answer on whether she should go back was clear to me, and the answer was no. Do I think June could have had a happy and fulfilling life with Mason? Sure! But nothing in comparison to what she would [did?] have with Eamon.

The only real “snag” for me with the time-travel rules and the red door is that, technically, June has the option to cross four times, while the rest of the Farrow women only get the option three times. For June, she crosses back in time the first time [in the future, the only crossing we never see] which is when she meets Eamon and murders her father [in brutal self-defense]. For that version of June, she then crosses a second time which is when she, for lack of a better term, unmakes herself, hence the title of the book. Then, we have the June the story follows, which crosses for her first time to rejoin Eamon a year after her “unmaking”. That should make it her third crossing, which should stop her from seeing more doors, and be the last crossing she’s offered. But she goes on to see the door multiple times [once we actually see on page, and then more in the last-chapter-recap] after that before it stops appearing, which implies she’s allowed another crossing. My only guess is that her unmaking crossing didn’t count since she never crossed time, but I’m not sure how I feel about that. I understand, from the storytelling perspective, that the door appearing that first time for her once she’s learned everything and has to choose between her life with Eamon and Annie and her life with Mason is suppose to be her big moment and it’s supposed to be emotionally charged and everything else, and it wouldn’t be as much if she just thought that it would be an ideal time for the door to appear, but it does feel a smidge convenient with the hard rules that all the other Farrow women have had to live following.

Outside of that, without having reread the story, I’m not sure there’s much else I have to complain about. I guess the beginning of the curse would have been a nice thing to have explained, but I’m not sure if I just missed that explanation while focusing so much on other aspects of the story. It’s part of why I want a reread. While I would like an explanation for why the curse began, there are plenty of other great books who have unanswered “source” questions, so I don’t really know if I should count that against it, and I don’t really, for this read through.

I loved the twist that Birdie is June’s “past” daughter. I’m sure I’m in the minority on this one, as some people complain about the complexity of the time-traveling, but I loved the twist that somehow future June goes back in time and starts her relationship with Eamon, which results in Annie, and all the twists that comes with Annie’s existence as Birdie in June’s life. Time-travel needs rules, and, while this rules are simple and I haven’t sat down to make sure it’s leak-proof, the rules seem to hold water [even with the weird possible-contradiction with June having the opportunity to cross one more time than the other Farrow women got, if you consider the unmaking to not count as a crossing because time wasn’t truly crossed].

All-in-all, I loved this book, and I’m looking forward to reading it again some day! If you have any thoughts or wish to discuss anything with me about this book, please feel free to comment here or send me a message on bookstagram!

As always, I hope you enjoyed the review, and be kind, stay safe, and read on!

A Curse for True Love: Theories

Once Upon a Broken Heart
@SeaFox.Adventures

Hello, everyone! I wanted to try to do something other than the usual book review, so I thought – why not try to do a theory post?

I know the book is coming out tomorrow and some people have early copies [however they got them], but I recently reread Once Upon a Broken Heart [“Once”] and The Ballad of Never After [” Ballad”], and took notes [for myself] as I went, so I have more or less the perfect “tools” to do a theory post and my hype for A Curse for True Love [“Curse”] needs an outlet, so why not?

[I just got a shipping notification, which means I won’t get it tomorrow, so I’m trying to distract myself, ok?]

This is my first time doing one of these, so hang in there with me!

The big question on everyone’s mind: who will Evangeline end up with?

Instead of diving directly into that, let’s approach it by talking about where we’ll start – and what we’ll go through – with each villain. We’ve ended on the cliffhanger of Apollo taking her memories – too many, probably – and a statue sprayed with Jacks’s blood. With that, we probably won’t see Jacks as early as we’ll see Apollo, so what do we think is in store for us in regards to Apollo?

What Apollo did at the end of Ballad has left us all [I imagine] with a bad taste in our mouths. I, for one, ended Ballad not feeling any inclination to root for him at all, which isn’t how I felt before that. I’ve been Team Jacks from the beginning, sure, but I did, at one point, feel like Apollo wouldn’t necessarily be a bad fit for Evangeline, and, even if they didn’t end up together in the end, I did want Apollo to find his own happiness with someone else [I even entertained the thoughts that Marisol “stealing” him could be her last “attack” on Evangeline!]. Not at the end of Ballad, though! Given how Stephanie Garber “handled” Jacks up until this point, I imagine Apollo will likely follow the same pattern. That is, she’ll pull a bit at our heartstrings and put Apollo’s thought processes and actions into a perspective that we’ll all understand better why he’s doing what he’s doing [like we saw with Jacks going too far with Tella]; maybe we’ll even feel bad for him and start rooting for him again. However, my guess is he’ll follow the same path Jacks did with Tella, in that he’ll try too hard and write off too many “bad actions”/”bad decisions” with, “the ends justify the means” sort of mentality, which will paint him in an even worse light to Evangeline in the end. Because we all know Evangeline is likely to get her memories back, but, even if she doesn’t, I’m guessing she’ll still interact with and be drawn to Jacks, and Jealous Apollo will go too far in trying to keep her to himself, which is likely to drive Apollo to cross lines he shouldn’t, ultimately pushing Evangeline away – and into Jacks’s arms. [Boohoo, I’m so sad about that.]

Now, onto our favorite Stephanie Garber villain – Jacks!

I know we saw Jacks really start to show his feelings for Evangeline, but Evangeline hasn’t, and we haven’t seen Jacks admit/come to terms with his feelings for Evangeline. Which means, we’re most likely going to start off with Jacks being gone/removing himself from Evangeline’s life, but the draw, at least for Evangeline, will be there, so I doubt he’ll find himself able to stay away for long. What excuse he’ll find himself using, I don’t know. Maybe “just checking in on her on occasion” or something somehow tied to her safety, since he did just watch her die in his arms, or maybe under the pretense of “cashing in” on her last promised kiss? The reason won’t matter so much as the impact does, which is more than likely going to push Apollo, in all his jealous tendencies, to cross lines and overreact in regards to Jacks. Because of the released “WANTED” posters for Jacks that the publisher already sent out, we know Apollo, at some point, goes that far to try to keep Evangeline to himself. This much supports my theories, though I don’t have any theories on what, exactly, Jacks does to “earn” that poster. But I think Evangeline’s draw [and maybe his own?] will likely push Jacks to do something extreme to try to put some sort of final stop to it, once and for all? In an interview about the book cover, she mentions the biggest surprise of the book – for her and for us fans – was represented by the tree on the cover, saying it was a cryptic message to not give any spoilers. So, “the tree” – but what tree? The only tree that has been mentioned so far is the Phoenix Tree, which I’ve always felt like has more lore behind it than once scene in the first book warrants, but she also shared a picture of the Curse book map, which includes a “Tree of Souls” – so maybe that tree introduces something that Jacks can use to end his and Evangeline’s feelings once and for all? I’m intrigued by how one of these trees is somehow the biggest surprise – for both us fans and her! – in this book!

How does this tree [either one] tie into the story and to what character does it tie the closest to? So many possibilities, so little given away! I have too many thoughts to even begin here, so, unfortunately, I’ll have to leave this one to when we read, post-release!

Back our main man, Jacks, though!

Theories on why Jacks can kiss Evangeline without killing her: 1) Jacks can have more than one “One True Love”, aka there’s more than one girl immune to his kisses; 2) As Jacks discusses in Once, true love can break his curse, so no rules need to be followed; 3) The story curse is twisting the rules, which means the whole “One True Love” thing isn’t 100% accurate. If it’s #3, I don’t know if the “twist” will tie-in #1 or if it’ll be a completely different twist altogether.

Of the list of people vaguely referenced in Ballad, here are my notes: the apprentice to the villain who was still alive: Luc [“apprentice” to Chaos] or Apollo/Tiberius [though who would either be “apprentice” to?] but those theories are weak; the evil stepsister who’d been forgiven but was still out there somewhere waiting to attack once more: Marisol; the wish that had come true but wasn’t quite paid for: Evangeline’s wish to stop the marriage between Marisol and Luc; the seed that had been planted but had yet to grow: Jacks and Evangeline’s love. “The wish” and “the seed” could be a reference to Tella and Legend’s baby/daughter, but that doesn’t seem relevant to this story, so I’m not sure why Stephanie Garber would bring it up, unless it somehow ties to a future book she plans to do? Or maybe one of the epilogues?

Speaking of Marisol, though – I’m not sure how much of a role she’ll play in this final book. Marisol was, generally, swept aside in my head in a big way, but the last I can remember she was mentioned was Jacks scaring her away for Evangeline before Marisol gets killed by Luc, her fake ex-lover she never really cared for. But if she’s mentioned earlier in Ballad as, “the evil stepsister who’d been forgiven but was still out there somewhere waiting to attack once more”, that implies that she’s going to attack again, right? I don’t think she actively attacks Evangeline in any way in Ballad, so she must attack her again in Curse, right? I’m just not sure how. I can’t see what role Marisol would play in Apollo’s or Jacks’s plans/theories mentioned above, so I’m at a loss with her. Another possible epilogue?

That all said, brings up the next question: what are all the epilogues about?

There’s a chance they’re all just twists on Evangeline and Jacks’s [and Apollo’s] already-present ending [whoever Evangeline ends up choosing dies, so she settles for the other, etc.], but I don’t know that I buy that. I think the different epilogues focus on different characters’ endings, but which characters?

There’s the obvious choice of Evangeline + whoever she ends up with [I think I’ve made it pretty clear by now that I think Evangeline and Jacks are the OTP and end up together, so Evangeline and Jacks here], but I don’t see three different endings for them. Sooooooo . . . who else? A top guess for me is Marisol, especially if she doesn’t “attack” again in Curse. What form that attack might take, I don’t know. I also think there’s too much lore and foundation work for the Valors for one epilogue not to involve them. Maybe we see Chaos start to control himself [not sure what would motivate him when hundreds of years didn’t seem to help]; Aurora is an obvious choice as well, since she’s clearly tied up with the events that lead to the Valors locking themselves up in the Valory Arch; but there’s also the fact that some Valors got a lot of lore/attentioned [Wolfric and Honora, Castor, Aurora] and others didn’t [Dane, Lysander] so maybe something further about them? Maybe Lala and Dane, seeing them happily reunited? But there’s also Tiberius, who we never really get anything final with, either. My guess is Marisol, something about the Valors, and either Evangeline’s Happily Ever After, something to do with Tiberius, or maybe another Valors focused ending, like Lala and Dane?

What are your thoughts about Curse on this eve-of-release? Please feel free to comment or message me your thoughts!

As always, I hope you enjoyed the review, and be kind, stay safe, and read on!

Bring Me Your Midnight

by Rachel Griffin

Bring Me Your Midnight by Rachel Griffin

I don’t know how this is my third Rachel Griffin book, and yet I’m still surprised with the impact it has on me. Her work is somehow both light and heavy, both simple and complex, both short yet leaving a long impact. But here I am, surprised that Bring Me Your Midnight has done the impossible, yet again.

Rachel Griffin makes magic feel not only possible, but that it currently exists, hidden from society but undeniably present.

I could have devoured this book in a day, but I forced myself to make it last. The Nature of Witches is likely still my favorite, but that’s so hard to say when Wild is the Witch and now Bring Me Your Midnight just lingers in my mind, constantly creeping into my thoughts. Perhaps it’s because The Nature of Witches was the first, so it’ll always hold a special place in my heart. But Bring Me Your Midnight is undeniably it’s own thing, and just as incredible.

I was brought back to childhood memories of visiting the beach, of nearly drowning but not letting it stop my love of the sea, of days and days spent on the beach with loved ones, enjoying nature and the ocean. Even though I’m, to be honest, not a beach person, Bring Me Your Midnight has me wanting to visit again, just to be reminded of the beauty and majesty of the ocean and shoreline.

I don’t know what I was expecting with Bring Me Your Midnight, but I found it and then some. Between life stresses and what I think are book hangovers, I haven’t read a book in a week [as of me writing this], which is unheard of for me. The closest I come to taking a break from reading is waiting until the next day to start a new book, or forcing myself to take several days to read a book. With Bring Me Your Midnight, my book-hangover was cured, and it was a struggle to force myself to take longer than a single day to read it. I wanted to devour it, and it’s evidence that Rachel Griffin’s work is magic in and of itself.

That’s a really long intro, but, as usual, I went into this book knowing next to nothing about it, but you can know everything you want to by visiting the Goodreads page, which you can find here!

Recommendation: Read it. Have you read and enjoyed [to whatever degree] her previous work? Read it. Even if you’re not a fan of the beach or the ocean, it doesn’t matter. This story is light and deep, heavy and simple, short and lingering-in-your-brain long. It’s such a lovely refresh to anything you’re currently reading, it sweeps you off your feet to an island of witches and magic, and it constantly finds a may to creep back into my brain. Just like The Nature of Witches, I will likely be recommending it to anyone who reads books even remotely similar. If you liked The Poison Season, you’re in luck! It’s similar while still being its own thing. Read it!

Alright, now that I’m done semi-repeating myself on the simple yet complex entity that is Bring Me Your Midnight, let’s talk about it a little more. But where do I even start? I guess we’ll start with the magic system [non-spoiler-y like]. While there are similarities to the magic in Bring Me Your Midnight and Wild is the Witch, there’s a [spoiler-y] element to it that makes it different.

Tana is predictable in a lot of ways, but also unique. She has this strong love for her coven that has lead her to not push back against her lack of freedom [too much, anyway], and an even stronger, deeper love of her magic. So, when her magic, something she loves basically above all else, is essentially threatening to kill her, she left with few options – and by few, it’s really just one. Wolfe.

Wolfe is a great, complex character [who I might like more than Tana, to be honest]. He’s presented as her foil, in essence, but becomes something else not too long after he’s introduced in the story. He’s like and unlike so many other MLIs [Male Love Interests], enough of both to make him easy to read but also intrigue you enough to not get bored or leave you feeling like he’s a repeat of a MLI from another book.

While the story is a romance, it’s also so much more. [That’s not really a spoiler, right?] Yes, the romance between Tana and Landon – and Tana and Wolfe – are a big part of the story, but you could, honestly, kind of take them out of the picture and still have a strong story [in my opinion, anyway]. This book is as much a coming-of-age/coming-into-yourself story as it is a romance. And, in my opinion, it makes it a stronger book. It is almost two stories at once, and that’s kind of amazing. While I do think The Nature of Witches also sort of has this going for it [and I don’t think Wild is the Witch does], Bring Me Your Midnight executes this the best.

I found myself not wanting to put this book down, and I think you will too! Onto spoiler-y thoughts below!

**SPOILER-Y THOUGHTS INCOMING! IF YOU WISH TO AVOID THEM, STOP READING NOW! YOU ARE, OF COURSE, ALWAYS MORE THAN WELCOME TO COME BACK AND READ THE REST WHEN YOU’VE READ FOR YOURSELF, IF YOU’D LIKE!**

Will I be reading this book again? Maybe. Will I stare lovingly at it when I receive it and add it to my shelves with a happy heart? Definitely.

While I do feel like the magic system in this book is the least strict of the three magic systems Rachel Griffin has created, it doesn’t detract from the story. It just sort of makes the magic seem that much more fictional [which isn’t necessarily a bad thing – we read fantasy because it’s one of the most fictional genres there is, right?], but it is different from how Wild is the Witch and The Nature of Witches feel. Both of those books feel like those witches could actually exist, but the way the magic works in Bring Me Your Midnight feel a little less like that – mainly because it seems like the magic is more limitless in capability than the others. There’s never really a hard line drawn between what the magic is capable of and what it isn’t [other than it’s ability to kill the user if enough of it isn’t used, which is the central part of the story].

That’s really my biggest critical thought of the book, and it’s not even a real deal-breaker. It’s just another reason why Bring Me Your Midnight is unique from her other books.

Tana’s parents’ shop [and Ivy’s parents’] make me want to get into plants and botany [which is something that I’ve gotten more seriously tempted by when reading Outlander for the first time]. Tana’s love of the ocean has me, a not-beach person, wanting to go back to, well, the beach. Wolfe’s magic, and Tana’s introduction to it, has me wanting to find something that gives me a similar feeling [because that has to be possible outside of magic, right?].

[Also, Ivy might be my favorite character. And I’m curious if she takes Tana’s place and marries Landon to protect the coven and island. I feel like it was fairly heavily implied.]

All of that said, it was a beautiful, atmospheric read that had me on the that island of witches, the ocean nearly vivid enough to smell, and I find myself feeling like the first print case design just doesn’t measure up to how pretty the story inside it is [as in, the story is prettier than the first print case]! That said, I can’t wait to see some beautiful fan art that I’m sure this book is going to inspire in some talented artists!

Also, the ceremony Tana has to do when she comes of age gave me Divergent vibes, and now I want to reread that book. Why am I like this? Especially this year? It keeps trying to be the year of the rereads, but I have to be strong. [Right? . . .]

Anyway, if anyone loves botany and has any tips on where I should begin [especially botany related to tea and medicine], I’m all ears!

As always, I hope you enjoyed the review, and be kind, stay safe, and read on!

Painted Devils

by Margaret Owen

Painted Devils by Margaret Owen
@SeaFox.Adventures on Instagram

I was finally able to attend my first “big book event”, and I got to walk away with my FIRST BOUND MANUSCRIPT! And it’s the sequel to one of my favorite YA books of 2021! I can’t even begin to describe how excited and blessed I felt.

Did I mention that I also got the last one they had? [Queue feeling blessed.]

Anyway, Painted Devils may also be my favorite YA read of 2023. I never wanted to put it down, I thought about it constantly [when I wasn’t plagued by thoughts about Yellowface], and I think it’ll make the reread list – at least, when it publishes, so I can see if the last bit of polishing makes me love it any more than I already do. It’ll be tough to do, though.

I INHALED this book. I had to force myself on multiple occasions to slow down and give my brain time to process it all. But I 100% didn’t want to. I cannot WAIT for this to come out so I can hold a finished copy in my hands!

Like usual, I knew next to nothing about this book before reading it, but you don’t have to! You can find a link to the Goodreads summary of Painted Devils here!

Recommendation: READ IT. If you read Little Thieves and enjoyed it, definitely read this. If you read Little Thieves and thought it was ok, I still say read this. In my opinion, it may be better than Little Thieves. If you haven’t read Little Thieves, and you’re waiting to see how the sequel goes, I’d say this is your sign to finally pick it up. I’d even venture to say that if you didn’t enjoy Little Thieves to try this anyway, but that may be an exaggeration. [Only, though, if you weren’t already considering it.] Basically, if you are on the fence in any way, read it!

IT’S. SO. GOOD. Like, SO good. I likely won’t be quiet about this book for a while yet. If ever. Did I mention it’s SO GOOD?

Vanja is back on her usual behavior, though slightly better, and I’m so here for it. Her struggles are so understandable and relatable. Even the accidental start to the cult was understandable [if maybe not relatable]. Vanja goes through so much in this book! And, through it all, she’s even more loveable than she was in Little Thieves, and I couldn’t get enough.

Do you know who else was even more loveable in this book? Emeric Conrad. We get more of a glimpse into his head and his thoughts in this book, and I really enjoyed it. [Please note: I do NOT mean we get his POV in this book because we DON’T. I don’t feel like we’re missing anything by not having it, to be clear, but I don’t want people to misunderstand.] Like Vanja, he “deepens” as a character in this book. Not to say he was a shallow character in Little Thieves, because he wasn’t, but we learn more about him in Painted Devils. I also felt like he and Vanja made a lot more sense as a couple in this story, too. They were cute in Little Thieves, but they definitely feel more couple-y in Painted Devils.

**BE PREPARED FOR ALL THE FANGIRLING – I LOVE THIS BOOK SO MUCH! A-HEM. ANYWAY – SPOILERS [AND FANGIRLING] AHEAD. IF YOU DON’T WANT SPOILERS, STOP HERE – OR GO READ IT AND COME BACK, IF YOU’D LIKE! I’M NOT GOING ANYWHERE ANY TIME SOON.**

What’s there to NOT love about Painted Devils, honestly?

I’ll admit there were likely parts where logic was a bit thin and, “Is that really possible/consistent?” might have been present, but, honestly, either they were still, in some way, reasonable stretches, or they didn’t actually exist. [I just recognize that I sometimes gloss over those things post-read if I loved the book as a whole enough.] I’m not entirely sure I can remember a stretch [the closest I can come is Ragne’s horse form, but she’s just this being of incredible {if fluctuating} power, and I don’t know her actual limitations, nor the limitations of the horse she races against, but that’s the only thing I can think of?].

Granted, this isn’t a book for everyone, obviously, but I absolutely loved it!  It’s Little Thieves 2.0.  It’s more of Vanja 2.0 and Emeric 2.0, and OMG WHAT A RIDE! [See what I did there? With the Wild Hunt? Anyway . . .]

I have a new theory that I’m not losing my touch with guessing what’s going to happen in books – it’s that some authors write so well [and/or in such a way] that I’m so lost in consuming it as quickly as possible [and enjoying it so, so thoroughly], that I don’t have time to guess what’s happening next. Because I didn’t see the brothers and sister from the beginning as being Vanja’s siblings until practically when it was announced. I started to get a, “Hey, wait a minute . . .” kinda thing, but, honestly, not long before. We’re talking pages, at best. [So, clearly, this is a new category, and this book falls into it, and my other category, which is the Reread List. Does that praise the book high enough, or what?]

But I love that Vanja basically doesn’t get the chance to “perfect” herself before meeting her family, because rarely, if ever, in life, do things go the way they “should”, or, better put, the way we want them to go. And I love how Vanja handles it all – with just as much class [and curse words] as she handles basically everything else. [Yes, I know what I said there. If you haven’t read Little Thieves, you’ll understand that a little better once you do. Because, seriously, you should probably go read it. And then Painted Devils. Because duh!]

Also, can we just take a second to acknowledge that someone with Vanja’s mother’s personality would 100% be that extra and go to that length to try to sabotage her daughter’s happiness [especially if you {unreasonably} blame that daughter for “ruining your life” or whatever]. I mean, she did essentially take Vanja to what she was hoping was Vanja’s death when Vanja was a child. This woman has no limits to her selfishness.

I’m a firm believer that, if a large sacrifice/price is not paid by the MC, the story doesn’t hit as strongly. And, with Vanja, that’s exactly what we get. It starts off being something that seems harmless and easy enough [the blood drops offer, not the Emeric one, of course!], and then becomes a much, much bigger price, and then it becomes an even bigger one when she discovers it’s her brothers. Like. C’mon! And then the final “trial” step and the final battle take so much from her, and then Emeric at the end?? Like??

ANYWAY – speaking of Emeric, I love how Vanja and Emeric play off each other, I love how they work together, I love all the complications they come across, and I love [and hate] how Vanja leaves us at the very end. It’s so, so big of her to do that – but also, technically, it isn’t her call to make, which I’m imagining is going to be a central [ish, at least] part in Book 3. [No title for it yet, but it’s coming!]

Also, I love that she managed to sneak Ragne back into the story because is it really a story in this universe without Ragne?? I think NOT. I love her presence, what she adds to the group dynamic, and I just can’t wait to see more of her in Book 3. [And my inevitable reread of Little Thieves and Painted Devils. Obviously.]

ALSO, WHAT WAS THAT RIBBON ENDING, OMG, I NEED BOOK 3 NOOOOOOOW!!!!!!!

Alright, I think I’ve fangirled enough. I still feel like this review isn’t as strong as it could be, so I may come back and edit/update it, so don’t be surprised if you come back for a second read and things are different!

As always, I hope you enjoyed my [fangirling] review! Be kind, stay safe, and read on!

Yellowface

by R. F. Kuang

Yellowface
@SeaFox.Adventures on Instagram

Let me start off by saying how much I appreciate this ARC provided by HarperCollins UK! [Also, this design is fantastic – front and back!] This book has multiple genres, one of which is suspense, and I can’t tell you how much adding the tangible action of needing to flip pages to continue the story made the already amazing story that much more enjoyable to read. [While I completely believe I would still absolutely adore this book without it, it definitely didn’t hurt.]

I’m OBSESSED with this book! So. Obsessed. This is quite possibly [maybe, definitely] my favorite book of the year. It’s definitely my favorite book of Kuang’s. [For the record, I’ve only read Babel and The Poppy War – just the first book, I haven’t finished the trilogy yet. Doubt the rest will top Yellowface, though.]

ANYWAY!

If you’d like to read the Goodreads summary, you can find it here! Unlike normal, while I didn’t technically read the summary, I did know a good bit more than I normally know going into this reading. That said, it clearly didn’t take away from the experience, which I feel like has to just be further points in this book’s score.

Recommendation: Read it. Just, read it. Seriously. On the fence? Read it. Not sure if it’s your thing? Probably still just read it. Already a fan of these types of stories or Kuang’s previous work? Read it for sure! It’s so, so good, I can’t even properly put into words. GO READ IT. [Should probably also add that, even if this book isn’t normally your thing, read it anyway.] Seriously, there’s very few people I think I’ll ever not recommend this book to. Give it a go!

Take this as you will: this book is definitely on my reread list.

June Hayward is a character that, while you may pity her, you get an early feeling she isn’t quite the normal heroine, the one you root for and hope she accomplishes what she sets out to do. Somehow, though, you’re invested early on and you. Just. Can’t. Stop. Reading. While Athena is crucial to the story in a way June just can’t be, June has her own complexities. If you’re an aspiring [or actual, I imagine] author, you might recognize some of the desperation behind some of June’s decisions. You may even understand some of her justifications, her thought processes, and how she comes to some of the conclusions she comes to throughout the book.

Athena Liu, who doesn’t get as much “face time” as you’d imagine for someone who is this influential and a central piece to this story, is such a unique, complex creature. Even at the end of the book, you’re left with this mixed desire to meet her and get to know her more than you were able to in this story. [That said, you aren’t really left feeling like her story is in anyway really unfinished, in case that’s a worry!]

I kept wondering, randomly throughout my read, How is Kuang going to get me to root for June, this stealing, plagiarizing, manipulative person? And, somehow, without ever really getting me to root for June, I was captivated. I needed to know what happened next. I needed to know what June and the publishing industry and everyone else impacted was going to do about every new thing. Would June and the stolen manuscript “win”?

While the book was advertised as having a sort of “open ending”, where the intent is to leave it up to the reader to decide how the story continues past the last page of the book, the story doesn’t feel incomplete. Sure, you’re left wondering what happens next, but most good books end that way, don’t they? It’s almost expected, almost required in stories like these.

And this book doesn’t disappoint.

Also, be prepared to be bombarded with me continuing to talk about the book for the next . . . ever?

**THIS IS ANOTHER FANGIRL REVIEW, SO BE WARNED THAT SPOILERS AND FANGIRLING LAY AHEAD! READ ON AT YOUR OWN DISCRETION. YOU CAN ALWAYS READ THE BOOK AND COME BACK! THIS REVIEW DEFINITELY ISN’T GOING ANYWHERE ANY TIME SOON!**

OMG THIS BOOK IS STILL PLAGUING MY MIND, AND IT’S DEFINITELY ON MY REREAD LIST!

Ahem. Back to the contents: I’ve never read a book quite like this one. An MC who isn’t a heroine in any way, a victim of the MC who is also a villain of sorts, a villain who is really more of a spineless vigilante, viciously vocal but fair weather friends, and an industry willing to support them all.

The MC who isn’t a heroine . . . The only parts I “rooted” for June during was that disappointment about her ultimate failure as a published author. It’s a fear every author gets when they get picked up for publishing, regardless of their deal offer. I did not root for how she tried to go about “fixing” that failure, however; I wish to be super clear on that front.

On a similar note, the only part of June I did sympathize with is that deep desire to [successfully] make a dream come true. But June is willing to cross more lines and do more questionable things than I am/would be, if I found myself at the same, odd crossroads of “dream realized” and “not realized successfully”. I don’t envy June her position on that weird crossroads, but that doesn’t justify what she’s done.

That said, Athena doesn’t seem to be entirely “clean” in her decision-making skills, either. Like June, she’s also willing to cross more lines and do more questionable things than I would be, but, unlike June, it seems she has the talent that would make most people look the other way. It’s fantastic, the way this book manages to present two very different authors, but they’re also somehow very similar.

All of that aside, this is a book I didn’t know I needed until I had it. I can’t get it out of my head, and I don’t want to. It’s thought-provoking, blunt, honest, brilliant, mind-blowing, gripping, epic, and so much more. It’s a book I’ll likely be reading again and again and again and again and . . .

The little back-door glances into publishing was also not only enlightening, but so enjoyable to see! Outside of non-fiction works, you don’t normally see stuff like that about publishing. It made reading about it in a fictional work so much more enjoyable!

Literally, the only people I won’t recommend this book to would be people who either just can’t get into anything other than a specific genre [as in, they can only get into fantasy or sci-fi or something]. If there’s even the slimmest of chances someone will like it, I’m going to recommend it.

I would say, “I apologize now for how often I will be bringing this book up”, but I’m honestly not sorry. [Unless it ends up turning you off from trying it, because then I’d be very, very sorry.] This book deserves to be shouted about from the rooftops, and I plan to do just that.

All of that said: be kind, stay safe, and read on!

Tell Me What Really Happened

by Chelsea Sedoti

Tell Me What Really Happened
@SeaFox.Adventures on Instagram

A big thank you to Sourcebooks Fire over on NetGalley for approving my request for an eARC! I’m trying to branch out more this year in genres, and Tell Me What Really Happened is perfect for that goal! I was so excited when I got approved, and I consumed this quickly and as soon as I could.

I went into this book, like most of my books, without reading the summary. Unlike most of the other books I read, I went into it knowing genre and the cover art – and nothing else. Well, besides people saying it was good online. [But no spoilers were read!]

And, I have to say, I don’t disagree.

But, as always, before getting into my recommendation and some non-spoilery thoughts, you can find the summary for this book at the Goodreads link here!

Recommendation: If you’re looking for a good YA mystery, that also happens to be under 400 pages and feels like a quick read, definitely give this one a go! If you’re not looking for that, but you’d like to read a book with some good twists and small details that all add up at the end, you might like this one! If this helps you make your decision, it’s written entirely through first-person police interviews, which adds a really fun and unique twist. All in all, I definitely recommend it, and can’t wait for it to come out!

Even the summary doesn’t tell you any character names, so I can’t speak to any character specifically before the spoiler line without being spoilery, but I can say that the characters didn’t feel superficial or forced. There is, of course, a character I find “weaker” than the others, but even that character doesn’t feel weak, exactly. It’s an interesting combination of teenagers with varying degrees of relation [as in, having relationships with each other/how they know each other/how close they are to each other] and all with their unique personalities and quirks.

I didn’t want to put this book down once I got into it [which didn’t take long!], and I kept thinking back on it once I read it. It didn’t plague my mind like Yellowface or Painted Devils has, but it’s definitely one of the better reads I’ve had this year, and I’ve read some good books so far!

**SPOILER WARNING LINE! THERE WASN’T MUCH I COULD TALK ABOUT THIS BOOK WITHOUT BEING SPOILERY, SO GET READY FOR ALL THE SPOILERS AND DETAILS!***

As much as I read nearly exclusively fantasy now, I grew up reading mainly mysteries with some thrillers mixed in, as that was one of the bigger genres read by one of my parents. Reading this book was like a nice memory jog of my growing-up reading days!

That aside, back to the book. Maylee is such a complicated character. While I found myself mostly annoyed with her, I can understand where her logic and goals come from. She felt manipulative, selfish, and close-minded. Which sounds like a really good line-up of a lot of things I don’t like a person to be. I also don’t really understand Maylee and John as a couple, but some couples don’t make sense on paper while still working in practice. You never know, I guess.

John’s character wasn’t the weakest of the bunch, but he did feel a bit like the obvious scapegoat. That said, he was then turned into a plausible character once more motives and details of the story came to light. As the book went, he felt less forced or weak and more completely plausible. In the end, he and Abigail ended up being my favorite characters. [Because I can rarely ever choose just one favorite character.]

Abigail felt like one of the strongest characters in the book, and I love that about her. She had a well-presented [in terms of how it was written and how it was told to us as the story went on] backstory and life. I actually found myself usually enjoying her parts the best. She felt like a character I could actually see myself being friends with, especially back in high school. Her being “trailer trash” wouldn’t have bothered me, because why should it? While she does end up being a suspect, it felt natural and logical for her to have a motive. Being the feeling-used secret-ex will do that to a person, honestly.

Speaking of the secret-ex, Petra drove me crazy. [Get it? Because, even though she proclaimed to be Maylee’s best friend, she didn’t know about her dating Abigail.] I understand that she’s likely supposed to, but oh my goodness, who could be best friends with her, seriously? No wonder Nolan blows up at her! Don’t get me wrong, I’m all for bluntly-spoken people, but there’s a different between being blunt and Petra. She’s blunt, a control-freak, plans-everything-down-to-the-second-if-she-can, needs-to-be-the-center-of-someone’s-attention teen girl, and maybe she helping me discover why I didn’t really have a lot of female friends in high school. Guys are much better company, in my opinion. Especially in high school.

Speaking of boys, there’s Nolan. Who, I think, is the weakest character of the bunch. Sure, he’s got some unique aspects to him, but he felt a bit forced. While his backstory doesn’t strike as unlikely or improbable, there’s something about how deep his Big Foot obsession goes that feels a little . . . off to me. I don’t know. And then his only contribution to the story for awhile is to be a slight pain to every one on the trip. He’s only there because of Petra and Petra’s dad, he barely knows anyone there, and, outside of his Big Foot obsession and relation to Petra [and having sort of grown up with Maylee?], he just becomes a plot device to throw suspicion onto, and to establish Abigail as a lesbian rather than bi, like Maylee is established as. While him and his drunken shooting of Maylee comes into play [but ultimately isn’t her cause of death] and his Big Foot obsession sparks everyone’s fear of not being alone in the woods, the story likely would have been more or less fine without him. That fear could have been drummed up with Maylee making John watch the scary movies she makes him watch, and Nolan’s presence wouldn’t have been missed.

But that’s basically the harshest critique of this book I’ve got, to be honest. While it wasn’t a five-star read for me, it was a solid four!

Between Yellowface and Tell Me What Really Happened, I’m really enjoying dipping my toes outside of fantasy this year. It’s a nice reminder that, before fantasy essentially consumed my reading habits, I enjoyed other genres too. I’m hoping to mix it up more in the future, so fingers crossed I keep finding good books like these in non-fantasy genres!

I hope you enjoyed this review! I’m aiming to clear some of my review backlog [so many draft posts I never got around to polishing], and to get better about posting my reviews quickly after reading them. Send good vibes! As always: be kind, stay safe, and read on!

Godkiller

by Hannah Kaner

Godkiller
@SeaFox.Adventures on Instagram

Thank you so much, HarperCollins UK and Harper Voyager, for the gifted eARC! I was so ecstatic to receive it!

Now, I just need to get better at remembering that books like Godkiller take me longer to read than most YA books I pick up. We learn and improve for next time! Aka, I won’t make the same mistake for The Adventures of Amina Al-Sirafi. [Which, as we all know, I didn’t, since that review got shared first.]

ANYWAY, onto Godkiller thoughts!

Godkiller felt very much like an amazing, smooth blend of the high fantasy I grew up reading and modern writing. It felt like going back to the high fantasy books I read as a kid [yes, I was that weird kid reading books like The Wheel of Time while a pre-teen/teenager], but with a more modern feel. And, honestly, I loved the masterful blending of the two. It’s almost definitely going to be at the top of my list of books of 2023.

Another way to describe it is inspiring. Godkiller is everything Game of Thrones is, in terms of high fantasy, without being quite so dark, quite so gritty, and quite so sex-filled. It leaves you with the feeling that anything is possible, both in your own life and, if you’re so inclined, in the world of writing.

[Not really spoilers, exactly, but just for your knowledge on what I mean by “a more modern feel”: one of the main characters reads as bisexual/queer with a limb difference and scarring; another main character is a POC with PTSD; and a side character is deaf. The world is also queer normative.]

Recommendation: If you love high fantasy and want one with a more modern twist/inclusive content, this is the book for you. If that sort of thing bothers you [PTSD content, queer content, disability content], then it, sadly, probably won’t be for you.

Kissen is such a fun, original heroine. She’s the kind of woman society pushes ladies NOT to be. She’s crass, sassy, and speaks her mind. She’s also fantastic. Before you know it, you’re attached to her and her success, rooting for her in a way you might originally have thought you wouldn’t. Also, I love her disability rep – that you can be disabled but still be an absolute, respected bad-ass [even if that respect comes with the judgemental edge most of the time]. Very few people who have seen her in action have resorted to judging her for her disability – but rather her rough personality. But can you really blame her? After everything she’s been through?

Elogast and his story act as what I’ll call our first twist to the story? His quest from the King is presented fairly on in the story – during our first chunk from his POV, actually – and acts as the timing element to the story. Kissen, Skediceth, and the noble little girl’s drive in the story is still central to the story, but there’s no real rush to address their part. It can take as long as it takes – but not Elogast’s. The King and his quest can’t wait.

Skediceth. He’s . . . a handful? [Does that count as a pun?] Honestly, though, the range of emotions Skediceth’s presence in the story puts you through is part of what makes this book so enjoyable. He’s a complicated character who, in turn, complicates the story. His connection to the noble little girl drives a lot of this story, more so, even, than any part of Kissen’s part of the story, honestly. He adds so much dynamic to the story [besides the obvious, which is nettling Kissen by her inability to kill him even though she really, really wants to], and he’s not quite what I expected when I picked this book up. I don’t want to give too much away, because I enjoyed that discovery that I thought was “spoiled” for me, but, if you’ve read the story or know details about Skediceth, you already know what I’m talking about.

I can’t really speak too much to, “the noble little girl” attached to Skediceth, but I’ll say that I was really worried she’d read minor, maybe shallow, maybe flat, but she doesn’t. She isn’t just part of the packaged deal with Skediceth, but rather her own, complex character. I can’t go too much more into her without spoilers, though [including even her name!], so I’ll save further discussions regarding her for after the spoiler line.

**AS USUAL, SPOILERS LAY AHEAD! STOP NOW IF YOU DON’T WISH TO BE SPOILED. IF YOU’D LIKE, YOU CAN GO READ THE BOOK AND COME BACK, OR JUST STOP HERE. YOUR CHOICE!**

Inara is the little noble girl’s name, just to clarify for all future references to her.

Speaking of Inara, how terrible of a start was that? She went from being a frustrated, isolated noble girl who had a secretive mom and a full house of workers to nothing besides a little god who depended on her to survive. That’s insane for a little girl to deal with on top of said little god’s expectation for her to find a way to free him from that dependency on her. She loses everything and the only “person” she has leFt is essentially telling her they want to leave her? Talk about rough.

I love that, even though Kissen is talked into taking care of Inara, she doesn’t immediately take to her, and instead Kissen slowly begins to care for and be protective of Inara as their journey goes on. It doesn’t feel forced or too quick, which is lovely.

Also, I absolutely love the disability rep with Kissen. Her disability doesn’t stop her from being a badass, and it’s so nice to see a rep that not only tells everyone that disabled people can be badasses, it also shows the “behind the scenes” about it, about how she makes being disabled and being a badass work. You can see what she does to not only make herself be a badass, but you also see her without those “aides” – and not be embarrassed or ashamed by her “unaided” state. Because there’s nothing for Kissen to be ashamed or embarrassed about with regards to her disability. And the reader can see that in Kissen.

Elogast being a retired-knight-turned-baker isn’t a background or “career progression” I would have expected, but it not only works for Elogast, but I really like it! It’s such a unique twist that both works as a plausible choice for his upbringing and for dealing with his past trauma. While it is a super useful skill for journeying, it doesn’t feel like a “convenient” part of his character, if that makes sense?

I didn’t realize how much I missed the sort of journeying you only really find in high fantasy books. The bridge city was so much fun to read about and imagine! I hope it comes up in a future book. [You can peep some art of that city in the picture at the top of my review! It makes for beautiful endpages!] I can’t wait to see what comes in book 2!

I don’t know if I’m losing my touch at “knowing how a story is going to go” or if it was just really well done, but I didn’t see the King’s betrayal until it was right there. How did I miss that?? I’m losing my touch! [That means I need to read more, right?]

In that vein, though, I did see the “pairing” of Kissen and Elo from early on. So at least I still have something going for me? . . . We’re not going to talk about it.

I love the word-building with the gods and how they and the people work together. It lends well to being believable that they co-exist the way they do – in harmony and in conflict! Neither feels forced or improbably. It’s a world I can completely see existing, and while I might not necessarily want to live in it, I don’t see why any given character wouldn’t want to.

I’m excited to see how Kissen, Elogast, Inara, and Skediceth all meet up later on, and how their journey continues going forward! The twists in Godkiller were done well enough that I’m very much looking forward to the sequel, and everything Hannah Kaner has in store for us. It doesn’t beat out Yellowface as my favorite adult read this year, but, unlike Yellowface, I get to look forward to a sequel, so it has that going in its favor!

As always: be kind, stay safe, and read on!

The Adventures of Amina al-Sirafi

by Shannon Chakraborty

The Adventures of al-Sirafi
by @SeaFox.Adventures on Instagram

First, a big thank you to Harper Voyager for the ARC! It’s been an absolute joy to not only have early access to this wonderful story, but to be able to hold this story in my hands, to turn the pages, to have the ability to flip back to previous parts!

Second, I don’t know if I just don’t realize I’m a fan of pirate stories, or if Amina’s story is just so wild that I’m a fan of her story.

As always, if you want to read the Goodreads summary, you can find it here.

Alright – onto the actual review!

Recommendation: If you like pirate or sea-based stories and you’re an adult action reader, definitely give this one a go! If you’re unsure if you are, this would be a good one to use to figure that out. If you’re on the fence, feel free to read more of my review to decide. I may help you lean one way or the other! But, if you aren’t a fan of pirate or sea-based stories or you’re leaning towards passing on this one, I would probably suggest you pass. It probably isn’t the book for you. This isn’t a “it doesn’t matter what you like to read, you need to read this!” kind of book. [Not to say it’s bad, it just isn’t that kind of book, if that makes sense? No knock to the quality of the story in any way. I enjoyed it!]

Amina is such a lovely and complex character. Just like the general assumptions made about female pirates, she’s not what society expects of her. She’s not a demure, subdued housewife; she’s not your usual mother [although she does have her “mama bear” moments]; and she defies [basically] all assumptions made to her face about what being a female pirate means about her and how she works.

Also, she’s kinda funny. There were several times she or another character [or their banter/exchange] made me laugh out loud.

As there are no more characters mentioned in the published summary, that’s all for the character-specific comments. For the story, though, I do have some spoiler-free comments. Mainly that the majority of the book felt like a standalone. Not in a bad way, mind you, but in a way. There were moments that it being a standalone felt right, and moments I wished it weren’t true, even if it still felt like a standalone. I enjoyed [most of] the characters [you’re not supposed to like them all, after all], I enjoyed the adventure, I enjoyed the format, so when the shift to, “Oh, this isn’t a standalone” came, I wasn’t upset about it. It did feel a little random/forced, I’ll admit, but, overall, it works, I think.

**SPOILER LINE – TURN BACK NOW OR READ ALL THE SPOILERS! AS ALWAYS, THIS REVIEW WILL REMAIN RIGHT WHERE IT IS, SO FEEL FREE TO JUST COME BACK IF YOU’D RATHER READ THE BOOK FIRST! I’LL BE WAITING.**

I’ll let you in on a little secret: while I enjoyed this book, I didn’t love it. So this spoiler section isn’t going to feel as gushy and fan-girly as some of my others are. That’s not to say my recommendation above is wrong or a lie, because it isn’t. This book just not only doesn’t make my favorites/reread list, it’ll be a book I only suggest to some people.

The “mother” angle was a fun twist, but, as someone who isn’t a mother, I can’t really speak to how well or poorly that was executed. All I can say is that it at least seems plausibly accurate, and it adds a unique character depth that most MCs don’t have.

I do find her godly run-in and new mission to be a little forced and random. That said, it does work with everything else, between the supernatural contents we see occur, and the entire character of Raksh. It’s just not the smoothest, most “logical” [?] progression to the story, in my opinion. Not badly done or bad, just a little forced. [I will say, though, I love that the number of her upcoming missions doesn’t match up with a trilogy, and now I’m curious to see how they’ll be split up, or if Amina ends up incidentally knocking out two in one mission and tries to argue that it counts as two, even though the other was sort of a bi-product. It seems like something Amina would do.]

Also, Dalila is a HOOT. I love her and her chaotic energy, her love of violent answers and solutions to every question and problem, and her absolute embrace of her crazy reputation. I’m hoping, in future books, we get more about her backstory, but I would also fully support that remaining a secret. Perhaps it ends up playing a direct role in a future installation? Perhaps they end up having to rely on her secretive people, have to convince them to help Amina and her cause? We’ll see!

Tinbu and his love of the ship cat are precious and should be protected at all costs. He’s not quite the cinnamon roll, but he’s the closest Amina’s story has, I think. His loyalty and [platonic/professional] devotion to Amina is lovely to read.

I’m a sucker, I think, for a good brother-figure [even if they aren’t blood], so of course I love Majed too. Even if they don’t start off on the best foot. I love that he thinks his wife doesn’t know, even though she does [and is curious about stories, to boot]! I love that Amina isn’t the only parent on this journey, and it’s so interesting to watch those “identities” impact their decisions and actions.

Raksh is something. I don’t know if I buy that he’s a demon [or, like he says, that he isn’t really one, exactly], but he’s definitely not human [aside from his powers, just the way he perceives the world and right and wrong is just so not-human, if that makes sense], and I’m intrigued to see how he impacts the story going forward, especially in regards to Marjana. [Speaking of Marjana, I’m intrigued to see if she and her past/blood plays directly into future stories, similar to how she indirectly impacted this book.]

No one feels like an overused or recycled character I’ve read before, though I could likely name other characters from other stories they remind me of. {Sort of like a, “Oh, you like [this character]? Try [this other character] in [this other book]!” kind of thing.} Which, I feel like, is high praise nowadays with everyone saying every character reads and feels the same as the last book they read [and the one before and the one before, apparently]. I feel badly that some people feel that way, and I hope they find books that stop feeling like that.

Moving on, though, I hope you enjoyed this [not gushy and fan-girly] review, and I have another couple up my sleeve, so stayed tuned for more!

[I also just got an ARC in the mail that I’m super excited to get to, so hopefully a review for that is coming soon, too!]

As always, stay safe, be kind, and read on!

Hell Bent

by Leigh Bardugo

Hell Bent
@SeaFox.Adventures on Instagram

**PLEASE NOTE THAT THIS BOOK IS FOR ADULT READERS, SO THIS REVIEW WILL BE WRITTEN FOR ADULTS AS WELL.**

I can’t believe I got my hands on this book early. Dream come true, and I can’t wait to get my hands on a final copy!

The best way I can think to describe Hell Bent is that it’s the natural next step of Ninth House, and that it gets to “enjoy” the fruits of the world building labor that Ninth House so kindly put in for us. If Ninth House was the introduction and groundwork foundation of magic, Lethe, and The Houses of the Veil, then Hell Bent is the exploration and expansion of the true world of magic Lethe and the Houses dally in. The Houses use magic for power, but the true world and nature of magic, as we discover more in Hell Bent, is dark, gritty, deep, expensive in sacrifices and costs, and so much more than we see in Ninth House.

If Ninth House whetted your appetite for this kind of magic, Hell Bent will feed that appetite – and then leave you begging for more.

I had a few theories from Ninth House, including the return of a somewhat minor character, that very satisfyingly came true in Hell Bent and then some. Even if you haven’t guessed, though, it doesn’t make you feel “stupid” for not having figured it out, if that makes sense? Also, just like with Ninth House, the beginning of Hell Bent is a little slow, and also basically identical in “format” to the beginning of Ninth House. It starts out with a teasing, exciting “future” scene that has you wanting to know more – and then hits you with the usual slow-paced “current” scenes.

Recommendation: If you loved Ninth House, you’ll probably love Hell Bent. They do feel different, but they still work together at their core. The dark academia vibe is strong in Hell Bent, if that’s something you particularly enjoyed in Ninth House, but it’s so much more. Despite the slow beginning, I think it is a book worth pushing through. I do recommend you read my “recap” review of Ninth House to make the beginning of Hell Bent easier because, not only does a lot happen in Ninth House, but there are some connections that might not have seemed very important that come up in really satisfying, “Ah-ha!” moments. All that said, I don’t think you need to.

“The Devil knows your name now, Galaxy Stern.”  Technically, this isn’t a quote on Goodreads, but it is a quote shared by Leigh Bardugo pre-pub, so I think it counts as spoiler-free?  Anyway, onto Alex in this book, our badass Gray-seer and Mistress of All Things Fucked Up, round two. Not to give too many spoilers away, but I don’t really see this as a spoiler – we get to discover/see a progression of sorts on Alex’s Wheelwalker abilities/powers. We see her blend her old ways with her new, Darlington-influenced ways. If you though you knew Stern in Ninth House, think again. We meet an Alex closer to the one Hellie knew – and I’m kinda here for it.

I can’t really talk too much about Dawes without getting too spoilery, but I hope even that implies what I’m trying to convey here – we get more Dawes, which is what I was really hoping for. Well, that and seeing Darlington as the Gentleman Demon. Because, duh.

And Michelle, just . . . wow.

Other things we get to see, non-spoilery: more rules and exposure to Hell and demons and the steep cost of magic; a return of some beloved characters [in several ways! Some bitter sweet!]; learning more about our key characters; heartbreaking moments, depending on what and who you care about; and the opening of yet-unexplored doors.

**SPOILER WARNING – I’LL TRY TO KEEP THE GUSHING TO A MINIMUM, BUT SOME MIGHT LEAK THROUGH. SO, BE WARNED – GO READ THE BOOK WHEN IT COMES OUT AND THEN COME BACK. OR READ ON AND SPOIL YOURSELF, LIVE YOUR LIFE THE WAY YOU WANT TO. I’M ONLY HERE TO HELP YOU DO JUST THAT.**

OMG, THAT INTRO!

I mean, of course part of you was like, “That can’t be because of Darlington! . . . Right?” But then you just didn’t quite know.

AND I CAN’T TELL YOU HOW MUCH I WAS HERE FOR THAT.

Anyway – I love that we got to see some more of Dawes. We got to see a bit in her head, to see how she works, to see how her story and introduction to Lethe went. We get more of the new Dawes/Alex dynamic, which is just so endlessly amusing and fantastic to me. I love them so much.

But we also see more of Turner, which was great, too. Seeing more of him, more of how he ticks, and how he got where he is now – it’s just all so well done. I loved his refreshing, normal-person response to the world of magic. We saw it a bit in Ninth House, but you see it more in this book, I think. For Dawes, it’s just sort of . . . another area of study that doesn’t exactly describe her, given the nature of her dissertation before Lethe even picked her up? For Alex, as much as she didn’t exactly realize she was magical all her life, it’s more of an, ” . . . Oh, ok, this is starting to help make everything make sense . . .” Darlington has been searching for magic basically all his life, so, he’s not exactly a “normal person” the way Turner is. Turner is almost more skeptical than your average person, but, even so, that just helps bring his almost antithesis perspective to everything. He responds the way most people actually would respond if they were confronted with things, though most people want to believe they wouldn’t. I don’t know, I just appreciate his presence serving as a reminder that none of this is actually normal, even though it’s kind of . . . become the normal for the rest of them?

MOVING ON – can we just take a second to just be in jaw-dropping awe of Alex’s Wheelwalker powers? Just . . . the easy-walk-into-Hell ability, the depth of power and control she has, and the fact that she can now hear Grays?!?!?!? Without having to do anything extra?? I mean, of course, that’s more a cost of her magic rather than a reward, but that doesn’t stop her from using it for her own gain, does it?

Which reminds me – her unapologetic blunt, and maybe harsh, ways are, for some reason, fantastic to me? Like, she has no problem reminding people that she doesn’t fit society’s rules and expectations for “genteel” women, or women in general, for that matter. She doesn’t care who she hurts to get when she believes she needs to get done. While she isn’t without remorse or regret, there’s a certain . . . self-acceptance she’s developed to cope with the sometimes-steep cost of doing what needs done. It’s respectable, I think, to a certain degree. Ruthless, sometimes reckless, but still something to – maybe not admire – but respect.

AND THAT MICHELLE TWIST, OMG!

I mean, I think we all knew something was off with her, especially throughout Hell Bent, but THAT? It definitely makes sense, the signs were all there, but because you didn’t expect it of her, you didn’t see it until it was practically right on top of you. It’s fantastic.

I’d keep going on about everything I loved, but then I would end up just writing another [fangirl-esque] recap, and that’s not what I want for this review. Basically, whenever you think you know what to expect next, it’ll somehow be different, but also not, and it’s just phenomenal.

There’s just so much to unpack in this story! I will likely reread at least Hell Bent before Alex Stern #3 comes out because I know I missed things that another read through will bring to light. Maybe I’ll even be able to make [accurate] predictions for book 3!

This book is becoming a study in well-handled twists, character building, character execution, and character-impacted-plot-development [is that a thing?], and I’m still mulling it over over a month later! I was going to get this review up about a month ago, but I just kept feeling like I was falling short of doing this review justice.

That said, I really hope this review helps convince someone to pick up this series, or to give Hell Bent a try if you felt kinda meh about Ninth House. Because, so long as you can handle the triggering, dark content, I think this series is well worth it to try.

All that said, until next time: be safe, be kind, and read on!

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